The Truth Will Set You Free

Telling the truth.

It’s a basic building block of society. A moral imperative. Something we raise our kids to do; something we expect of each other. And yet, in an era where Fake News is a real and troublesome thing, it’s good to be reminded every now and then of how important telling the truth acutally is.

Truthfulness, not surprisingly, is one the Divine Qualities mentioned in the Bhagavad Gita, and while I’ve written about truth before, having the opportunity to view all sorts of virtues through a different lens has kept me interested in exploring the Divine Qualities during the course of this year. And, having spent last year focusing on delight in all its myriad and unexpected forms and often finding joy the tiniest of details, it is equally unsuprising to me that a couple of things have happend to me lately that inspired me to view truthfulness via…ballet.

Yes, ballet.

Relax, please relax — I’m not about to include video footage of myself or anyone else explaining truth via interpretative dance.

Rather, the first oddly inspirational thing that happened was that I didn’t go to the Ballet, even though I had planned to see the Australian Ballet’s final Sydney peformance of Counterpointe. The truth, difficult as it was to admit to myself, was that I was simply too tired to go. Circumstances (think sick kids, a bunch of meetings, various deadlines, a whole pile of domestic detritus and an emergency call to the Fire Brigade when my car unexpectedly started spewing petrol from its undercarriage) conspired against me, and I was exhausted.

So I owned it.

And I didn’t go.

I didn’t go, even though I would have genuinely loved to. I didn’t go, despite the fact it meant I missed out on the first live performance I’d planned to see since COVID hit. I didn’t go, which means I haven’t ventured across the Sydney Harbour Bridge in well over a year.

Most importantly, I didn’t go because I was honest with myself — and, as a result, was dressed for bed before the dancers stepped on stage and was slumbering well before the final curtain fell. I deliberately chose not agonise over my decision to stay home, so I slept soundly. I did not succumb to the sickness my kids had brought home, because I consciously prioritised rest. And that meant…drumroll please…that I was free to do the things I wanted to in the days that followed.

It may not sound like much — going to bed instead of going to the ballet — but, if 2020 taught me anything, it was that the little things are often the ones that really count.

Except when you’re Rudolf Nureyev, and then the BIG things count.

And, of course, that brings me to my second inspirational thing: watching Jacqui and David Morris’ 2018 documentary Nureyev. Even though the film has its flaws (when Rachel Saltz reviewed it for the New York Times she noted in her title “His Life was High Drama: this Film Could Use More”), all of the footage depicting Nureyev is transfixing. Regardless of whether he was performing on stage, being interviewed on television, or simply walking down the street, Nureyev commanded attention — and deservedly so.

Nureyev wasn’t just a star, he was more like a comet blazing through the skies.

His story has everything: childhood poverty, Stalinist persecution, rising fame across the Soviet Union, defection to the West at the height of the Cold War, global stardom, tumultuous relationships on and off stage and, finally, death from an AIDS related illness. He was a man in motion, from the moment of his birth — on a train, en route to Siberia in 1938 — and he lived and danced with an instantly recognisable intensity. The documentary does show some archival footage of Nureyev dancing, rehearsing and teaching, and also includes some memorable still photographs taken by Richard Avedon, but somehow the audience is still left wanting more — more Nureyev, more, more more.

And yet, despite its shortcomings, a couple of moments in the film took my breath away.

The first was during an interview, when Dick Cavett asks Nureyev (resplendent in a snakeskin tunic and matching thigh-high platform boots) whether he remembers the first time he knew he wanted to be a dancer. The camera switches to Nureyev’s face, capturing the exact moment when his dark brown eyes begin to gleam as he nods his head slowly, recollecting the occasion, and no doubt the feeling, of knowing that was what he wanted to do.

The truth in this exchange — not verbalised, but demonstrated — is palpable, and beautiful.

The second was when the film explored Nureyev’s defection to the West in 1961, an incredibly dramatic event not particularly well rendered visually in the documentary, but memorable because of the voiceover providing the words of Nureyev himself. Faced with the choice of returning to an uncertain future (and possible imprisonment) in the Soviet Union or remaining in Paris, Nureyev calls on the one person he thinks may be able to help him: French socialite Clara Saint, who at the time was engaged to the son of the French Minister for Culture. It is Clara who alerts the gendarmes at the airport that there is a Soviet dancer who may be wanting to defect, and it is also she who explains to Nureyev what he has to do in order to gain their protection.

You have to tell them what you want to do.

In other words: truth.

You have to tell the truth.

Nureyev then tells the French police:

I want to stay here.

And with those words, the truth set Nureyev free.

Sometimes, truth can be found in the tiniest things.

Other times, it’s in the very greatest things of all.

Not Backward in Coming Forward

I’m not quite sure what it is about April, but it can’t be a coincidence that around Easter each year, many of my intentions end up becoming just that: intentions, not actions. I’ve written about it before, the irony being that in April three years ago, I’d even selected “Intention” as my Word of the Month. Perhaps it’s because the autumn school holidays often fall in April down here in the Great Southern Land, and many of my regular routines go out the window. Or maybe it’s simply because after keeping all the balls in the air for the duration of a ten week term, I’m well and truly ready to let them drop.

Regardless of the reason, as the years go by I am finding it far easier to forgive myself when my intentions do not manifest themselves into fullblown technicolour actions. So when I realised it had been over a month since I had last posted here — despite my intention to examine a Divine Quality from the Bhagavad Gita every two weeks — I was not particularly fazed. Rather than stressing about it (which I probably…no, let’s make that DEFINITELY…would have done in the past), my response recently has been far more Imma let dat go

And believe me, folks, my new approach is a far more liberating and wholesome response than the riot of mental chatter and self-chastisement that I would have engaged in previously. Not only have I decided that fretting over something I haven’t done is not worth my time or effort, but I’ve also elected not to try to make up for my shortcomings. Yes, I had planned to look into a couple more Divine Qualities — I think they were meant to be Religious Rites (and seriously, when it comes to those, you do you), and Self-discipline (which I generally have in spades, though once again I appreciate the irony of the timing), but now?

Nup. Not gonna.

“Simples,” as those funny meerkats on the TV would say.

Which brings me, without fuss, to the Divine Quality I am going to look at — Straighforwardness.

Oh, you didn’t get those posts done? So what. Move on. What’s the next Divine Quality?

STRAIGHTFORWARDNESS.

I know, right?

Delicious irony, yet again.

It’s a bit like Fearlessness, the Divine Quality that inspired this whole dive into the Vedas. Straightforwardness is a quality I really did not expect to find on the list. I mean, growing up Catholic I knew that there was a Saint for just about everything — Saint Vitus for sore throats, Saint Florian for chimneysweeps, even an Egyptian hermit called Saint Anthony the Abbot who is apparently the patron saint of pizza makers, fire fighters and pigs.

St Anthony the Abbot and a…pig…

But a Patron Saint of Straightforwardness?

Nup. Not ever.

How good would it be, though, if straightforwardness was heralded as a virtue more often? How amazing would it be if politicians gave straightforward answers? If the pundits explained things simply? If my children actually acknowledged, up front, that they were not going to clean their rooms?

Maybe it’s because I’ve never been backward in coming forward that I find straightforwardness so appealing as a Divine Quality. Honestly, the fact that the Bhagavad Gita suggests that being straighforward brings you closer to the divine truly tickles my fancy. It’s so…practical.

Just tell it like it is, and walk your talk, and you’ll be on the path to divinity? That’s awesome! Bring it on.

Because life is messy.

Regarless of our intentions — good, bad, indifferent — I suspect life will ALWAYS be messy. Probably at least twenty seven kinds of messy all at once, if I’m honest.

So if you ever feel like you’re hurtling towards the abyss, or you find yourself mimicking a meercat in a cravat and ruby-coloured crushed velvet dressing gown, or (even worse) you end up hunched on a riverbank an in ill-fitting robe beside a pig, try a little straightforwardness.

With yourself.

With the people you live with.

Hell, you can even try it with your pet pig.

Mind yourselves,

BJx

All or Nothing?

By some small miracle, I managed to wend my way through the shitshow that was 2020 without consuming a single drop of alcohol. It was a conscious choice, and one that I adjusted to astonishingly quickly, surprising no one more than myself.

When 2021 rolled around, however, I found myself wrestling with whether I should continue on being alcohol free, or have the occasional drink? Facing this choice, weirdly, was impacting my peace of mind more than going through 2020 (of all years) without alcohol. The prospect of having my “first drink” after more than a year of abstinence loomed large in my consciousness, turning it a much bigger deal than it actually was. Better to get it over with, I thought, than have that first drink loaded with “meaning” or “consequence” — I could still, I reasoned, go back to being alcohol free just as easily as I did the first time around.

And so, on holidays after our Christmas lockdown, I had a glass of wine. I didn’t feel the need for a second glass; in fact, I didn’t have another glass at all until some weeks later.

But then, more recently, I found myself slipping back into old habits. Having one drink on a Friday evening was followed by three glasses of wine on a Saturday night.

And so, I’ve stopped again. Point blank — because I’ve discovered that’s the best way for me to do it.

Ironically, the next Divine Quality from the Bhagavad Gita I am looking into is self-restraint, which relates specifically to physical self-restraint. I am aware the timing, given my alcohol dilemma, could not be more perfect: for me, drinking is one of the only things in my life that seems to require an all or nothing approach, and it’s probably good for me to review my relationship with alcohol through that lens.

Gretchen Rubin, after conducting extensive research into habit formation, happiness and a bunch of other interesting things, has written at length about Abstainers and Moderators — you can read more about her insights here. Simply put, some people need to give things up completely to achieve their goals, while others are able to pursue their goals while indulging moderately.

You see, most of the time I am a classic Moderator: I’m really good at savouring things and exercising deliberate self-restraint. I can buy a block of chocolate and eat it piece by piece over several weeks. I can curb my intake of all sorts of things: sugar, caffeine, wheat, whatever. I have even been known to deliberately slow my (usually breakneck) reading pace to make a book I am loving last longer. At home and at work I live by the mantra of “do what you have to do, then do what you want to do”, and as a result I get a lot done. Admittedly, sometimes there is not as much “doing what I want to do” as I would like, but after many years of being rigorously self-restrained and self-disciplined in both these spheres, I am also learning to include and prioritise self-care in my routine.

When it comes to alcohol, however, I have discovered my situation is quite different. Drinking seems to be the only thing I am unable to moderate with the degree of self-restraint I would like (and believe me, coming from a long line of drama queens and control freaks, that is a big admission). Don’t get me wrong: I don’t drink myself into oblivion; I haven’t been drunk in a long time. In fact, the vast majority of the time I don’t drink at all. But after being alcohol free for a year, I am now able to see — very clearly — what was much more hazy before: that drinking inhibits the ability of my usually vigilant inner Moderator to do its job. And when my inner Moderator is unable to perform at its peak, I find it works best for me to bring out the Big Gun: the Abstainer.

Knowing yourself, said Aristotle, centuries ago, is the beginning of wisdom.

I’m grateful I now know myself well enough to understand that in most things, it is easy for me to find and walk the middle ground, to be a Moderator. I am also glad to have discovered that alcohol is the one thing that undermines my ability to exercise self-restraint, and that my best approach with drinking is to be an Abstainer.

I have also realised I no longer need to ask myself why it is that I can successfully moderate my behaviour in almost every way, but I don’t feel like I can when I drink? I no longer need to feel shame or embarrassment that my inner Moderator gets sabotaged by alcohol — because that’s what drinking does: it removes our inhibitions. And knowing this, I can choose to approach drinking differently.

Knowing yourself takes time than we’d like to admit, coupled with a willingess to observe ourselves keenly and confront what we see — even if sometimes we’d prefer not to. But I suspect no matter how unpleasant it is to stare those hard truths in the face, it’s always worth doing in the end.

The Strangeness of Flames

Since I shamelessly borrowed Anne Lamott’s quote about drinking gin from the cat dish for my last post, I thought it entirely appropriate to turn to her again for inspiration in this, my next foray into the Bhagavad Gita. And, brilliant writer as Lamott is, it did not take me long to find words of hers that can easily be applied to the Divine Quality of Steadfastness.

Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don’t give up.

ANNE LAMOTT

You see, there’s something quite paradoxical about steadfastness: it brings to mind words like immovable, unwavering, unchangeable; yet it requires persistence, tenacity and constant striving. How is it that staying the same requires such effort? And even though steadfastness suggests remaining fixed, doesn’t sustained effort end up producing a necessarily different result or state of being?

Steadfastness is sort of like a flame.

Flames, like hope, begin in the darkness.

Flames stay the same, in that they keep burning for as long as they have fuel. If a flame is given more fuel, it burns with greater heat, light and intensity. And yet – and this, for me, is where the strangeness of flames comes in – flames are always, sometimes imperceptibly, changing. They also seem to defy gravity: you can hold a flaming candle or branch any way you care to, tilting it this way or that, but the flame always burns upwards. It’s almost as though flames are here to tell us in their quiet, beautiful, mesmerising way, that if we persist and put effort into to whatever we’re striving for, we will not only remain alight, but we will also always rise.

I’m reminded, when considering steadfastness, of Filippo Brunelleschi, the Renaissance era architect and engineer who managed to build the dome at the top of the Santa Maria del Fiore Cathedral in Florence. Construction of the Cathedral began in 1296 but building work paused for fifty years when the original architect, Arnolfo di Cambio, died. Giotto added the campanile around 1330. The Black Death interrupted construction again in 1348. Finally, in 1418, Brunelleschi, backed by the influential Medici family, won a competition to build the Cathedral’s dome.

The challenges facing Brunelleschi were considerable. With a diameter of 48 metres, the octagonal dome was higher, wider and larger than any constructed since ancient times. Its sheer size prevented Brunelleschi from using rafters or scaffolding, it was not known how the dome could be built without collapsing under its own weight, and the Florentine city fathers had forbidden the use of butresses. Despite these obstacles, Brunelleschi held steadfastly to his aim: he revived old building techniques and invented new engineering technologies, he used his intellect and intuition to solve complex structural problems, and he employed hundreds of workers to transform 37,000 tonnes of material (including 4 million bricks) into a dome that rose steadily skyward from 1420 to 1436. Construction of the lantern at the dome’s apex, also designed by Brunelleschi, began shortly before his death in 1446 and was completed in 1461, before being topped with a copper ball and cross in 1469. To this day, the dome of Santa Maria del Fiore dominates the skyline of Florence.

You wait and watch and work: you don’t give up.

There are many kinds of steadfastness.

Steadfastness in Brunelleschi produced an architectural marvel. Steadfastness in a parent ensures a baby grows into childhood, and beyond. Steadfastness in a friend or life partner allows a relationship to weather the storms of life. Steadfastness in a gardener enables flowers to bloom.

Steadfastness can be found anywhere you need to show up, over and over again, even when you can’t immediately – or perhaps ever – see the results.

Steadfastness knows the dawn will come.

The dome will rise skyward.

The flame will always burn upwards.

Drinking Gin from the Cat Dish

You may well ask what drinking gin from the cat dish has to do with the Bhagavad Gita…but in this, my second foray into looking at the Divine Qualities, I’m looking into wholesome purities of mind and heart.

Still lost?

Well, this quote from one of my favourite writers, Anne Lamott, may help:

You see, I think most of us aspire to having pure minds and pure hearts, but there are times when what we think and feel doesn’t always reflect the best version of ourselves. Times when we criticise ourselves or others, or when we catastrophise, or when our thoughts descend into worries or jealousies or biases.

For me, this happens on a daily (if not hourly) basis: no matter how much I attempt to fix my mind on thinking the best of every situation and personal encounter I have, or how much I try to be open hearted and open minded, or how much I actively choose to see and experience life as it is without judging it, I fail.

And sometimes I, too, think thoughts so vile they would have Jesus (or Buddha or any other spiritually enlightened historical figure you care to mention) reaching for a cat dish full of gin.

I suspect, however, that the entire point of embracing wholesome purity of mind and heart as a Divine Quality is to keep aiming for it — after forgiving ourselves when we inevitably, humanly, fall short.

As I write this, I am waiting for a phone call from the hospital to let me know when I can collect my husband, because The Bloke had an altercation with his own surfboard this morning (on his first wave of the day, no less), split his lip and has required surgery. It has been a valuable experience in learning to let go, not knowing all the details of what has happened, how he is going, or when he can come home.

Today’s events have also reminded me how grateful I am that we have easy access to excellent health care. That The Bloke was so unfazed by what happened that he didn’t need painkillers when he got to Accident and Emergency. That he wasn’t injured more seriously. That because hadn’t eaten breakfast he was able be put straight under general anaesthetic. That a plastic surgeon was already at the hospital and made time to operate at short notice. That we are blessed with friends who took him to A & E, stayed with him until he went into theatre, brought his car home, and have checked in to see how he is going.

Writing, as always, has helped me to stay calm. To stop my monkey mind from taking over. To break the information I know down into small chunks so I can quietly process what has happened and realistically predict what is likely to happen next.

I still may end up drinking gin from the cat dish after The Bloke is safely home, but at least I know that will be entirely by choice, rather than because I’ve let unhelpful thoughts and feelings get the better of me.

And, naturally — because I suspect this is how the universe works — as soon as I have finished writing this, The Bloke has called and told me himself that he is OK.

2020 in Books: Blue Jai’s Top 5

Well, I’ve covered my Top 5’s for 2020 in music and on screen, and now it’s time for my alter ego, the Thrifty Fictionista, to take centre stage and reveal Blue Jai’s Top 5 Books of 2020.

I don’t normally keep track of how many books I read, but for some bizarre reason utterly unknown to me I did in 2020 – and, despite home schooling and remote working, somehow found time to escape into more than 60 books. They ranged from non-fiction to biography to literary fiction to fantasy, read either on the page or on an iPad using the Libby app (which I think is brilliant).

Along the way I read some stuff I definitely won’t pick up again but which served its purpose during the darker times of the year just gone, but I also uncovered some genuine gems which, without further ado, make up Blue Jai’s Top 5 Books of 2020.

Phosphorescence: on Awe, Wonder and Things that Sustain You when the World Goes Dark by Julia Baird (2019)

I actually kicked off 2020 by reading Julia Baird’s masterful biography of Queen Victoria (which, if that sort of thing is your jam, I highly recommend). But it was this gorgeously ornamented hardback volume, which I will refer to simply as Phosphorescence for short, which took my breath away. In it, Julia Baird has delivered what I view as the best kind of writing: thoughts and ephemera so beautifully expressed and interwoven that you want to start reading the book again as soon as you have finished it.

In preparation for writing this post I was flicking back through Phosphorescence trying to find a specific passage which stuck in my memory – it was a description of sunrise on the East Coast of Australia, which compared (if I recall it correctly) the suddenness of the sun’s appearance over the rim of the Pacific to a lit match being dropped into petrol.

I couldn’t find the precise quote I was looking for…but as I leafed through the pages of this wonderful book, it reminded me of all the amazing things Baird talks about: not only phosphorescence, but storm chasing, and the Overview Effect, and forest bathing, and so many other glorious things. And in the process, I found another, completely different passage, which probably sums up even better what I love about this book:

If we accept flowering by its nature is a fleeting occurrence, then we are more likely to recognise each blossom as a triumph.  And if we accept impermanence, we are far more likely to live in the present, to relish the beauty in front of us, and the almost infinite possibilities contained in every hour, or every single breath.

Enough said, yes?

Girl, Woman, Other by Bernadine Evaristo (2019)

Turning now to fiction, I could not fail to include Bernadine Evaristo’s prize winning Girl, Woman, Other, which deservedly took out the Booker in 2019.  The intersecting stories and perspectives in this book stayed with me for a long time. Reading this novel might be described as the literary equivalent of looking into one of those glass faced clocks you can see the inner workings of – all the wheels and cogs are separate but still necessarily connected, which I loved. I also appreciated the diverse perspectives were overwhelmingly female, and the characters’ experiences – both good and bad – eminently familiar to female readers. Girl, Woman, Other is well worth your time and money, and I highly recommend it.

Night Boat to Tangier by Kevin Barry (2019)

Charlie Redmond and Maurice Hearne are “fading gangsters from Cork City”, sitting in the port of Algeciras, looking for Maurice’s missing daughter, Dilly. The entire novel takes place over the course of a single day, but because it is packed full of reminiscences of their time drug running in Spain and the various ups and downs of their lives in Ireland, it feels like it takes in decades.

Kevin Barry’s ability to capture the nuances of speech of the various characters in the book –particularly of the two main protagonists – stayed with me for long after I’d finished it. This novel definitely has a streak of darkness at its heart, made lighter by comedic turns and the banter between two old and very battered mates.

Rodham by Curtis Sittenfeld (2020)

The Thrifty Fictionista has come late to the Curtis Sittenfeld party, not having read American Wife or Sisterland or any of Sittenfeld’s other novels. And yet, the premise of this book – what if Hillary hadn’t married Bill? – had me hooked from the start. By necessity, the first part of the novel deals with Sittenfeld’s imagining of the romance between university students Hillary Rodham and Bill Clinton, but midway through the book they part: and when Hillary refuses Bill’s proposal of marriage, a very different version of “history” ensues.

To date I have resisted the urge to go googling down various rabbit holes on the interwebs in an effort to determine whether the very much still living Hillary Rodham Clinton has read this fictionalised account of her life as it might have been and how she has reacted to it, partly because it reminds me a bit too much of Barack Obama adding Fleabag to his list of favourite television series for the year some time back (which raised at least several eyebrows given what Phoebe Waller-Bridge’s character was doing while she watched a video of him making a speech). At least, after American Wife, one can only assume Hillary Clinton can chat to Laura Bush about what must be a truly singular experience.

I’m not going to say any more about this one for fear of spoiling the ending, but I can tell you it is well worth a read.

M Train by Patty Smith (2015)

It’s only fair and fitting, I suspect, that I bookend this Top 5 of 2020 with a biographical meandering far more similar in tone to Phosphorescence than the fiction writing I’ve included as the meat in the sandwich, so to speak.

When my aunt lent me her copy of M Train it took me a while to get into it – I suspect I was on a massive fiction bender (no doubt plowing through a massive fantasy series by Sarah J Maas or someone similar), and after reading a chapter or two I found Patti Smith wasn’t what I was after at the time.  When I picked it up again later, however, I devoured the remainder in a single sitting and absolutely loved it. Smith, who is perhaps better known as a singer-songwriter and poet, has – unsurprisingly – a lyrical ability to express emotion and to bring her interior life into the light…such as this passage when Patti visits a friend in Morocco who is close to the end of his life:

Everything pours forth. Photographs their history. Books their words. Walls their sounds. The spirits rose like an ether that spun an arabesque and touched down as gently as a benevolent mask.

—Paul, I have to go. I will come back and see you.

He opened his eyes and laid his long, lined hand upon mine.

Ahhh….I don’t think there’s a better way to end the main part of this post than with such beautiful, poignant words.

The Thrifty Fictionista’s Highly Commended Books of 2020 are, as ever, a mixed bag of goodies:

  • All Our Shimmering Skies by Trent Dalton (2020) – how I love anything this man writes! A truly unique Australian voice with an abundance of humanity;
  • The Erratics by Vicky Laveau-Harvie (2017) – a tyrannical mother, a traumatised father, an extraordinary memoir;
  • The Thursday Murder Club by Richard Osman (2020) – a mystery, some giggles and a few keenly observed words of wisdom;
  • Ayiti by Roxane Gay (2011) – short stories that pack a real punch;
  • Think Like a Monk by Jay Shetty (2020) – a self-help book, but notable because it’s the first I’ve read based on a Vedic perspective;
  • Education of an Idealist by Samantha Power (2019) – a fascinating autobiography from Barack Obama’s UN Ambassador to the United Nations; and
  • Negroland: A Memoir by Margo Jefferson (2015) – one of the most engrossing and interesting memoirs I have ever read.

Thanks so much for checking out my Top 5s for 2020!

Here’s to 2021 being a very different year, in only good ways.  I am looking forward to delving into a whole trove of excting new volumes and engrossing experiences, all between the pages of books.

Feel free to leave a comment if you’ve read something awesome, or subscribe to receive new posts directly to your inbox using the Follow button.

Until next time, mind yourselves.

BJx

2020 On Screen: Blue Jai’s Top 5

Happy New Year from Blue Jai!

Folks, I’m still in lockdown as I write this, but am hoping against hope that restrictions will ease tomorrow and we will finally be able to escape the Northern Beaches for the first time since 19 December 2020.

Not surprisingly, escape seems to have been the theme of much of what I consumed on screen in 2020. In my view, desperate times call for comedy, for fantasy, and for distraction – and that’s just what I went for last year. So yes: I watched things like Space Force and allowed my children to binge way too many episodes of Brooklyn 99. But I also needed things to be real, so I devoured (along with most of the TV watching population of the planet) The Last Dance, and also took in Cheer and My Octopus Teacher and other documentaries – even Operation Odessa, from which I am still recovering.

Most of all, now that I reflect on it more deeply, I think much of what I really enjoyed on screen in 2020 revolved loosely around notion of “family” – which, as we all know, is much more about what you make it rather than what you’re born into. I’m very fortunate 2020 brought me closer to my own family than ever before.

So here, in no particular order, is Blue Jai’s Top 5 on Screen for 2020:

The Mandalorian, Season 2 (Disney+)

Can we all just take a minute to acknowledge the genius and greatness of Jon Favreau? The Mandalorian has clearly been such a labour of love for him – and in my view he has triumphed, successfully tying together so many disparate threads from the Star Wars universe, as well creating a thoroughly entertaining series populated with fantastic characters. Our family has loved hanging out together taking in the eight episodes of Season Two, delighting in the developing bond between the Mando and Baby Yoda, watching awesome warrior women like Cara Dune and Fennec Shand kick butt alongside Boba Fett, and screaming with excitement when we finally saw Ahsoka Tano appear on the screen for the first time (as a live action figure, obviously – she was probably the best thing about Star Wars: Clone Wars). And the blockbuster final episode? I want to talk about it so much! But also don’t want to spoil it for anyone…it’s that good.

The Mandalorian has brought us joy in a year tainted by so much…other stuff, and I’m so grateful that the Space Western genre is not only alive and well (complete with masterful musical contributions from Ludwig Göransson), but is thriving in the eminently capable hands of Jon Favreau and his team.

Hamilton (Disney+)

Other than The Mandalorian, I don’t think anything on screen in 2020 has been obsessed over as much by me and my family – especially Marvel Girl – as Hamilton. Lin-Manuel Miranda delivers a virtuoso performance as creator, producer and star of this incredibly successful musical. I have lost count of the number of times we’ve watched it or listened to the soundtrack, and lines from the show seem to sneak into our everyday parlance with astounding regularity. The libretto is astonishing – as is Daveed Diggs, but that is a whole other story. Watching this masterwork prompted me to post a note on my kitchen wall reminding me (and the other people who live here): You have as many hours in the day as Lin-Manuel Miranda.

Challenge accepted?!

The Bureau, Seasons 1-5 (SBS On Demand)

Let’s change it up a bit, shall we? Once the world (well, my world) became a bit less tense in 2020, I was able to take in content that was more suspenseful. By this I mean that I binged five entire seasons of the brilliant French production The Bureau and loved every minute of it. This spy drama has it all – a superb cast, great characters, gripping plotlines, realistic engagement with current events, the works.  You will probably recognise Mathieu Kassovitz, who plays main protagonist, Guillaume Debailly alias Paul Lefebvre alias Malotru, from the cult classic movie Amelie. Here, however, Kassovitz portrays a deep cover agent for the DGSE who is unable to let go of a former love when he is unexpectedly recalled to Paris, setting off a chain of events which have repercussions for him, his lover (played by the luminous Zineb Triki), his daughter, his colleagues, and many others. I sincerely hope Season 6 is in the works – I’d watch it in a heartbeat.

A Suitable Boy (Netflix Series)

I watched a number of shows with a subcontinental theme this year, including Never Have I Ever (which I thoroughly enjoyed, especially since it is narrated by John McEnroe and also features one episode narrated by Andy Samberg) and Indian Matchmaker (which I found hilarious and heartbreaking all the same time). But in the latter part of the year I was delighted to discover something Indian with which I was far more familiar: A Suitable Boy.

I have a rather large soft spot for A Suitable Boy, not least because I had the privilege of meeting Vikram Seth, who wrote the book upon which this show is based, when I was seventeen. It was the first time I’d met a famous published author, and my copy of A Suitable Boy, which he generously inscribed for me, remains a treasured possession – even though The Bloke jokes that it could double as a door stop, such is its size.

The Netflix television adaptation of A Suitable Boy necessarily leaves out some of the incredible detail which characterises Seth’s book, but it remains full of colour and life and tackles the personal and the political in greater depth that I had imagined it would. At its core it’s a love story, but it is so much more besides.  Tanya Maniktala does a great job as Lata Mehra, the main character, but for my money Tabu nearly steals the show as Saeeda Bai. This six part series is well worth watching.

The Queen’s Gambit (Netflix Series)

I was tossing up a number of options for my fifth choice, but The Queen’s Gambit managed to pip several other contenders at the post because of its polish. The production values of this Netflix show (another screen adaptation of a novel, this time by Walter Tevis) are consistently high, and the attention to detail is second to none. I have next to no interest in chess, but this series kept me hooked – probably in part because of the attention to detail paid to the fashion, décor and music of the time in which the series is set. Add to this Anya Taylor-Joy’s mesmerising turn as Beth Harmon, and throw in the ‘chess family’ she ends up with, and I was left well satisfied.

Under the category of Highly Commended for 2020 I would have to include:

  • Umbrella Academy Seasons 1 & 2 (Netflix) – more escapism and quirky takes on “family”, not to mention the zany brilliance of Robert Sheehan as Klaus;
  • Douglas (Netflix) – Hannah Gadby’s masterful follow up to Nanette, in which she tells you exactly what she’s going to do to you and you still laugh as she does precisely what she told you she would;
  • The Highwaymen (2019 Netflix Film) – in which Woody Harrelson and Kevin Costner take on Bonnie and Clyde (I particularly love the way this movie was shot, without showing the faces of Bonnie and Clyde until they are finally ambushed);
  • Freeman (ABC iView) – introducing Cathy Freeman’s historic gold medal win at the Sydney 2000 Olympic Games to my children was a more emotional experience than I ever expected.

That’s a wrap of Blue Jai’s Top 5 On Screen for 2020 – stay tuned for the next episode, in which my trusty alter ego, the Thrifty Fictionista, tackles Blue Jai’s Top 5 Books.

2020 in Music: Blue Jai’s Top 5

Most years I am pretty clear about which songs constitute my Top 5 for the year – this is, after all, the only list I produce with any regularity in which the proviso is that any song included on my list has to have been released in the current year.

My problem with my Top 5 for 2020 is that when the world turned upside down (and particularly when it then turned in on itself during the first lockdown), what I listened to ended up being firmly and unashamedly rooted in nostalgia. In the face of such enormous unknowns, I sought refuge in the songs from my teenage years and before. I found myself listening to plenty of songs with fuzzy guitar riffs like Ratcat’s “That Ain’t Bad”, cruisy tunes like The Badloves’ “Green Limousine”, heading back to the inimitable groove of Sam & Dave’s “Soul Man” or going back even further in time to songs like Cannonball Adderley’s “Mercy, Mercy, Mercy”.

It wasn’t accidental, and my trips down memory lane definitely helped me navigate this most troublesome of years.

But there came a point when I had to venture back onto the airwaves and Spotify Playlists I know and love, to connect with the myriad of new releases that artists, also in lockdown, have created in 2020. And from those rich pickings, I present Blue Jai’s Top 5 Songs for 2020.

“Low” by Chet Faker

Just because I feel low, right now

It doesn’t mean all that I’ve got has run out…

I suspect from the moment I heard the opening lines of this song for the first time I knew it would be my favourite of the year. Chet Faker (also known as Nick Murphy) is back, and this song could not have come at a better time. The production on this track is sublime and the lyrics somehow sum up everything about 2020 – I love everything about “Low”. More please, Chet Faker.

“Je disparais dans tes bras” by Christine and the Queens

The entire La Vita Nuova EP from Christine and the Queens is brilliant, right from the plaintive opening song “People I’ve been Sad”, as is the accompanying short film (which I’ve included above, since looking at individual songs on their own doesn’t make as much sense as seeing the entire artistic vision). I probably could have picked any of the songs from this latest offering from multi-lingual Héloïse Letissier and her crew, but I ended up picking “Je disparais dans tes bras” over the title track, “La Vita Nuova” (featuring Caroline Polachek) upon discovering it was one of the songs I listened to most on Spotify this year. If you’ve got a spare fifteen minutes – no, scratch that – find yourself fifteen minutes to watch this film, shot in the beautiful Palais Garnier Opera House in Paris, and immerse yourself in epic choreography and wonderful music.

“Dribble” by SYCCO

SYCCO (which is, of course, pronounced “Psycho”, a moniker apparently inspired by all things psychedelic rather than psychotic) is a Brisbane teenager who, judging from this release, is one to watch. “Dribble” came about when SYCCO was trying to make sense of someone sleep talking, attempting to derive meaning from words that were probably entirely random. The end result is great: catchy melody, driving beat, great song. This one got plenty of airplay at our house and in the car.

“Gold Dust Woman” by Julia Holter

OK, OK…so Julia Holter actually recorded this in 2012, but she released it in 2020, so I’m going to count it in this year’s Top 5. Besides, it’s such a great cover of Fleetwood Mac’s original song that I can’t not let this one through (you can thank me later — the link will take you to audio, not video, but it’s totally worth it). Holter takes Stevie Nicks’ lyrics to an otherworldly place and I honestly couldn’t love this more. Fingers and toes crossed we get from some new music from Julia Holter in the near future; she’s a class act.

“Are You Even Real?” by James Blake

There’s a lot to like about this track from James Blake, who I think is one of the most interesting recording artists on the planet right now. At its core “Are You Even Real?” is a love song, but as with many of Blake’s songs it’s not always easy to tell upon first listen exactly what headspace he’s in: the music and lyrics don’t always line up precisely with the feel of the song. Blake’s “Don’t Miss It” (from 2019) is another great example of this – Cillian Murphy described the lyrics to that song as being “either profoundly sad or profoundly hopeful – perhaps both at the same time”, and that sums up the way I feel about much of James Blake’s music. Ultimately, however, for me one line in “Are You Even Real?” stands out, and is incredibly beautiful:

She runs her hands through my imagination…

I suspect that’s exactly what all great artists do to us when they sing and play, don’t they? And that’s as real as it gets.

So that’s my Top 5 for the year…but here’s some of the best of my nostalgic listening from years gone by to keep your toes tapping and your mood upbeat as we navigate the 2020 Season Finale.

Top 5 Throwbacks for 2020

  • “Red Dress” by the Sugababes (2005)
  • “Dancing Barefoot” by Patti Smith (1979)
  • “She Has to Be Loved” by Jenny Morris (1989)
  • “Peace Frog” by The Doors (1970)
  • “Close But Not Quite” by Everything is Recorded, featuring Sampha

(That last track is brilliant by the way…interweaving Sampha’s ethereal voice with the Curtis Mayfield sample takes it to another level).

So there we have it folks! Blue Jai’s Top 5 in Music for 2020.

Stay tuned for my Top 5 in Books and on Screen, coming soon…

2020: Wrapping Up a Year of Delight?!

I’m writing this not so long after summarising my December Delights, the posting of which was delayed by the desolation I felt when the beautiful place in which I live went back into lockdown. As time has passed I am learning, yet again, to sit tight without a fight, and to remind myself – as some insightful wag commented – that people from the Northern Beaches have been practicing their whole lives not to leave the Northern Beaches. I am prompted, yet again, to recall how boundlessly fortunate we are to live here: residents of vibrant yet peaceful neighbourhoods, surrounded by abundant natural beauty, and bordered by the mighty Pacific Ocean in all its majesty.

And as I’ve willed myself to turn my attention to delight, I’ve found – as I have consistently observed throughout this yearlong process of observing the delightful – that actively choosing to look for things which inspire wonder and bring me joy, however fleeting, brings me greater contentment and inner peace.

It’s not an unexpected discovery.

But it’s still an insight I will carry with me into the new year, along with a (sometimes ironic) appreciation that even before I had any inkling how 2020 would unfold, I chose to follow and notice delight in all its forms during this year, the most unusual in which I’ve ever had the privilege to live.

I’m also not surprised to see that the majority of the delights I have selected as my Top Five for the year relate back to my First Principles, which I articulated many years ago now in a post I called The Wellspring: words, music and food. To these, I would now add the recognition of delight, in all its forms.

And so, without further ado, here are my most precious delights of 2020…

Fillipé Fridge

Looking back over my year of delights, I notice that there are not many things that have made my list…unless of course they are foodstuffs, such as Chocolate Croissants and Oysters (and yes, those capitals are entirely necessary). But I have to admit there is one thing, one object of considerable bulk and immense importance, that has made its way into my life this year and which did, upon arrival, and has in all the intervening time since, brought me enormous joy and satisfaction.

It’s my new refrigerator.

His name is Fillipé, and he is our brand new sleek stainless steel fridge. I had been wanting him for a very long time, and now that he is here I love everything about him: that the fridge compartment is on top and the freezer drawers are at the bottom, that on the inside he is well lit and glass shelved and spacious, that he is oh so quiet…the list goes on.  Opening Fillipé’s door is always a pleasure…it’s like opening a chocolate box, except my fridge is usually full of fruit and vegetables, and glass bottles standing in gleaming rows, and – well, it’s easy to wax lyrical over something so ordinary when you have a friend like Fillipé Fridge, the most delightful appliance I have ever owned.

Being Alcohol Free

At the time of writing this post, I will have gone without alcohol for almost an entire year.  I kicked off 2020 with a desire to do things differently, and one of the items highest on my list was to reset my relationship with alcohol. You see, I’m a finisher: if a wine bottle is open, I’m highly likely to see it as my civic duty to ensure it’s finished by the end of the evening. This was true even if I was at home alone, enjoying a quiet glass of vino by myself once the kids had gone to bed. Or even before they’d gone to bed. And so, on 1 January 2020, I resolved not to touch a drop of the demon drink and to see how long I lasted.

Well folks, I’ve lasted far, far longer than I thought I would – ALL YEAR! And along the way I discovered, much more swiftly than I ever thought possible, that I really didn’t need alcohol in my life at all. I’m perfectly happy without it, and feel very comfortable with my decision to eliminate it from my life in 2020.  I am also learning to accept other people’s reactions when I say I’d prefer not to have a drink – many and varied as these have been.

I’ve stuck to my decision, feel ever so much better for it (mentally and physically), and that in itself has been a true delight.

Receiving a Negative COVID Test Result

Speaking of being free of things, I would have to say that in 2020 one of the greatest delights you can ever receive is the SMS alerting you to the fact that your most recent COVID test is negative. Given that I am writing this post during a lockdown and waited four hours the other day to get tested (along with eleventy-million other people on the Northern Beaches), I can tell you that receiving the negative result which allows you to venture back out of doors – the wonder, the delight! – is a truly magical thing. You could probably have seen my frenzied fist pump from space.

I should also add that I am also beyond grateful to live in a part of the world where we have excellent access to free of charge testing (Sydneysiders have done over 300,000 tests in the past week – go us!), and that New South Wales also has amazing health workers and contact tracers who go above and beyond to stop the spread of the insidious virus that has turned the world upside down this year.

Cillian Murphy’s Limited Edition

It’s no secret that I am a Cillian Murphy fan – the man is pure class. But in this instance it’s not his brilliant acting that has brought me delight, or his many and varied reading recommendations, but his love of music.  Every so often, BBC Radio 6 asks Cillian to guest DJ – whether it’s filling in for Guy Garvey when Elbow goes on tour or, more recently, when they’ve asked him do a Midnight-2am shift that he prerecords from his basement in Dublin and shares with the rest of the world — and when he does, the results are impressive.

The music Murphy includes in his playlists is a truly eclectic mix, but that suits me down to the ground. In addition to bringing spoken word pieces and music new and old to my ears, I’ve been surprised to hear him throw in bits and pieces I listen to often and had (possibly mistakenly?!) thought were obscure – from Spiritualized’s Ladies and Gentlemen We are Floating in Space to instrumental tracks like Sophie Hutchings’ Tail Lights and so very many more.  Murphy’s musical knowledge is encyclopaedic and I’m always utterly delighted when his playlists pop up on the airwaves.

Sunshine Over Sea

I love living close to the ocean. We are saltwater people around here, folks who revel in the many splendours of the sea. Some of us need to immerse ourselves in it, others are content to sit and look at it, but many of us need to at least catch a glimpse of it as we go about our daily whirl.

One of the delights I have savoured most this year has been driving around a particular bend near where I live, following the road as it curves upward until – at the crest of the hill, not less – the ocean appears and stretches before me in all its glory, all the way to the horizon. Often, at the time of day when I make this journey, the road I’m travelling appears to merge with a vibrant path of sunshine lighting up the surface of the sea. Would that I could keep driving onto that golden road instead of sticking to the tarmac beneath my wheels!

On one particularly memorable drive during this unforgettable (for all the wrong reasons) year, I happened to be listening to Gang of Youths’ song The Deepest Sighs, the Frankest Shadows as I made my morning drive. The music begins quietly enough, but it built to a crescendo just as I drove that curving road and crested the hill, exploding into its chorus as the sunlit ocean overwhelmed my view:

‘Cause not everything means something, honey
So say the unsayable
Say the most human of things
And if everything is temporary
I will bear the unbearable
Terrible triteness of being…

It’s a memory I will cherish, and one that reminds me – almost every time I turn up that hill – that if everything is temporary (and I genuinely suspect it is), then welcoming and noticing delights may well be our best way of anchoring ourselves in the present, of bearing the unbearable, of making sense of this strange thing we call life.

Thank you to @frank_see_fotos for use of this beautiful image.

We all have different ways of making sense of our place and time on this planet, and I thought it fitting to end this post by including a photo capturing the same view I just described that was taken by a friend of mine, whose photography has also brought me delight this year. I asked to share this particular picture because it depicts the glimmering beginnings of the road the sun paints across the sea each day, the one I would love to keep driving onto…but if you check out his Instagram page @frank_see_fotos you can lose yourself in a wealth of images, each one more beautiful than the last. I can’t think of a lovelier way to spend Boxing Day.

Mind yourselves,

BJx

December Delights

I hardly expected to be writing this from yet another lockdown…yet here we are, stuck at home during the week before Christmas, wanting to be with our loved ones and hoping we might be able to leave our places of residence before December 25th rolls around.

Silver linings feel like they are hard to come by these days, especially on the Northern Beaches of Sydney. And yet, even though the current public health order means I now won’t be able to be with my mother on her 70th birthday next week, I am grateful we are not in Fiji as we had planned to be – especially with Cyclone Yasa leaving a trail of destruction through the islands where we and so many other Australians love to spend holidays.

It has taken me two days to work through feelings that have run the full gamut from genuine dread to garden variety anxiety, and now I am finally ready to turn my thoughts towards the things that have delighted me during December – well, at least prior to 5:00pm on 19 December 2020. I share them in the hope they bring you something resembling joy, and that might you discover delight in the small details that are so often overlooked.

So here, in no particular order, are my December delights:

Dustyesky

I plonked myself down on the lounge in front of the TV the other night, a list of things to do before the school year ended scrolling endlessly through my head, and found myself watching a short piece on Australian Story entitled “To Russia, With Love”.  It featured the MC and choirmaster of Dustyesky, Australia’s premiere genuine fake Russian choir.  Based in the Northern NSW town of Mullumbimby (known to choir members as Mullumgrad), the men of Dustyesky sing in Russian – which they neither speak nor understand – and have made quite the splash around the world, and more specifically across Russia itself. If you fancy fifteen minutes of fun and feeling good, settle in and watch the boys tell their story in a combination of impeccable fake Russian and broad Australian accents here:

Pants with Pockets

I don’t know a single dress-wearing person who, when complimented on their attire, fails to announce “It’s got pockets!” if indeed, their garment does possess such magical accoutrements. Pockets! Who knew they would make anyone feel so good…

Well, as it turns out, savvy active wear producers knew and, after several years of envying strangers in the street with mobile phones casually tucked into their exercise tights, I have finally joined their number. Hoorah! I am now the proud owner of a pair of black tights with not one, but two exterior pockets, as well as pair of super comfortable shorts which feature pockets of the more regular variety. I can now participate in a bunch of summer activities far more stylishly than I’ve managed to before…just as soon as they let me out of the house…

Having a Facial

About a week before the school year ended my skin was feeling patchy (well, let’s be honest…I was feeling a bit patchy, if the truth be told, and I wasn’t in the mood to talk about it). What I needed, I told myself, was a facial – but I didn’t want it to be with anyone I knew.  Any kind of talking while a treatment was in progress was not going to cut it for me at this late stage of the year and so, on a whim, I booked myself in for a Signature Facial at a salon I very rarely frequent.

It was perfect. The beautician, to her credit, asked me a few basic questions and then allowed me to luxuriate for an hour, pampering me in complete silence. I felt more deeply relaxed afterwards than I normally would after sleeping for ten hours. And my skin? Much, much better…thanks for asking…

Grid Lines on Giftwrap

OK, OK…this is a delight for all those who get a genuine kick out of wrapping Christmas presents. I will say, unashamedly and unabashedly, that I love wrapping gifts: I love the feel of the paper creasing beneath my fingers, the whizzing sound the scissors make as they make the curling ribbon do its thing, and – ultimately – the look of a beautifully, attentively wrapped present.

So, with these salient facts at the forefront of your mind, imagine my delight (complete, utter, undying) when I discovered that the wrapping paper I had purchased for Christmas this year had grid lines on the reverse side of the paper. Be still, my beating heart! Now, I’m a pretty dab hand at cutting a straight line, but GRID LINES! Wonder of wonders…whoever came up with that idea should be given a medal at the very least. An Oscar for Best Performance.  Possibly even a Nobel Prize. I can’t love this idea enough.

The Christmas Tree

I’ve written before about our tradition of creating a new colour scheme for Christmas each year, and it will now go down in family folklore that the Year We Were in Lockdown the tree was decorated in white, gold and hot pink. The smell of pine needles has permeated the house, and we have carried the decorative theme through from the hall table to the piano top and on to the tree itself.  The Angel Shazza has taken up residency at the top, presiding over what may yet been the most subdued Christmas we have ever had, but still reminding us that even in the darkest hour there is hope.

So there you have it, friends: five December Delights for this most unusual of years.

I would love to hear yours, if you have them…feel free to share them in the comments, or to pass this on to someone who needs it.

Wishing you all a very safe, happy and healthy Christmas,

BJx