Scenes from Suburbia

I stand in the supermarket, staring at the shelves in front of me, searching for a single pen. Beneath the bright lights are rows of gaudy plastic packages — pencils, pens, permanent markers — but none of them are what I seek.  How is it, I wonder, that an entire brand of felt-tipped pens, the pens of choice in my childhood, could have disappeared, replaced by the apparently ubiquitously popular Sharpie? How is it that my decisions, as a consumer, are being dictated by a duopoly of chain stores that stock only what is trendy or what is cheap?

Fuelled by a combination of nostalgia and disgust, I stalk out of the store to a newsagency around the corner that carries the brand I am looking for. I survey the shelves once again, shelves in desperate need of re-stocking, and select a pen. It costs $4.80 — nearly double the price of a ten-pack of pens at the supermarket — but I buy it anyway.

It’s not even the colour I want.

*****

I sit in a cafe, lured in by the breakfast special (a toastie, a coffee), somewhat dejected by my newsagency experience until I take out my new pen and begin to write. The smooth slip of the felt tip across the paper is soothing, satisfying, and I stop only when a woman sits down beside me and I have to heave my shopping out of her way. “Don’t worry,” she says, “I’m sitting by myself at a table for four.” We smile, complicitly, staring out into the cafe, silently sipping our coffee, savouring moments of stolen time.

A woman at another table is speaking — clearly, distinctly — to an older man sitting opposite her.  Not her father — an uncle, perhaps, or an old family friend.  She tells him that her mother has remarried, has moved away, has moved on. She does not know the people of whom her mother now speaks; new in-laws, new neighbours. She glances around frantically, speaks more loudly, but her words do not reach her companion. He is burdened by his own flailing, failing romance: his lover wants a ring, but not marriage. He says he will buy the ring anyway.

Outside the cafe, a grandfather rides up and down the escalators with his granddaughter. The child squeals and kicks joyfully as he tips her stroller back so she can see the blue sky above, secure in the knowledge that he will never let her fall. Inside, the woman falls suddenly silent as she recognises the table before her is a chasm.

And then a small bird, a starling, alights on the back of the chair in the space between us, bringing with it nature’s blessing in the midst of this consumerist temple of concrete, steel and glass.

*****

I drive home in my husband’s car.  My car is with the mechanic, being serviced. This car, an old blue station wagon strewn with tubes of sunscreen, CDs and smears of surfboard wax, feels so different from mine. The steering wheel is broader, yet the grip is thinner than what I am used to. The accelerator feels twitchy beneath my foot.  Unfamiliar plasticky rattles fill my ears.

Stopped at a traffic light, I turn towards the back seat, trying to see what could be making so much noise, and catch a glimpse of a fine, golden hair — my younger daughter’s — snagged on the upholstery, and feel the comforting rush of the familiar in that single strand.

Always hope

Dirt Music

 

Dirt Music 3

Dancing spotlit in a bodystocking? Not me…I’ll leave that to the likes of Misty Copeland.

So the other night, after a few “light beers” (which may or may not have been entire bottles of wine), a mate of mine asked me whether I had a Favourite Book.

As in, a Favourite Book OF ALL TIME.

And I said…Yes.

Or perhaps I just whispered it.

I definitely held my breath for a split second before I answered, not sure of how my response would be received, or whether it would be treated with the reverence I reserve for Favourite Books.

Because let’s face it — owning up to having a Favourite Book (of All Time, no less) is to to reveal your self, to expose your self as completely and unapologetically as a dancer in a flesh-coloured bodysuit on a spotlit stage.  Which is fine, completely fine, if you’ve spent the requisite years honing your body and your skills to the point that a body-stocking, or a distinct lack of on-stage hiding places, or (God forbid) an audience no longer fazes you, but…clearly, that’s not me.

I write. I read.

I cook. I most definitely eat. And while my kitchen is well-known as a place where dancing is heartily encouraged, I would sooner eat a body-stocking rather than wear one.

Even so, despite my many misgivings (or maybe because I, too, had consumed several glasses of wine), the other night I actually confessed to loving one book above all others.

Now, any literature lover will tell you that the idea of narrowing down the books you couldn’t bear to part with to a Top Ten is an utterly absurd exercise. If you truly love books, whittling down your list to a Top Fifty is a difficult proposition.

But if you have a Favourite Book, you know what it is. If, unlike me, you’re the sort of person who likes to proclaim your Favourite Book far and wide and to encourage every last being in the known universe to read it, you know what it is. If, like me, you’re a little more circumspect about revealing the identity of your Favourite Book, you know what it is. Even if you have trouble admitting to yourself that one particular volume is your Favourite Book, you still know what it is.

And mine is Tim Winton’s Dirt Music.

Dirt Music

So here it is — my Favourite Book. OF ALL TIME.

(Oh dear Lord! Did I just type that for the world to see?!)

Yep, Dirt Music is my Favourite Book of All Time.

And I have decided that I will own up to it, and expose myself to whatever judgements you may make about me as a result of that admission, because it is my Favourite Book.

I could have dodged the issue entirely, perhaps, and said it was impossible to decide between Dirt Music and any number of other books, such as Pride and Prejudice or Anna Karenina or The Lord of the Rings or The Great Gatsby or Hamlet, to name just a handful of others.  No authors’ names necessary, of course — they’re all tomes that are regularly cited as being Favourite Books. I could even have wrong-footed my friend by pointing him in the direction of Ursula Le Guin’s Earthsea books, or Marilynne Robinson’s Gilead, or Vikram Seth’s A Suitable Boy or  Jonathan Safran Foer’s Extremely Loud and Incredibly Close.

But I didn’t.

Because, deep down, I know that Dirt Music is my Favourite Book.

I’m not saying that it’s best book in the universe — that’s a whole other discussion. And I’m definitely not going to weigh into the whole debate about the Great Australian Novel, either, and whether that accolade goes to Winton’s Cloudstreet or not.  I’m not even saying that you should rush out, buy Dirt Music, and devour it cover to cover — it may not be your thing at all. (I mean, if you want to, of course — go ahead; it might end up being your Favourite Book too).

Nup. I’m not doing any of that.

But what I am saying is pretty simple, really.

For me, Dirt Music, Winton’s tale of Georgie Jutland losing and finding herself in the wilds and waters of Western Australia is special. In the true blue, Bruce McAvaney sense of the word.

I love — no, I utterly adore — Tim Winton’s prose.  I love the tangible physicality of his descriptions of people and place. I love the accuracy with which he captures his characters’ vernacular. I love the overarching presence of the Australian landscape, particularly of the ocean and the coast. I love the way he describes Georgie’s father as Himself, QC — and I love the sheer volume of information and resonance and impact those two words impart.

Dirt Music 2

My super-power: escaping into books…

Reading is such a great privilige, and literacy such an inordinately important gift. And, as Alain de Botton points out, “Of all the addictions, bibliophilia is the noblest and most dangerous.” Where else, but between the pages of books, can we embark on great quests, fight revolutions, ride dragons, or sail further west than west?

I will, I know, continue to read, and always — always — to write. Like Rudyard Kipling, “I am by nature a dealer in words, and words are the most powerful drug known to humanity.”

And it is beyond comforting to know that I can return time and again to the happy places that lie between the dog-eared volumes that line my shelves, to wend my way along hidden paths towards Rivendell, to walk with Elizabeth from Netherfield back to Longbourn, even to hold my breath as Anna waits for the oncoming train…

But I will always come back, time and again, to Dirt Music, if only to discover, like Luther Fox, just one last time:

She’s real…she’s real…