The Thrifty Fictionista Feels Nostalgic…

“Out on the islands that poke their rocky shores above the waters of Penobscot Bay, you can watch the time of the world go by, from minute to minute, hour to hour, from day to day . . .”

These are the opening lines of the Thrifty Fictionista’s favourite picture book, one I have loved since I was a child: Robert McCloskey’s Time of Wonder. Telling the story of a girl and her younger sister spending their summer holidays on an island in Penobscot Bay, Maine, it follows them as they explore the natural world around them. They swim, they sail, they laze in the sun — they even survive a hurricane that blows in one night.

I still love everything about that book: the beauty of the painted illustrations, the cadence of the sentences, every last carefully chosen word. I often wished, when I was little, that I could go on holidays just like the girls in the book, even though I lived on the other side of the world from Maine.

Like the girls in the book, I spent a lot of time on boats when I was a kid. My grandfather, who had served in the navy, was never one to be without some kind of seafaring craft, so my brother and I enjoyed time on a succession of yachts, one of which had sailed the Sydney to Hobart race multiple times, and later on an old Halvorsen cruiser. The sights, sounds and smells of moorings and marinas still make me happy.

What reminded me of Time of Wonder most recently, however, was something equally nostalgic, but completely unexpected. I was watching M*A*S*H with my kids (having got them hooked on that golden oldie after they had watched so many episodes of Brooklyn 99 I thought I was going to scream), and we came to the part of Series 5 when Margaret “Hot Lips” Houlihan gets engaged to Lt Colonel Donald Penobscott — and at the first mention of his name, there I was: right back in the middle of Penobscot Bay, exploring the Time of Wonder island and all its natural wonders.

At the moment, all I would like to do is dive between the pages of my old, battered copy of Time of Wonder and relive it all once again. Or even the shiny new copy I got for my own kids when they were old enough to read it.

But, since we’re in the process of building our house, that dear old book is somewhere in storage, along with many other treasured possessions of the paged variety. It has been hard not having my book “friends” around for the past nine or ten months, but now that build is drawing to close up stage I am itching to get my fingers on volumes I have wished for while living here in our tiny rental.

The Thrifty Fictionista could not do with out ALL her books, however — so old favourites and new have found their way up the 49 steps to our front door. Anna Karenina is here, rubbing shoulders with Lolita and Dorian Gray, and even The Once and Future King. There are books by authors whose writing I can’t live without: Helen Garner, Trent Dalton, Ed Ayres, Ursula Le Guin, Virginia Woolf, Hilary Mantel, Anne Lamott. And there are cookbooks, of course, too, thanks to Yotam Ottolenghi, Nigella Lawson, Poh Ling Yeow and Annabel Crabb.

Before too long, however, it will be time for us to pack these few books that did wend their way up all those stairs into boxes and take them to our new house. In Time of Wonder the girl is a little bit sad about the place she’s leaving, a little bit glad about the place she’s going to. The Thrifty Fictionista, on the other hand, is a little bit impatient to get out of the place I’m leaving, and tremendously excited about the place I’m going to — not least because it will have a library.

There will be space for books, space to watch endless re-runs of M*A*S*H, space to cook and space to dream, and even space to wonder where hummingbirds go in a hurricane.

And I can’t wait.

The Thrifty Fictionista Is Cranky

Readers, the Thrifty Fictionista is cranky.

Seriously cranky.

Not with herself, nor with anyone else currently living, but with Thomas Hardy — who died almost 100 years ago.

Why? I hear you ask.

The answer is simple: I have just finished reading Hardy’s Tess of the D’Urbervilles, and the whole book made me fed up and furious.

I never even planned to read Tess of the D’Urbervilles, but it turned up in one of those brilliant bargain boxes of books the Thrifty Ficionista falls prey to every now and then, this time a Young Adult collection purchased for my elder daughter. I nabbed Tess before she got hold of it, thinking it would be an entertaining read — which, for the most part, it was — but I was not prepared for how angry the novel would make me.

Especially the ending.

Without spoiling the story (or its ending) for anyone who has not yet read it, Tess of the D’Urbervilles is a novel exposing the sexual hypocrisy, entrenched misogyny, and overbearing patriarchy of the period in which it was written. Even though the book was first published in 1891, many of the themes and abhorrent behaviours depicted in it remain all too relevant today — and this realisation was a substantial contributor to the Thrifty Fictionista’s current crankiness.

I’m now faced with a dilemma: do I give the book back to my (early teenaged) daughter to read or not? Would she find some of the characters’ conduct as offensive as I did? Would she dismiss the behaviour I found so repellent as simply being fusty and of its time, or would she also recognise it — repackaged and more than likely digitised and/or broadcast — in her own experiences of the current century?

I can only imagine, given she has been raised by me, that my daughter would respond to Tess of the D’Urbervilles in a similar fashion to the Thrifty Fictionista. But does she really need to read a fictional account of how lousy things were for women back in the day? Or am I better off giving her books like Virginia Woolf’s A Room of One’s Own or Glennon Doyle’s Untamed, which may give her the headspace and the tools to forge her own way as a woman in the world?

You see, getting cranky is a good thing.

It might make the Thrifty Fictionista uncomfortable, but it also makes her think.

Hard.

About what’s important. About what influences — fictional, historical or otherwise — I want my daughters to be exposed to. Even about the possible effects of reading the works of a novelist whose female characters generally appear to be subject to fates they can neither change nor challenge.

Honestly, I want my kids to get cranky if they read books like Tess of the D’Urbervilles.

But — more significantly — I want them to focus on becoming the incredible human beings, and not being circumscribed by history or sex or gender or labels of any kind.

Most importantly, I want my daughters to understand life as Glennon Doyle describes it:

I am a human being, meant to be in perpetual becoming. If I am living bravely, my entire life will become a million deaths and rebirths. My goal is not to remain the same but to live in such a way that each day, year, moment, relationship, conversation and crisis is the material I use to become a truer, more beautiful version of myself.

So: thank you, Thomas Hardy.

The Thrifty Fictionista read your book and is cranky.

But she’s also a whole lot clearer on what she wants for herself and for her children.

This Fearless Life

At the beginning of each year I attempt to find a word or theme to guide me through the twelve months ahead. It makes sense to me to do this, not only because here in the Southern Hemisphere the school year mirrors the calendar year, but also because my birthday falls in January. I find it useful to embrace an overarching concept that often ends up informing what I do, what I read, what I think, and even the way I approach my life.

Last year, I took delight as my guiding principle after dipping into Ross Gay’s Book of Delights. Prior to that I (perhaps less successfully) delved into the lives of diverse people — Marcus Aurelius, Virginia Woolf, Keith Richards — to see how their perspectives might inform my own. Another year I chose a different Word of the Month to engage with.

In 2021, I’m taking myself going down a slightly different path again — one decidedly unfamiliar to me, raised as I was in a reasonably conservative Roman Catholic home by parents who remain steadfast in their faith and who chose to send me to Catholic schools throughout my primary and secondary education. This year, inspired by reading Jay Shetty’s book Think Like a Monk, I’ve chosen to explore the Divine Qualities outlined in Chapter 16 of the Bhagavad Gita.

There are 26 Divine Qualities listed in the Gita, so I am hoping to tackle one every couple of weeks. Quite obviously, I haven’t been raised Hindu and have little experience with the Vedic tradition other than what I’ve learned from various teachers when attending yoga classes from time to time, which means I am engaging with each quality as outsider. From the oustet I think it is important to state that I do not intend to bring a religious slant to any of my posts and I mean absolutely no disrespect to believers in this or in any religion: I am simply using the Divine Qualities mentioned in the Bhagavad Gita as a starting point and exploring how these, as I understand them, apply to my own life.

The first Divine Quality mentioned in the Bhagavad Gita is FEARLESSNESS.

What a way to kick things off, huh?!

You may, given the current state of the wider world, now have an inkling of understanding as to why I was intrigued by the Divine Qualities: given that much of 2020 involved a global pandemic, trade wars, continuing environmental crises and particular politicians peddling lies and failing to protect their own people, there were many things about last year that made me FEARFUL. I often wondered, in 2020, whether my family would stay physically safe in the face of an invisible disease and mentally strong when confronted with multiple lockdowns, whether my husband’s business and those of his clients would survive the associated economic upheaval, and whether the world was actually going to hell in a handbasket.

Fearlessness? I’ve never lived through a year more prone to making people fearful, or for provoking (at best) garden variety anxiety on a daily, if not hourly, basis!

Fearlessness…

I have to admit the word shocked me when I first read it, right at the top of the list of Divine Qualities. It felt like such a foreign concept in these strange and unusual times.

And yet, the more I thought about it, the more I wanted to embrace fearlessness.

Many of us spend far too much time worrying about — or even fearing — things beyond our control. What if we stopped fearing what other people might think of us, or whether we’re good enough, or if the timing is right? What if we started to trust ourselves and our abilities more, to do what is right and responsible, to make our best effort every time with the knowledge and resources we have?

For me, staring fearlessness in the face meant asking myself:

  • What if I actually finish my novel?
  • What if I allow myself time to exercise every day?
  • What if I publish more on this blog, even if it exposes me to potential ridicule?
  • What if I say no to stuff that no longer serves me?
  • What if I say yes to trying new things?

And I’ve decided, on balance, that all of those things are worth doing.

That it’s worth letting go of fear and trusting the universe (or God, or whatever you believe in) has my back.

That it’s important to have faith that the vast majority of people on this planet are doing their best and are kind and decent human beings.

That it’s time I lived with fearlessness!

2019 in Books

At last…the third and final instalment in my Top Five’s for 2019 has arrived — books, beautiful books!

2019 was always going to be a tough year in books for me, because 2018 was the year when Boy Swallows Universe usurped Dirt Music as my favourite book of all time.

So this year, instead of seeking out works of fiction that might make me change my mind yet again (because — as we now know Patrick Melrose would say — that’s what a mind is for, after all), I opted for to throw some non-fiction in with my usual reading escapes…and was more than pleasantly surprised.

I also read a few classics of English literature, one of which begins this, my humble list:

1. Mrs Dalloway by Virginia Woolf (1925)

Mrs DMrs Dalloway said she would buy the flowers herself.

It’s one the great opening lines in literature, and somehow evokes the quiet control Virginia Woolf exercises over each and every character in this slim and beautiful novel. I’ve long been interested in Woolf, and am so pleased I found time to read this novel this year.

Taking place over the course of a single day, Woolf takes the reader back and forward in time, from one character’s perspective to another, making us privy to their innermost thoughts about that day and its events, and of the other characters. Only in books do we have this power: to know the internal dialogue and register the emotional barometer of another (albeit fictional) person.

It is staggering to me that Woolf managed to deal with themes such as religion and secularism, mental health, sexuality and feminism in the space of so few pages. This is stream of consciousness writing at its finest, and is as relevant today as it would have been on the June day in 1923 it describes.

2. The Trauma Cleaner by Sarah Krasnostein (2017)

TCThe subtitle of this brilliant piece of non-fiction is “One woman’s extraordinary life in death, decay and disaster”, but not even these words begin to sum up Sandra Pankhurst and her astonishing progression from abused child, to husband and father, to drag queen and sex reassignment patient, to sex worker, businesswoman, trophy wife…the list goes on.

I had heard rumours and rumblings about this book for a couple of years. Not surprisingly, given the quality of Krasnostein’s writing, it has won a whole swag of awards, but I was honestly unprepared for the impact it would have on me. It was not that I was reading about someone who cleans up crime scenes, horders’ houses, and squalor so sordid it is almost possible to smell it coming off the page, it was the emotional wallop of Pankhurst’s own life story, interleaved with chapters about her clients and the tenderness — yes, tenderness — with which she deals with them.

Her work, in short, is a catalogue of the ways we die physically and emotionally, and the strength and delicacy needed to lift the things we leave behind.

SARAH KRASNOSTEIN

Krasonstein’s treatment of the slippery nature of memory and truth is masterful, and her frank admissions about the issues and memories her interactions with Pankhurst and her clients raise for her are, to my mind, courageous. It is impossible to read this book — and I could not put it down once I began — without having your breath taken away.

This is also a book that will  leave you thinking, hard, about things you never expected to, for a very long time.

3. Daisy Jones and the Six by Taylor Jenkins Reid (2019)

DJ6Whoa…we need to head back to Fictionland after that one, hey?

Well, what better way to do that than with Taylor Jenkins Reid’s Daisy Jones and the Six? Weirdly, upon reflection, this book also deals with memory and truth as much as The Trauma Cleaner does, though in a fictional setting. Set in Los Angeles in the 1960s and 1970s, the book poses as an oral history trying to get to the bottom of a rock’n’roll puzzle — what made Daisy Jones and the Six, one of the decade’s most successful bands, split up straight after playing the final concert of their tour in 1979?

The writing style reminded me of Lizzy Goodman’s brilliant non-fiction work Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011, a huge tome chronicling the rise of bands like The Strokes, Yeah Yeah Yeahs, Vampire Weekend, LCD Soundsystem and The National. Being fiction, however, Daisy Jones and the Six lets you invest yourself in the characters, allows the reader to take sides without fear of any recrimination, and to enjoy the twist that comes towards the end. I thoroughly enjoyed this book.

4. City of Girls by Elizabeth Gilbert (2019)

CofGI was not expecting to include this book in my Top Five for the year, but have done so because it proved to be a rollicking good read and, in my opinion, the best piece of fiction Elizabeth Gilbert has produced in years. Unlike The Signature of All Things, which I found to be overwhelmingly populated by caricatures, City of Girls bursts at the seams with the colourful characters encountered by Vivian Morris from the time she moves to Manhattan as a nineteen year old after being kicked out of college.

Gilbert vividly recreates the theare and showgirl scene in New York City in the 1940s, and the novel is as much a love story to the city as it is the story of Vivian navigating her way through life and love, to recount it as a ninety-five year old narrator. This book is a great escape, not to mention a fascinating examination of how important it is to be free to be yourself.

5. How To Raise Successful People by Esther Wojcicki (2019)

SPI bought this book after hearing Esther Wojcicki interviewed on a podcast and read it cover to cover in an afternoon. Wojcicki draws on her experiences raising three highly successful children (all women who have risen to the top of typically male-dominated professions) and teaching generations of Media Arts students at Palo Alto High School, and also reflects on how her childhood informed the choices she made as a parent.

It’s partly a parenting manifesto, partly a practical advice manual, and a lot of what Wojcicki has to say makes a great deal of sense to me. It might not be everyone’s cup of tea, but this was definitely a book that gave me much to think about — not to mention implement in my life — this year.

Honourable Mentions this year go two other non-fiction titles, Drusilla Modjeska’s beautiful and evocative memoir Second Half First and to Melinda Gates’ highly thought-provoking book about empowering women, The Moment of Lift.

On the fiction front, Max Porter’s novella Grief is a Thing With Feathers very nearly made my Top Five for its emotional bravery and poetic brilliance. I am yet to read Lanny but hope to get my hands on a copy in 2020. I also thoroughly enjoyed Sally Rooney’s Normal People, and will admit to spending a week devouring the entire Cormoran Strike series, penned by Robert Galbraith (aka J K Rowling), with something akin to glee. I was a late-comer to Erin Morgenstern’s The Night Circus and loved it, and am looking forward to reading her next book, The Starless Sea, this year.

So that’s all folks! I read a whole lot of other books during the year that were also noteworthy and interesting, but these were the ones that made the cut for 2019.

That said, I have just trawled my local library for a substantial summer reading stash and have kicked off with the Julia Baird’s so-far brilliant biography of Queen Victoria…it may well make my 2020 list!

If you have enjoyed this post from Blue Jai Creative and would like every new musing from the Daydream Believer delieved straight to your inbox, feel free to click on the Follow button at the top right of the page. Thanks for reading! BJx

 

 

 

(Head)room of One’s Own

Virginia 1Last year I finally got around to reading Virginia Woolf’s extended essay, A Room of One’s Own, and I find myself still pondering her words today. Although it was first published in 1929, so much of what Woolf wrote rings true ninety years later: it is a feminist manifesto, delivered gently yet powerfully, bringing the place of women in literature and society into laser-sharp focus.

I’ve mulled Woolf’s words over. I’ve disappeared down various rabbitholes as her words and life have cropped up in other books I have read, most notably in Drusilla Modjeska’s beautifully written memoir Second Half First. I’ve read more of Woolf’s own works, including the brilliantly conceived and executed Mrs Dalloway. I’m planning on re-reading The Waves and To The Lighthouse, volumes I have not delved into since my university days.

And yet, despite all this investigation, I am still struggling with Woolf’s central premise in A Room of One’s Own:

A woman must have money and a room of her own if she is to write fiction.

VIRGINIA WOOLF

I firmly believe Woolf’s statement to be true.

But what, I wonder, would she make of women’s lives in the twenty first century?  Ninety years after the publication of A Room of One’s Own, many things have improved for women in the western world.  Our access to education has improved, along with our employment prospects and our control of our own lives and bodies.

What I think women in the western world have lost control of, however, is our minds.

Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.

VIRGINIA WOOLF

I would love to embrace this idea as a true representation of my self and my life, to punch my fist skyward and proclaim that my mind is entirely my own, that my freedom is guaranteed because I am not shackled by cerebral restrictions.

But I can’t.

Not quite.

I may have money I earn myself and a place to write (even if it is not an actual room), but do I have space in my own head?

There is just so much…stuff…to remember in any given day.

Remember to schedule a dental appointment. Drop off the dry cleaning. Pick up forgotten ingredients for tonight’s dinner. Replace a child’s gluestick for school. Sign permission slips for an excursions. Meet a work deadline. Return the library books on time. Change the bedclothes. Find light blue cardboard for a child’s project (no, not dark blue or royal blue or navy blue). Collect that undelivered parcel from the post office. Arrange a playdate before netball training and remember to buy oranges for the game. Pay the gas bill. Replace yet another gluestick (what, do they eat them or something?). Phone the electrician to get the laundry light fitting replaced. Feed the fish. And the cat. And the family. Buy a present for an upcoming birthday party. And a card. Take out the garbage and know which bin needs to be curbside on which day. Update the credit card expiration date on — wait, what was the password for that account again?

Virginia 2Our lives are so full, and are lived at such a relentless pace. We bandy around words and phrases like “mindfulness” and “mental load”, but do we ever have time to stop — let alone to imagine?

How can we write fiction if we have no headroom to allow the stories to form? How can ideas flow and characters develop and whole realms emerge from such cluttered minds?

Fiction is like a spider’s web, attached ever so lightly perhaps, but still attached to life at all four corners.

VIRGINIA WOOLF

I know my own fiction writing is informed, in part, by the life I lead — regardless of whether I am writing a children’s picture book, a longer story for older children, or working on the young adult novel I have been aiming to finish for some years.

Much of the time, however, my fictional projects lie immobile, suspended in that spider’s web as I attend to the myriad minutiae of everyday life that encroach upon it from all four corners. And more often than not, my own innate need to create is ignored in favour of other, far more basic needs — not just of my own — and it is not until I sense my fictional worlds are hanging by a single thread that I make time to write.

Virginia 3Even so, I remain hopeful.

I would rather snatch a moment here and there to write a paragraph, to edit a word or two, or to scribble down a new idea than to fill my pockets with stones and walk into the nearest river.

I am learning, slowly, to prioritise my fiction writing, even if it is — by definition — not real.

Because it is real to me, and gives my life deeper meaning.

And despite her own untimely end (which I may comprehend, but cannot ever condone), I think Virginia Woolf knew exactly what it was like not to have room in her head. Even so, in spite of this — or perhaps because of it — I believe she would have continued to encourage women generally, and writers particularly, had she lived to see our present day and age, just as she did in her lifetime.

Money is one thing, I think she would tell us.

But the room of one’s own — that sacred space needs to exist in your mind as well as in your world.

Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream.

VIRGINIA WOOLF

 

A Friday Morning Coffee with Keef

KR 7

Today’s imaginary interviewee: Keith Richards

I’m never quite sure who’s going to show up for my peripatetic (and completely invented) brain-picking sessions with people I admire. After my last foray into imaginary interviewing — when I intended to focus on Virginia Woolf and ended up rambling on about the Roman Emperor Marcus Aurelius instead — I sat down one day not much later and made a list of people I thought I might like to “meet”.

I made two lists, actually, divided simply along the lines of life or death.

And armed with those lists, I quickly realised that it is much simpler to write about a person who is no longer gracing the Earth with their presence, particularly if they have been dead for quite some time.  In the era of #metoo (fundamentally important as that movement is), it is far more challenging to delve into the thoughts of a living person, particularly when they may or may not end up being outed as a sex pest.

KR 2

True. But you also see my sex pest problem…

Imagine my surprise, therefore, when I turned up in my little patch of cyberspace this morning and discovered Keith Richards waiting for me.

Not really, obviously.

But after spending an evening this week watching Olé Olé Olé!: A Trip Across Latin America, the Rolling Stones’ documentary about their 2016 tour which culminated in their historic Cuban concert, there he was.

Keef.

With plenty, as always, to say. And, one can only assume, probably not all that bothered about whatever acusation anyone would level at him — the man, as he freely admits, has lived long and hard, and outlived many it was readily assumed he would predecease.

KR 6

Good question. How do you play with your time?

I’m not what you’d call a diehard Rolling Stones fan. I don’t have a standout favourite Stones song, but harbour soft spots for several (depending mainly on my mood). I know better than to put myself in the middle of any pointless Beatles vs Stones battles, because there’s actually no contest: the world is a better place for having both bands (I stand firmly with the girl from the taco ad on that one…“¿Porque No Los Dos?” ). And I can’t say I prefer any one of the Rolling Stones over another: I tend to appreciate them collectively more than I do indivdiually.

And yet, I have to admit there is something undeniably intriguing about Keith Richards.

Unlike the 2015 film Under the Influence, which focussed solely on Keith himself, the Olé Olé Olé! doco is about the whole band, though it does shift (seamlessly, I might add) from ensemble pieces to individual portraits of the band members. The juxtaposition of these different points of view enhances both: the concert footage of stadiums seething with fans is made all the more massive, while the one-on-one sequences achieve greater intimacy and poignancy. As the band wends its way (via private jet and with police escourts) through South America, we glean insights from each member into the various countries they are visiting and how they have changed during the fifty (yes, fifty) years that they have been performing there, into life on the road, and into life itself.

KR 8

Richards in Lima, 2016.

There is a beautiful moment in the film when Richards can be seen, initially from a distance, sitting poolside at a clifftop hotel in Lima, playing an acoustic guitar. The pool is turquoise, his shirt scarlet, the sounds flamenco. There is no doubting his musical ability: this is a man who, to use Malcolm Gladwell’s phrase, has done his 10,000 hours, playing everywhere from small pubs to gigantic arenas, or simply noodling away with an instrument and an endless succession of cigarettes, whiling away the time. Richards’ observation of Lima is that it has changed, markedly, since he first visited it in 1968: cities spring up “like tombstones” he says, as the camera pans out to reveal a skyline full of skyscrapers, resembling a cemetary more than one would like to admit.

Richards is a man who, quite clearly, knows how lucky he is — he seems, genuinely, to appreciate the trappings of fame he gets to enjoy, but he also appears to be acutely aware how fortunate he is to be doing what he loves (sorry, make that absolutely loves) for a living, and to be doing it with a bunch of blokes he has been hanging out with for five decades.

There is something that sticks us together. It’s nothing you’d ever catch us talking about. I feel I’m awfully blessed, really.

KEITH RICHARDS

KR 9

There’s a glimmer of it in here….

There is an occasional glint in his eye or a throaty chuckle that betrays the fact that he doesn’t half mind his own notoriety, either, but it’s nothing malicious — if anything, now that Richards is aged 75, these small glimpses remind me in some way of my own globetrotting gypsy grandmother who, at a similar point in her life, may well have had the same sense of mischievous glee in behaving in ways that were not generally considered to be age appropriate.

And finally, beneath all of this is a strong, unspoken sense that Richards knows just how lucky he is to be alive.

And that, for my money, is something worth remembering.

 

A Visit From the Philosopher Emperor

Marcus 1I find it hard to believe that it is almost March, and that this year I’ve only managed to get fingers to keys here in my small patch of cyberspace twice. I thought, when I began this post, that it was going to be about Virginia Woolf — but as you will see, it didn’t turn out that way at all.

Last year I threw myself into the effort of picking a Word of the Month each month and mulling it over, drawing out the meaning I found in it and making sense of how it fitted into my life. I considered doing something similar this year, but found myself unable to settle on a theme.

I did wonder, after watching Gladiator for the umpteenth time, whether I could focus on a list of lesser-sung qualities or pseduo-virtues, much like those offered in the film by Commodus to his dying father, Marcus Aurelius, but know myself well enough to realise I am not the sort of person to hold up ambition as something to aspire to. Ambition may have its purpose and its place, but I am much more likely to agree with Marcus Aurelius himself, the last of the Five Good Emperors, that wisdom, justice, fortitude and temperance form the cornerstones of a good character. More to the point, I am also aware that many people have written about such ideals since…well, quite obviously, since Roman times.

I then began pondering whether I would write a series of monthly posts at all.  I don’t mind working under pressure and am generally unfazed by deadlines (self-imposed or otherwise), but with a new school and work year offering a far more complicated set of variables than I have had to deal with in recent times, the prospect of a more fluid approach than that I had in 2018 had real appeal. After all, these are meant to the musings — rather than the rantings — of the Daydream Believer, and the prospect of committing to a  monthly post seemed a little, as Commodus might have put it, ambitious.

Marcus 2So, having unfettered myself from all sorts of strictures, I gave myself permission to meander down some old Roman roads, following the trail of the Philosopher Emperor and his wayward son.  Commodus, according to Cassius Dio (who witnessed his actions and antics firsthand), was “not naturally wicked but, on the contrary, as guileless as any man that ever lived. His great simplicity, however, together with his cowardice, made him the slave of his companions, and it was through them that he at first, out of ignorance, missed the better life and then was led on into lustful and cruel habits, which soon became second nature.” Ouch.

On the other hand, Marcus Aurelius is generally well remembered: he was the last of the Roman Emperors to be associated with the Pax Romana — a period of relative peace and stability through the Roman Empire which, almost miraculously, lasted for more than two centuries. Our old friend Cassius Dio says that after Marcus Aurelius died, the Roman Empire turned “from a kingdom of gold to one of iron and rust”.

Before he departed this life, however, that old Stoic Marcus Aurelius had some things to say that are quite possibly as relevant today as when he wrote them, back in the second century.  “The soul,” he said, “becomes dyed with the colour of its thoughts.”

These, history tells us, are some of the thoughts which coloured Marcus Aurelius’ soul:

When you arise in the morning, think of what a precious privilege it is to be alive – to breathe, to think, to enjoy, to love.

Very little is needed to make a happy life; it is all within yourself, in your way of thinking.

You have power over your mind — not outside events.  Realise this, and you will find strength.

The universe is change; our life is what our thoughts make it.

He who lives in harmony with himself lives in harmony with the universe.

They’re not bad are they? It’s probably a shame that Commodus didn’t listen to his dear old Dad…but at least history has preserved Marcus Aurelius’ Meditations and Cassius Dio’s Roman History for us all to dip into whenever we wish to.

Marcus 3So that’s what I think I’ll be getting up to this year: delving into the thoughts of people who I happen to find interesting, diving into the depths and exploring topics and stories and ideas I find intriguing. I suspect that Virginia Woolf might get a look in somewhere — I know she tried to today, but Commodus must have had other ideas — and maybe Frida Kahlo, and Ursula Le Guin and goodness knows who else I happen to encounter.

It will be a twisting, turning, and somewhat eclectic journey, I’d imagine, but this — as always — is an open invitation to join me and whoever I visit along the way.

 

The Thrifty Fictionista Takes to Her Bed…

TF Adventure

I would MUCH rather be on an adventure than have the flu.

So, it finally happened.  I thought, when I got laryngitis a couple of weeks ago (much to the eternal — or perhaps infernal — amusement of my children), that I had done my time with lurgies great and small this Winter.  Or Spring.  Or whatever the damn season is, given that the temperature rocketed up to 34°C two days ago before plunging back to a wild and windswept 12°C.

Unfortunately, my own temperature has been vacillating just as unpredictably: influenza has me in its evil grip, and the Thrifty Fictionista has taken to her bed.  Still, rather than railing against the indignity of barely having the energy to get out of said bed, or boring you with my symptoms, I have managed to haul myself upright for a minute or two so I can tell you what has been keeping me sane for the past three days.

Books.

Books, books and more books.  And even though recently I have been reading things like Margaret Atwood’s The Handmaid’s Tale (which I freely admit I could not read in bed as I found that a bit too disturbing), and Virginia Woolf’s A Room of One’s Own (which I highly recommend — both as a read and a concept), and Jane Harper’s The Dry (which is as fine a debut novel as you’ll ever read as well as providing an unflinchingly accurate depiction of life in small outback Australian towns), I have — as usual — a confession.

TF Kell

I do wish I had a coat like Kell’s…

The Thrifty Fictionista can’t read such things when she is sick.

No, when I am sick, I need magic.

And so, the past few days have I reached for my Kindle (which, with its amazing capacity to deliver whole books into my waiting hands without leaving my bed, seems like magic itself) and buried myself in V E Schwab’s A Darker Shade of Magic trilogy.

On Wednesday, I re-read A Darker Shade of Magic, because it had been quite some time since I had dipped into the world of Red London.  Or Grey London or White London, for that matter.  And given the flu made me feel like I was already well on my way to Black London, I found myself wishing for a coat like Kell’s — you know, the one that you can turn inside out and every time it’s a different coat — and for the ability to wield Antari blood magic.

As Hasari…I wanted to whisper.

Heal…

TF Spells

Oh, for a working spell, not days stuck malingering in bed.

But the flu had other ideas, so I kept on reading and followed the thief, Lila Bard (you just have to love a girl who would like to be a pirate, don’t you?), and the magician Kell on their adventures through the various Londons, saving cities and rescuing (or was it resurrecting?) princes.

On Thursday, I started reading A Gathering of Shadows, and was gratified to discover that it was considerably longer than the first book, as the damn flu showed no signs of abating even when hit with hard core antibiotics and a decent-sized helping of The Bloke’s best Spaghetti Bolognese. I love that Lila did wind up becoming a pirate — ahem, I mean a Privateer — and thoroughly enjoyed meeting her Captain, Alucard Emery, and I relished the magic and mayhem of the Essen Tasch tournament.

And now it is Friday, and I have just downloaded the third book, A Conjuring of Light, hoping that it will bring me just that: light relief from being stuck in this bed.  Still.

So, without further ado, I am going to get on with it, not least because I need to lie down again…but also because I am grateful for the escape.  For the distraction.  For the adventure.

And — mostly definitely — for the magic.