2019 on Screen

Here comes the second instalment of my Top Five’s for 2019 — movies and television. I should probably preface this by saying that for me, any time I’m sitting in front of a screen without a keyboard is a form of escapism, so I’m not too likely to be using much grey matter when I’m watching. It’s all about being entertained!

So, without further ado, here (in no particular order) are my Top Five great escapes on screen for the 2019.

1. Star Wars Episode IX: The Rise of Skywalker

SWix

Now, this one was always going to be on here. It seems like only yesterday that I was wondering whether my kids might be ready to watch the Star Wars movies, and since then they have devoured everything in the universe currently available (though they might not be quite up to date with the most recent episodes of The Mandalorian).

We saw this movie as a family (which always makes it more special) and we all, unequivocally, loved it. After all, outer space could possibly be the greatest escape of all. On a side note, Miss Malaprop was also properly impressed I accurately picked Rey’s parentage within the first ten minutes…

2. Captain Marvel

CapAs a mother of two girls, strong female role models are always high on my lookout list when it comes to movies — Rey in The Rise of Skywalker being a case in point. And while it might seem like completely hyperbolic overload to include two massive blockbusters in this year’s Top Five, I simply could not relegate Captain Marvel to the Highly Commended section.

Ironically, part of what made this movie special for me was that I saw it in Hobart with The Bloke when we’d absconded from Sydney without our two (mostly) cherubic offspring for a long weekend in Tasmania. I will always love the Marvel Universe, and I thoroughly enjoyed Captain Marvel from start to finish — and I was, of course, totally entertained by Goose the Cat/Flerken. Winning.

3. Patrick Melrose

Thought you might need a change of pace…

PMThis TV series was one I would describe as an emotional onslaught of epic proportions. How Benedict Cumberbatch pulled off playing the titualr role so brilliantly — being, as he is, in virtually every scene of the entire production — I will never know. Hugo Weaving’s performance as Patrick’s father is also devastatingly good.

It was difficult to watch Patrick’s life unravel, particularly as the audience is given increasing insight into the unmitigating awfulness of his childhood. What makes it even harder to watch is knowing that the series is based on the semi-autobiograpical novels of Edward St Aubyn. That Patrick persists (for the most part) and attempts to overcome the trauma of his past and the addictions of his present transforms Patrick Melrose into compelling viewing.

The final episode also delivered one of my favourite exchanges of dialogue for the year:

Patrick Melrose:  I’ve decided I’m bored of ghosts. I want to see people instead.

Mary Melrose: Oh, I see. OK.

Patrick Melrose: Or is it too late to change my mind?

Mary Melrose: Not at all. After all, that’s what it’s for. 

It’s not always comfortable viewing, but well worth the effort.

4. The Crown, Series 3

tc3I, like many others, was loathe to see Claire Foy, Matt Smith and Vanessa Kirby relinquish their roles in the newest series of The Crown, but my fears were unfounded. Olivia Colman is brilliant as Her Maj, and Tobias Menzies (once I had got past seeing him as Black Jack Randall) was equally good as Prince Philip. I was less sure about Helena Bonham Carter as Princess Margaret, but she does cut a suitably tragic figure.

The inclusion of Charles Dance as Lord Mountbatten was a stroke of genius (though it could reasonably be said that the inclusion of Charles Dance in just about anything amounts to a stroke of genius), and I was delighted by the performance of Erin Doherty as Princess Anne — particularly the scene where she sings along to David Bowie’s Starman without losing a modicum of her stiff upper lip.

We all know what’s going to happen in The Crown — let’s face it, it’s recent modern history, so you’d have to have been living under a rock not to — but I was drawn to the way certain key events were portrayed, humanising both the happenings and the Royal Family themselves. I can’t wait for the next series. Not to mention the costumes…

5. Killing Eve, Series 1 and 2

OK, OK…so I was late to the party on this one — but how good is Killing Eve?!

Sandra Oh excels as Eve Polastri, and Jodie Comer turns being the villanous Villanelle into a fine art. Never has being a psychopathic assassin looked so good — or so fashionable — not to mention sounded so incredible (thanks to Comer’s brilliant range of accents).

That this show also features Danish actor Kim Bodnia (who I first encountered in The Bridge) as Villanelle’s handler was an extra treat for me. Bring on Season Three — waiting is so boring!

Bored Killing Eve GIF by BBC America

I watched a bunch of other stuff during the year, including a French show called Chefs which kept me entertained, and (thanks to my kids) more episodes of Nailed It than I would care to recall, and fell asleep during almost every instalment I tried to watch of The Witcher — which probably had more to do with the time of year than with Henry Cavill, and I am resolving to do better in the future.

witcherBut I can’t think of anything else that really stood out for me in 2019. No doubt I will as soon as I hit the publish button…but no matter.

Don’t change the channel — next up I’m talking best books of the year.

If Only I Was Barack Obama…

future

Clearly the former POTUS follows my humble blog and can’t wait for MY Best of 2019 Lists….

Barack Obama tweeted his best books of 2019 today.

Because he is Barack Obama (and even though we live a considerable distance across the Pacific, don’t we wish we were still seeing a whole lot more of him), he simply put up a list of what he thought were his best reads of the year. No doubt book sales will hit stratospheric heights momentarily…

Now, as any of you follow this blog with any semblance of regularity may know, this is the time of year when I, also, typically put fingers to keys and let you know what my favourite books, songs and viewings were of the year. And while I cannot even begin to pretend to operate in the same league as Barack Obama (I suspect it sufficient, at this point, that we reside on the same planet), those of you who follow this blog already know that this year had not entirely gone to plan. That said, previous years did not exactly go to plan, but sometimes we need to learn lessons more than once to make them really sink in…

So far, December 2019 has brought us the end of the school year, more Christmas parties than we care to mention, a special outing to Cirque du Soleil (magnificent and something we would highly recommended were it not for the fact that we saw their final Sydney show of Kurios), and a godawful lingering case of the flu — which has now metamorphosized into equally lingering head colds that require us to take a family sized box of tissues wherever we go, even if it is only to the beach less than one kilometre from our front door.

Meh.

And so…yes, I know, I’m running late on all these posts and won’t get them done in the next day and a half before New Year’s…I will be letting you know what my Best Of 2019’s were in — yes, you guessed it…

2020!

Because good things come to those who wait.

hey

Happy New Year, y’all!

And I have lists. You know I do…lists of my final top 5’s and shortlists and even thematic lists (though they may not make the final cut — you’ll just have to wait and see).

With every best wish and several tenterhooks to hang off,

Blue Jai x

 

 

“Saga Norén, Länskrim, Malmö”

saga henrik bridgeI can’t begin to tell you how much I’m going to miss that line.

Yes, I know it might sound a little weird to the uninitiated, but ever since the Series 1 of Swedish/Danish production of The Bridge (or, more accurately, Bron|Broen) was released in 2011, I have been hooked — and now that I’ve finished watching the final episode of Series 4, I’m feeling rather bereft.

Echoes start as a cross in you
Trembling noises that come too soon….

There will be no Series 5.

There will be no more trips across the Øresund Bridge linking Copenhagen and Malmö. No more hair-raising rides in the 1977 Hunter Green Porsche 911 S (the actual provenance of which has garnered much attention, though for my money the story of how its fictional owner came to possess it is far more interesting). No more dramatic overhead shots of the Københavns Politigård, the architecural marvel that houses the Copenhagen Police Headquarters (along with the equally sculptural earrings of Lillian Larsen, the Copenhagen Police Commissioner).

saga gunThere will be no more Martin Rohde or Henrik Sabroe.

But, most of all, there will be no more Saga.

Never said it was good, never said it was near
Shadow rises and you are here…

I have come to love the character of Saga Norén. She is deeply flawed, evidently damaged, detached to the point of being oblivious; she is also singlemindedly determined, forensically brilliant and utterly devoted.  Most of all, she is overwhelmingly human. Exceptionally well-acted by Sofia Helin, whose own facial scarring from a cycling accident in her early 20s only adds to her character’s singular, pared back look, Saga Norén is a Swedish detective with a difference.

In Series 1 and 2, Kim Bodnia’s portrayal of the extroverted, easy-going Martin Rohde offered such a contrast to Saga’s standoffishness and complete lack of even the most basic social skills that I couldn’t help but feel for her — and to rejoice when she developed an unlikely friendship with her Danish counterpart.

And then you cut
You cut it out…

But it wasn’t to last, that friendship. Because the rules got in the way, or — even more heartbreakingly — the rules got in Saga’s way.

saga henrikAnd so, in Series 3 and 4, I felt even more deeply for Saga as she navigated her relationship with Rohde’s replacement, Henrick Sabroe, who is (entirely unsurprisingly for a production as good as this one) brilliantly played by Thure Lindhardt.  Henrik is plagued by his own demons and quite literally haunted by the disappearance of his wife and two daughters years before. But it is Henrik’s acceptance of Saga — Saga, exactly as she is — that results in her increasingly apparent vulnerability and her ultimate recognition that she may be capable of loving, and of being loved.

There were moments in Series 4 when the sun actually breaks through the carefully controlled palette that colours the whole production, glimmers of hope in an otherwise grey-skied world that so frequently descends into shadows and darkness. And as Saga finally began to face her past and square off against her future, I wanted so badly for her to succeed — even though I didn’t want the journey to end.

I know it’s not real — that it’s just TV. That it’s could easily be written off as just another Nordic Noir show to binge on. But, in my opinion, The Bridge is one of the best television productions I have seen in a very long time, and it was as much a privilege as it was a pleasure to watch.

Saga Norén, I will miss you.

And everything
Goes back to the beginning…

 

saga driving

 

 

 

2017 in Review: And That’s a Wrap

It’s that time of year when I’m charting my personal Top Fives of 2017, with a few honourable mentions thrown in for good measure. Yesterday I looked at books, and today I’m switching to what I’ve seen on screens, big and small.

Much like its literary counterpart, I’ve decided that the Viewing category is open to any movie or television series made at any time, but which I watched 2017.  I managed to list the books chronologically, but this list — like my viewing habits generally — is far more haphazard. There are (hopefully) no spoilers here, and definitely no full reviews.  These are just five of my favourites for 2017…feel free to leave me your suggestions of what to watch next year, or your thoughts on what should have made the list.

BLUE JAI’S BEST MOVIES & TV OF 2017

1. Sound City (2013)

2017 Sound cityI’m kicking this list off with a feature-length documentary about the history of a recording studio in Van Nuys, Los Angeles — a description that sounds somewhat bland and boring until you realise that the recording studio in question is Sound City Studios, and the director of the film is Dave Grohl. It might sound even more banal if I described this movie as Grohl’s love letter to the Neve 8028 analog mixing console at Sound City but, again, once it becomes clear that this was the console he and a previously little-known band called Nirvana once used to record an album called Nevermind that went on to change the musical world as we know it, the whole thing begins to make a lot more sense.

2017 DGThe list of rock music luminaries who recorded at Sound City is astonishing, as is the sheer number of them who shared their memories of making music there: Tom Petty, Mick Fleetwood, Stevie Nicks, Rick Springfield, Barry Manilow, Trent Reznor, Butch Vig, Josh Homme and Paul McCartney are but a few of the artists associated with the studio who agreed to be part of the film. (Then again, given it was Dave Grohl asking them, perhaps it’s hardly surprising at all.)

Much like the Neve console itself, this movie captures a moment in time, a particular sound. It’s like a trip down memory lane in a leather jacket, and while the  film — much like its director — wears its heart on its sleeve, it manages to steer clear of sentimentality when discussing the closure of Sound City and, instead, celebrates old school technology being given a new lease of life as the Neve console is moved to Grohl’s own Studio 606, where it will no doubt be used well into the future.

If you’re a music fan, this one’s a must see.

2. GLOW, Season 1 (2017)

2017 GlowSo we’re still in the San Fernando Valley, but my second pick for 2017 is the televsion comedy series GLOW — which stands, of course, for Gorgeous Ladies of Wrestling.  I never thought a comedy about the making of a 1980s syndicated women’s wrestling show (it is fiction, by the way) would interest me in the slightest, but the writing is as tight the ladies’ leotards, the costumes and soundtrack are so tacky they’re great, and some of the scenes — Sheila the Shewolf’s birthday bash at the roller rink springs to mind — are unexpectedly moving.

2017 Alison BrieI absolutely loved Alison Brie as the semi-desperate, struggling actress Ruth Wilder (particularly when she’s in Soviet mode), and Marc Maron’s portrayal of Sam Sylvia, the sleazy, disillusioned director who discovers he might actually care, is completely convincing. GLOW is laugh out loud funny, with some cutting edge social commentary to boot.

Bring on Season 2.

 

3. The Crown, Season 2 (2017)

2017 The CrownSpeaking of Season 2, I’ve just binged on another Netflix series — this time, the sumptuous historical drama that is The Crown. The second instalment is every bit as enjoyable as the first, and while political drama plays out on the wider world stage in the form of events such as the Suez Crisis and the Kennedy Assassination, for me the most interesting episodes are those depicting Queen Elizabeth II (played brilliantly by Claire Foy) navigating the complexities and challenges of her personal relationships — especially those with her husband and sister.

Vanessa Kirby very nearly steals the show as Princess Margaret, particularly in one powerful sequence that captures her volatility and unhappiness.  In a recent interview with the Daily Mail, Kirby described the scene:

She does this melancholy dance. You rarely saw her on her own, and I always imagined her alone in the house, grieving for her father — her sister preoccupied with a husband and kids and so busy being Queen. She would feel redundant, isolated; ostracised. I just imagined these dark nights of the soul, rattling around in Clarence House.

It’s compelling, if not a little voyeuristic, viewing.

4. Avis de Mistral/My Summer in Provence (2014)

2017 provenceThis French film is one that has been panned elsewhere, but I still wanted to see it.  I’m not entirely sure what it was that first drew me in, though I’ve always been a Jean Reno fan and I’m yet to meet anyone worth knowing who doesn’t harbour a soft spot for Provence.  Perhaps it’s also because, as the grandchild of divorced grandparents, I was intrigued by the the possibility that a cantakerous old man might eventually be won over by the three grandchildren he has never met — despite the best efforts of just about everyone involved to be difficult and objectionable.

The generational struggles are played out over the course of a long, hot summer, and despite the disputes between the characters being occasionally petty (two of the grandchildren are teenagers, after all), the ultimate benevolence and humanity of the characters and the strength of the bonds between them are never really in doubt — particularly in relation to the youngest grandchild, Theo, who is deaf (and is played, beautifully, but Lukas Pélissier, who is also deaf). One of the things I loved about this film is that whenever the action is seen from Theo’s perspective, there is no sound — which serves not only as a reminder of his condition, but also as a respite from the boisterous, dischordant world of his older siblings.

If I’m perfectly honest, this is a predictable, safe and sentimental film: the vast majority of the action is telegraphed well before it happens, including the inevitable happy ending. But sometimes, in life, we need movies like this — things that blow in like the mistral, and blow straight out again…and it’s made my Top Five because at the time I watched it I needed such a distraction, and My Summer in Provence served its purpose very well.

5. Star Wars: The Last Jedi (2017)

2017 last jediYou knew there had to be a big-hitting, blockbuster of a franchise movie in here somewhere, didn’t you? Well, The Last Jedi is it — and a big part of the reason why this film makes the list is that I watched it at the cinema with my family.

It seems like only yesterday that I was writing about the possibility of introducing my girls to Star Wars, when in reality it was two and a half years ago.  During that time, they have become committed fans of the Star Wars universe, have watched all the films, every episode of Clone Wars and Rebels ever made, and have had hours of “Jedi Training” in the back yard with their father. They even insisted on making their own light sabers (purple — just like Mace Windu’s) at Disneyland.

I suspect half of what was written on the internet during the past month was devoted to The Last Jedi, so I’m not going to add to it any more here, save to say that I aboslutely loved this movie. And best of all, I got to see it with Marvel Girl, Miss Malaprop and The Bloke sitting right beside me.

Honourable mentions for other viewing in 2017 go to Thor: Ragnarok, not only because I can’t go past any Marvel movie in which Tom Hiddleston plays Loki, but also because I think Taika Waititi has brought a really fresh (not to mention funny) approach to the franchise; Anne with an E (and a PTSD?), which turned an old favourite on its head in a way I’ve decided I really liked; and Lucifer, Seasons 1 and 2 of which I believe to be the very best sort of trashy television, complete with clever lines and a one very handsome Devil.

Coming soon: Blue Jai’s Best Viewing and Listening of 2017…hit the follow button and don’t miss a thing!