Cover Versions

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Adelaide street art — this is a fairly recent piece, and I love the incorporation of the windows in to the reimagining of this wall space.

So those of you who follow my side hustle at Blue Jai Creative will know that my word of the month for March is REIMAGINE.

I’ve selected the word reimagine quite deliberately — as writers are prone to doing — particularly after last month’s focus on connection, when I delved into the rich pickings that can be gleaned from connecting with people, with your inner voice, and with what inspires you, and then from connecting the dots between all those things to create something whole and meaningful. Hopefully, having spent some time making such connections, you have a stronger sense of what you want to achieve in your work or life.

The first thing that prompted me to select reimagine as the word of the month was a recent trip I took to Adelaide, South Australia. I’d never been there before, but was keen to check out the food and wine and, being a lover of street art, wanted to see some of the amazing work that has popped up all over the inner city in recent years — and I was not disappointed. Seeing the way that hidden nooks and crannies all around Adelaide had been transformed from grotty out of the way spots to beautiful, unexpected spaces was truly inspiring.

So this month, the word reimagine is designed to kickstart an examination of those things in your work or life that need reviewing. We all have pieces that don’t quite fit — procedures that don’t flow quite as smoothly as we’d like them to, systems that have pinch points or regular breakdowns, products that could do with a tweak, ideas that seem to resist attempts to realise them, all manner of things we know could be improved. Because let’s face it: we’re all human, which means none of us is perfect.

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Without wondering and reimagining, would Stephen Hawking’s work would have been impossible.

But the fact that we are human also means that we possess the greatest and most mind-blowing of gifts: we have the power to imagine and to reimagine — over and over again. For as long as we are capable of thinking, we can keep re-envisaging and reinvestigating.  The possibilities and permuations are limitless, endless, for as long as we are consciously able to imagine and reimagine them.

And that brings me to the second thing — or, more accurately, person — who inspired the reimagine theme for March: the brilliant theoretical physicist Stephen Hawking, whose passing earlier this month reminded the world not only of his amazing work, but also of some of his more poignant words of advice to his fellow humans: that we need to retain our curiosity and keep wondering — or reimagining — our worlds, and that we don’t ever stop doing so.  In his own words, it matters that you don’t just give up.

I think it’s important, at this point, to draw a distinction between reimagining and reinventing, because I think part of what makes human beings tend to give up on things is that we become caught up in thinking we have to create something completely and entirely new in order to be successful — and it simply isn’t true. As far as I’m concerned, the old adage about not needing to reinvent the wheel is right on the money: the wheel is just fine, thank you, but hats off to the person who can imagine a way to make it faster, stronger, or perhaps even prettier.

So this month, I encourage you to reimagine the things in your work or life that you think could do with some renewal. What would it look like, if you did something differently? How would that feel? Does it really matter that something is not brand new, or is it more important that you’re willing to try doing something in a new way? Sure – it might be a bit scary, but what if it actually worked?

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Some of the many reimaginings of Cillian Murphy…

Which brings me to my third and final inspriation for my March reimagine theme, which was a fantastic bunch of cover versions actor Cillian Murphy played during a recent broadcast on BBC Radio 6. I have a sneaking suspicion that, like me, Cillian Murphy thinks music is about as necessary to human life as oxygen, and as well as being one of my favourite actors (a job which, quite obviously, requires you to reimagine yourself all the time) his recent forays into broadcasting have cemented him in my mind as being one of the most awesome human beings on the planet. (It’s OK…relax, I’ve stopped fangirling now).

Returning to cover versions, though — which are, of course, one artist’s reimaginings of another artist’s work. Some cover versions are pretty much straightforward reproductions of the original song…and to my mind such works are more like tributes than anything else. Other times, however, cover versions take original songs to a whole other level.  They make you aware of a fresh layer of meaning in the original lyrics, or evoke an entirely different mood from the melody, or strip a song back to its essential elements and make you fall in love with it all over again, in a new and exciting way. I’d cite Neil Finn’s cover of Michael Jackson’s “Billie Jean” as being one such a track, and Nirvana’s version of David Bowie’s “Man Who Stole the World”, or even Northeast Party House’s recent rendition of Childish Gambino’s “Redbone” as others.

But there was one particular song Cillian Murphy played during his hour of favourite cover versions that he ventured to say was even better than the original — and even though it’s a big call, I’m inclined to agree with him. So I’m going to leave you with it, as a final piece of inspiration to look, and look hard, at what needs reimagining in your life and work.

Here is Stevie Wonder, playing a cover version of The Beatles’ “We Can Work it Out” — at the White House, in front of President Obama and his family, who are sitting right next to Paul McCartney…who wrote and performed the original song. Boom.

If you think you’re scared of reimagining something new, let wheelchair-bound scientist and a blind man show you the way. You might just work it out, too.

 

2017 in Review: And That’s a Wrap

It’s that time of year when I’m charting my personal Top Fives of 2017, with a few honourable mentions thrown in for good measure. Yesterday I looked at books, and today I’m switching to what I’ve seen on screens, big and small.

Much like its literary counterpart, I’ve decided that the Viewing category is open to any movie or television series made at any time, but which I watched 2017.  I managed to list the books chronologically, but this list — like my viewing habits generally — is far more haphazard. There are (hopefully) no spoilers here, and definitely no full reviews.  These are just five of my favourites for 2017…feel free to leave me your suggestions of what to watch next year, or your thoughts on what should have made the list.

BLUE JAI’S BEST MOVIES & TV OF 2017

1. Sound City (2013)

2017 Sound cityI’m kicking this list off with a feature-length documentary about the history of a recording studio in Van Nuys, Los Angeles — a description that sounds somewhat bland and boring until you realise that the recording studio in question is Sound City Studios, and the director of the film is Dave Grohl. It might sound even more banal if I described this movie as Grohl’s love letter to the Neve 8028 analog mixing console at Sound City but, again, once it becomes clear that this was the console he and a previously little-known band called Nirvana once used to record an album called Nevermind that went on to change the musical world as we know it, the whole thing begins to make a lot more sense.

2017 DGThe list of rock music luminaries who recorded at Sound City is astonishing, as is the sheer number of them who shared their memories of making music there: Tom Petty, Mick Fleetwood, Stevie Nicks, Rick Springfield, Barry Manilow, Trent Reznor, Butch Vig, Josh Homme and Paul McCartney are but a few of the artists associated with the studio who agreed to be part of the film. (Then again, given it was Dave Grohl asking them, perhaps it’s hardly surprising at all.)

Much like the Neve console itself, this movie captures a moment in time, a particular sound. It’s like a trip down memory lane in a leather jacket, and while the  film — much like its director — wears its heart on its sleeve, it manages to steer clear of sentimentality when discussing the closure of Sound City and, instead, celebrates old school technology being given a new lease of life as the Neve console is moved to Grohl’s own Studio 606, where it will no doubt be used well into the future.

If you’re a music fan, this one’s a must see.

2. GLOW, Season 1 (2017)

2017 GlowSo we’re still in the San Fernando Valley, but my second pick for 2017 is the televsion comedy series GLOW — which stands, of course, for Gorgeous Ladies of Wrestling.  I never thought a comedy about the making of a 1980s syndicated women’s wrestling show (it is fiction, by the way) would interest me in the slightest, but the writing is as tight the ladies’ leotards, the costumes and soundtrack are so tacky they’re great, and some of the scenes — Sheila the Shewolf’s birthday bash at the roller rink springs to mind — are unexpectedly moving.

2017 Alison BrieI absolutely loved Alison Brie as the semi-desperate, struggling actress Ruth Wilder (particularly when she’s in Soviet mode), and Marc Maron’s portrayal of Sam Sylvia, the sleazy, disillusioned director who discovers he might actually care, is completely convincing. GLOW is laugh out loud funny, with some cutting edge social commentary to boot.

Bring on Season 2.

 

3. The Crown, Season 2 (2017)

2017 The CrownSpeaking of Season 2, I’ve just binged on another Netflix series — this time, the sumptuous historical drama that is The Crown. The second instalment is every bit as enjoyable as the first, and while political drama plays out on the wider world stage in the form of events such as the Suez Crisis and the Kennedy Assassination, for me the most interesting episodes are those depicting Queen Elizabeth II (played brilliantly by Claire Foy) navigating the complexities and challenges of her personal relationships — especially those with her husband and sister.

Vanessa Kirby very nearly steals the show as Princess Margaret, particularly in one powerful sequence that captures her volatility and unhappiness.  In a recent interview with the Daily Mail, Kirby described the scene:

She does this melancholy dance. You rarely saw her on her own, and I always imagined her alone in the house, grieving for her father — her sister preoccupied with a husband and kids and so busy being Queen. She would feel redundant, isolated; ostracised. I just imagined these dark nights of the soul, rattling around in Clarence House.

It’s compelling, if not a little voyeuristic, viewing.

4. Avis de Mistral/My Summer in Provence (2014)

2017 provenceThis French film is one that has been panned elsewhere, but I still wanted to see it.  I’m not entirely sure what it was that first drew me in, though I’ve always been a Jean Reno fan and I’m yet to meet anyone worth knowing who doesn’t harbour a soft spot for Provence.  Perhaps it’s also because, as the grandchild of divorced grandparents, I was intrigued by the the possibility that a cantakerous old man might eventually be won over by the three grandchildren he has never met — despite the best efforts of just about everyone involved to be difficult and objectionable.

The generational struggles are played out over the course of a long, hot summer, and despite the disputes between the characters being occasionally petty (two of the grandchildren are teenagers, after all), the ultimate benevolence and humanity of the characters and the strength of the bonds between them are never really in doubt — particularly in relation to the youngest grandchild, Theo, who is deaf (and is played, beautifully, but Lukas Pélissier, who is also deaf). One of the things I loved about this film is that whenever the action is seen from Theo’s perspective, there is no sound — which serves not only as a reminder of his condition, but also as a respite from the boisterous, dischordant world of his older siblings.

If I’m perfectly honest, this is a predictable, safe and sentimental film: the vast majority of the action is telegraphed well before it happens, including the inevitable happy ending. But sometimes, in life, we need movies like this — things that blow in like the mistral, and blow straight out again…and it’s made my Top Five because at the time I watched it I needed such a distraction, and My Summer in Provence served its purpose very well.

5. Star Wars: The Last Jedi (2017)

2017 last jediYou knew there had to be a big-hitting, blockbuster of a franchise movie in here somewhere, didn’t you? Well, The Last Jedi is it — and a big part of the reason why this film makes the list is that I watched it at the cinema with my family.

It seems like only yesterday that I was writing about the possibility of introducing my girls to Star Wars, when in reality it was two and a half years ago.  During that time, they have become committed fans of the Star Wars universe, have watched all the films, every episode of Clone Wars and Rebels ever made, and have had hours of “Jedi Training” in the back yard with their father. They even insisted on making their own light sabers (purple — just like Mace Windu’s) at Disneyland.

I suspect half of what was written on the internet during the past month was devoted to The Last Jedi, so I’m not going to add to it any more here, save to say that I aboslutely loved this movie. And best of all, I got to see it with Marvel Girl, Miss Malaprop and The Bloke sitting right beside me.

Honourable mentions for other viewing in 2017 go to Thor: Ragnarok, not only because I can’t go past any Marvel movie in which Tom Hiddleston plays Loki, but also because I think Taika Waititi has brought a really fresh (not to mention funny) approach to the franchise; Anne with an E (and a PTSD?), which turned an old favourite on its head in a way I’ve decided I really liked; and Lucifer, Seasons 1 and 2 of which I believe to be the very best sort of trashy television, complete with clever lines and a one very handsome Devil.

Coming soon: Blue Jai’s Best Viewing and Listening of 2017…hit the follow button and don’t miss a thing!