It’s that time of year when I’m charting my personal Top Fives of 2017, with a few honourable mentions thrown in for good measure. Yesterday I looked at books, and today I’m switching to what I’ve seen on screens, big and small.
Much like its literary counterpart, I’ve decided that the Viewing category is open to any movie or television series made at any time, but which I watched 2017. I managed to list the books chronologically, but this list — like my viewing habits generally — is far more haphazard. There are (hopefully) no spoilers here, and definitely no full reviews. These are just five of my favourites for 2017…feel free to leave me your suggestions of what to watch next year, or your thoughts on what should have made the list.
BLUE JAI’S BEST MOVIES & TV OF 2017
1. Sound City (2013)
I’m kicking this list off with a feature-length documentary about the history of a recording studio in Van Nuys, Los Angeles — a description that sounds somewhat bland and boring until you realise that the recording studio in question is Sound City Studios, and the director of the film is Dave Grohl. It might sound even more banal if I described this movie as Grohl’s love letter to the Neve 8028 analog mixing console at Sound City but, again, once it becomes clear that this was the console he and a previously little-known band called Nirvana once used to record an album called Nevermind that went on to change the musical world as we know it, the whole thing begins to make a lot more sense.
The list of rock music luminaries who recorded at Sound City is astonishing, as is the sheer number of them who shared their memories of making music there: Tom Petty, Mick Fleetwood, Stevie Nicks, Rick Springfield, Barry Manilow, Trent Reznor, Butch Vig, Josh Homme and Paul McCartney are but a few of the artists associated with the studio who agreed to be part of the film. (Then again, given it was Dave Grohl asking them, perhaps it’s hardly surprising at all.)
Much like the Neve console itself, this movie captures a moment in time, a particular sound. It’s like a trip down memory lane in a leather jacket, and while the film — much like its director — wears its heart on its sleeve, it manages to steer clear of sentimentality when discussing the closure of Sound City and, instead, celebrates old school technology being given a new lease of life as the Neve console is moved to Grohl’s own Studio 606, where it will no doubt be used well into the future.
If you’re a music fan, this one’s a must see.
2. GLOW, Season 1 (2017)
So we’re still in the San Fernando Valley, but my second pick for 2017 is the televsion comedy series GLOW — which stands, of course, for Gorgeous Ladies of Wrestling. I never thought a comedy about the making of a 1980s syndicated women’s wrestling show (it is fiction, by the way) would interest me in the slightest, but the writing is as tight the ladies’ leotards, the costumes and soundtrack are so tacky they’re great, and some of the scenes — Sheila the Shewolf’s birthday bash at the roller rink springs to mind — are unexpectedly moving.
I absolutely loved Alison Brie as the semi-desperate, struggling actress Ruth Wilder (particularly when she’s in Soviet mode), and Marc Maron’s portrayal of Sam Sylvia, the sleazy, disillusioned director who discovers he might actually care, is completely convincing. GLOW is laugh out loud funny, with some cutting edge social commentary to boot.
Bring on Season 2.
3. The Crown, Season 2 (2017)
Speaking of Season 2, I’ve just binged on another Netflix series — this time, the sumptuous historical drama that is The Crown. The second instalment is every bit as enjoyable as the first, and while political drama plays out on the wider world stage in the form of events such as the Suez Crisis and the Kennedy Assassination, for me the most interesting episodes are those depicting Queen Elizabeth II (played brilliantly by Claire Foy) navigating the complexities and challenges of her personal relationships — especially those with her husband and sister.
Vanessa Kirby very nearly steals the show as Princess Margaret, particularly in one powerful sequence that captures her volatility and unhappiness. In a recent interview with the Daily Mail, Kirby described the scene:
She does this melancholy dance. You rarely saw her on her own, and I always imagined her alone in the house, grieving for her father — her sister preoccupied with a husband and kids and so busy being Queen. She would feel redundant, isolated; ostracised. I just imagined these dark nights of the soul, rattling around in Clarence House.
It’s compelling, if not a little voyeuristic, viewing.
4. Avis de Mistral/My Summer in Provence (2014)
This French film is one that has been panned elsewhere, but I still wanted to see it. I’m not entirely sure what it was that first drew me in, though I’ve always been a Jean Reno fan and I’m yet to meet anyone worth knowing who doesn’t harbour a soft spot for Provence. Perhaps it’s also because, as the grandchild of divorced grandparents, I was intrigued by the the possibility that a cantakerous old man might eventually be won over by the three grandchildren he has never met — despite the best efforts of just about everyone involved to be difficult and objectionable.
The generational struggles are played out over the course of a long, hot summer, and despite the disputes between the characters being occasionally petty (two of the grandchildren are teenagers, after all), the ultimate benevolence and humanity of the characters and the strength of the bonds between them are never really in doubt — particularly in relation to the youngest grandchild, Theo, who is deaf (and is played, beautifully, but Lukas Pélissier, who is also deaf). One of the things I loved about this film is that whenever the action is seen from Theo’s perspective, there is no sound — which serves not only as a reminder of his condition, but also as a respite from the boisterous, dischordant world of his older siblings.
If I’m perfectly honest, this is a predictable, safe and sentimental film: the vast majority of the action is telegraphed well before it happens, including the inevitable happy ending. But sometimes, in life, we need movies like this — things that blow in like the mistral, and blow straight out again…and it’s made my Top Five because at the time I watched it I needed such a distraction, and My Summer in Provence served its purpose very well.
5. Star Wars: The Last Jedi (2017)
You knew there had to be a big-hitting, blockbuster of a franchise movie in here somewhere, didn’t you? Well, The Last Jedi is it — and a big part of the reason why this film makes the list is that I watched it at the cinema with my family.
It seems like only yesterday that I was writing about the possibility of introducing my girls to Star Wars, when in reality it was two and a half years ago. During that time, they have become committed fans of the Star Wars universe, have watched all the films, every episode of Clone Wars and Rebels ever made, and have had hours of “Jedi Training” in the back yard with their father. They even insisted on making their own light sabers (purple — just like Mace Windu’s) at Disneyland.
I suspect half of what was written on the internet during the past month was devoted to The Last Jedi, so I’m not going to add to it any more here, save to say that I aboslutely loved this movie. And best of all, I got to see it with Marvel Girl, Miss Malaprop and The Bloke sitting right beside me.
Honourable mentions for other viewing in 2017 go to Thor: Ragnarok, not only because I can’t go past any Marvel movie in which Tom Hiddleston plays Loki, but also because I think Taika Waititi has brought a really fresh (not to mention funny) approach to the franchise; Anne with an E (and a PTSD?), which turned an old favourite on its head in a way I’ve decided I really liked; and Lucifer, Seasons 1 and 2 of which I believe to be the very best sort of trashy television, complete with clever lines and a one very handsome Devil.
Coming soon: Blue Jai’s Best Viewing and Listening of 2017…hit the follow button and don’t miss a thing!