The Thrifty Fictionista Takes to Her Bed…

TF Adventure

I would MUCH rather be on an adventure than have the flu.

So, it finally happened.  I thought, when I got laryngitis a couple of weeks ago (much to the eternal — or perhaps infernal — amusement of my children), that I had done my time with lurgies great and small this Winter.  Or Spring.  Or whatever the damn season is, given that the temperature rocketed up to 34°C two days ago before plunging back to a wild and windswept 12°C.

Unfortunately, my own temperature has been vacillating just as unpredictably: influenza has me in its evil grip, and the Thrifty Fictionista has taken to her bed.  Still, rather than railing against the indignity of barely having the energy to get out of said bed, or boring you with my symptoms, I have managed to haul myself upright for a minute or two so I can tell you what has been keeping me sane for the past three days.

Books.

Books, books and more books.  And even though recently I have been reading things like Margaret Atwood’s The Handmaid’s Tale (which I freely admit I could not read in bed as I found that a bit too disturbing), and Virginia Woolf’s A Room of One’s Own (which I highly recommend — both as a read and a concept), and Jane Harper’s The Dry (which is as fine a debut novel as you’ll ever read as well as providing an unflinchingly accurate depiction of life in small outback Australian towns), I have — as usual — a confession.

TF Kell

I do wish I had a coat like Kell’s…

The Thrifty Fictionista can’t read such things when she is sick.

No, when I am sick, I need magic.

And so, the past few days have I reached for my Kindle (which, with its amazing capacity to deliver whole books into my waiting hands without leaving my bed, seems like magic itself) and buried myself in V E Schwab’s A Darker Shade of Magic trilogy.

On Wednesday, I re-read A Darker Shade of Magic, because it had been quite some time since I had dipped into the world of Red London.  Or Grey London or White London, for that matter.  And given the flu made me feel like I was already well on my way to Black London, I found myself wishing for a coat like Kell’s — you know, the one that you can turn inside out and every time it’s a different coat — and for the ability to wield Antari blood magic.

As Hasari…I wanted to whisper.

Heal…

TF Spells

Oh, for a working spell, not days stuck malingering in bed.

But the flu had other ideas, so I kept on reading and followed the thief, Lila Bard (you just have to love a girl who would like to be a pirate, don’t you?), and the magician Kell on their adventures through the various Londons, saving cities and rescuing (or was it resurrecting?) princes.

On Thursday, I started reading A Gathering of Shadows, and was gratified to discover that it was considerably longer than the first book, as the damn flu showed no signs of abating even when hit with hard core antibiotics and a decent-sized helping of The Bloke’s best Spaghetti Bolognese. I love that Lila did wind up becoming a pirate — ahem, I mean a Privateer — and thoroughly enjoyed meeting her Captain, Alucard Emery, and I relished the magic and mayhem of the Essen Tasch tournament.

And now it is Friday, and I have just downloaded the third book, A Conjuring of Light, hoping that it will bring me just that: light relief from being stuck in this bed.  Still.

So, without further ado, I am going to get on with it, not least because I need to lie down again…but also because I am grateful for the escape.  For the distraction.  For the adventure.

And — mostly definitely — for the magic.

 

 

 

Night Moves

NIGHT -Cahill_expressway_loop

Upwards to the The Bridge…

Saturday, 10:08pm

I’m driving home through the city at night.  One of my dearest friends is riding in the car beside me, and we’re basking in the afterglow of an evening of revellery: good food, even better wine, a classical music concert with a brilliant soloist.  Crossing over Circular Quay, we get the giggles, cracking each other up with increasingly ridiculous remarks about the man we’ve just seen perform.

He’s a violin virtuoso, he sings like an veritable angel, he has such shiny hair he should be in a L’Oreal commercial…no doubt he is the world’s greatest lover, too…

We make the long loop up onto the Harbour Bridge, our laughter sprialling skywards through the arching steel and up into the night.

Monday, 5:45pm

There’s a dance off happening in the kitchen.

In this house we celebrate good news by busting out moves, and today we’ve had plenty. Ugg-booted and stocking-footed we rollick around the room, each of us attempting to outdo the others with displays of increasingly questionable choreography, while outside in the gathering darkness the real stars appear.

Tuesday, 6:13pm

Tonight I’m dealing with Arsenic hour — the fraught and fractious time of day when you’re wondering whether you might poison your kids or yourself — when mid-meltdown from Miss Malaprop I get a text from The Bloke asking whether he can catch up with the Other Blokes for a beer or three.  I flick back a quick, “If you want”, resisting the urge to scream obscentities or engage in a vicious game of compare and contrast.

There is no point in declaring marital war over the differences between our Tuesday evenings.

Wednesday, 3:36am

The Bloke and I are at the top of a ruined high rise, and he is about to be hauled through a dilapidated door behind him to face a firing squad.  I can hear bullets spraying, drilling into the the other side of the wall, and he’s pleading with me to leave, telling me everything will be OK (which it clearly won’t be) as I get progressively more agitated and distraught.

In desperation I wake up, wrenching myself from the drama of the dream into the quiet of the night, and draw enormous comfort from the sound of the The Bloke’s breathing, deep and even, beside me in the dark.

Thursday, 5:40am

The flying foxes are at it again.

Those manic marsupials were squawking and carrying on as I drifted off to sleep, and now their raucous predawn party in the top of the tree next door has me wide awake.

I get up and stalk down the long hallway of my house, surefooted and keeneyed as a cat. They say the darkest part of night is just before the dawn, but this is my territory and I have no need for light in the place I call home.

A large part of me is nocturnal, too.

The Old Tin of Worms…

Radiohead minute

It’s easy to get lost in the tin of worms.

My head is going around like a tin of worms.

Not because I’m having a Squirrel Week, but because I have been absent from this small patch of cyberspace for more than a month and my brain is overloaded with partially constructed blog posts, bizarrely random thoughts and more than a few reminiscences.

I was struck last week, for example, that on 16 June 1997, Radiohead released their OK Computer album, followed ten days later, on 26 June 1997, by J K Rowling first publishing Harry Potter and the Philospher’s Stone.

HP 20 yrs

Two decades of brilliance!

Can we all just take a moment, please, to appreciate the fact that it has been twenty years since these two marvellous creations found their way into the wider world — and in the same month, no less?

I know this happy coincidence may not be considered particulary newsworthy in many circles, but in this weird and wacky era of Fake News and Alternative Facts, I think I would prefer to have my attention drawn to the fact that two of my favourite things in the whole world are celebrating two decades of existence rather than having to acknowledge the things that actually make the papers these days…except we don’t actually read newspapers any more now, do we?

See? That’s what my head is doing — leaping from one thought to the next, much like an Alaskan salmon struggling determinedly yet somehow dementedly upstream to spawn…something…

I mean, this is the time of year that all those Sockeyes and Chinooks and Ketas run, but given that I live more than half a world away from the Kenai Peninsula and haven’t set foot in Alaska for over ten years, I don’t think I can reliably claim to be having a Salmon Week?!

Perhaps it’s because we have finally found ourselves at the beginning of the Winter School Holidays here in the Antipodes that I am thinking such thoughts. Or maybe it’s because I’ve watched a few too many episodes of Life Below Zero on Netflix recently?

I freely admit that Marvel Girl and Miss Malaprop have beeng pushing every last one of my buttons lately — including buttons I didn’t even know I had — but I can’t really make my children scapegoats for my scattered headspace, particularly when I know that in addition to being more than usually annoying (because end of term and upcoming birthdays) they have also been responsible for some moments of actual joy I have experienced in the past weeks.

Take Miss Malaprop, for instance. Miss Malaprop was blowing up (and believe me, she possesses explosive power and matches it with unbelievable volume) because she couldn’t find anything to wear when I asked her to get dressed before a dinner out with her grandparents. Resisting the urge to retaliate in kind — a feat I managed only because I knew I would probably be poured a cold glass of Sav Blanc at some point in the not so distant future — I ventured into the demon’s lair Miss Malaprop’s bedroom and proceeded to extricate every last piece of clothing from her overstuffed drawers and wardrobe, removing anything that was too small or seasonally inappropriate, then carefully refolded and rehung what remained, all while speaking in soothing tones and encouraging the fiend my dear daughter to get dressed.

IMG_2871

To keep or not to keep…

Three bags full of charity later (more mine than hers, I thought at the time), Miss Malaprop was suitably attired.  She also behaved impeccably when dining with The Bloke’s parents. And then, a couple of days later, when I asked her whether she really wanted to give away a favourite top that had made its way into the hand-me-down pile (a dark blue t-shirt with a glow in the dark picture of the Millenium Falcon on it) she surprised me — no, she actually humbled me — by saying that even though she really loved that top she would rather pass it on than keep it, because that way someone else would get to enjoy wearing it, too.

Who knew?  Who actually knew that Sunday evening’s shrieking banshee could turn into Wednesday afternoon’s wunderkind?

Because now I feel completely and utterly torn between wanting to keep the top even more, so I can present it to her in twenty years or when her teenaged self most needs it, as a reminder of that beautiful moment when she showed such generosity of spirit — and yet knowing that to keep it would be completely contrary to her own wishes and the selflessness she so willingly displayed.

And so the worms turn yet again, and my mind remains a squirming mess, until my thoughts eventually happen upon Marcel Proust’s musings, and I am reminded that:

We don’t receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us. 

Much like Harry Potter, really.

For a minute there, I lost myself…but I’m OKNOTOK now.

JKR

More words of wisdom…

Life Is A Funny

little things 3

This is not my aunt: she would have had at least three blankets.

Life is a funny.

I’ve used this phrase as a tag in a few posts before, but never explained exactly where it came from. So sit back, relax, and I’ll tell you the tale.

Many years ago, my aunt attended a course on Taoism.  She and a group of other students, eager to unravel the mysteries of The Way (or maybe the universe, or human consciousness, or life, or all or any of the above), gathered weekly to hear the words of their teacher — who in my mind’s eye I have always pictured as a wizened and possibly sparsely bearded old man of Asian origin, seated serenely above his students, imparting his esoteric knowledge.

I don’t know if that’s what he really looked like. All I can really remember with any veracity about the story of my aunt’s Tao lessons was that the room in which they were held in was completely and utterly freezing. Positively Arctic. I can’t quite recall if there was a small and ineffective electric radiator involved, but I do know that my aunt would sit with her fellow truth-seekers, shivering beneath a blanket, listening to her Tao teacher speak.

And one day, when that Tao teacher was asked a particularly difficult question — I’m not certain exactly what that question was, but it may have had something to do with the nature of suffering, or whether there is life after death, or what the surest path to enlightenment might be, or perhaps even why the room was so ridiculously cold — the old man paused, and for a few moments he said nothing at all.

But when he spoke again, he answered with this phrase:

Life is a funny.

Just like that.

little things

Life is a funny…and it’s the little things that sometimes count for the most.

He didn’t say, “Life is funny”, nor did he suggest that “Life is a funny thing“.  Rather, he said that “Life is a funny”.

And ever since then, when anyone in our family has encountered something mystical, or unexpected, or insurmountable, or baffling, we have returned to my aunt’s Tao teacher’s simple (though admittedly unusual) phrase:

Life is a funny.

Because, when you think about it, life really is a funny. There are many things we can’t explain or begin to comprehend during our time on this Earth: from uncanny coincidences, to sudden and unspeakable tragedies, to moments of transcendent and miraculous grace, and to each and every instance of serendipity.

I have been thinking about this quite a bit lately, not least because our family is setting out on a journey into the unknown with my dear Dad, who is experiencing some significant health issues at the moment. We don’t know what the future will hold — we never do, never can and never will. The only certainty, as always and for all of us, is that the journey will end with the final step every human being must take.

I’m not intending to be at all fatalistic, here — far from it. If anything, discovering that my father is ill has brought life and all that is important to me into sharp focus, and I’m grateful for that clarity, harsh though its light might be. Because despite the ultimate inevitability of death, I think the essential thing to remember is that we can embrace life, with all its weirdness and wonder and pain and joy.  To recognise that despite the monotony or banality we occasionally ascribe to our existences, our lives are perhaps much more eventful (and delightfully so) than we think they are. To know that it doesn’t hurt to keep hoping for the best of the unexpected, even if we don’t always get it.

little things 2

This little, ephemeral, life…

Life is transient, and it is also far more ephemeral and fragile than we sometimes allow ourselves remember. But accepting and absorbing this unadorned truth somehow enables us to strip away the superfluous and to focus on what really matters, what makes us who we are at the very core of our beings.

I don’t believe the response to life demanded by such an acceptance to be as simple as “it is what it is”, though I have been known to use that phrase often — sometimes ridiculously so. I have come to realise that these words only indicate a level of understanding, but they fail to communicate a sense of engagement.

I do believe, however, that living life fully requires making considered choices about how we spend our time.  I’ve written before about the challenge of living creatively, of becoming human beings rather than humans doing, and I suspect facing up to the inevitability of our mortality demands a direct and deliberate response from each of us — a response that is as fiercely positive as we can muster.

Please don’t misunderstand me: I’m not trying to turn everyone in my acquaintance into a parade of Pollyannas singing Que Sera, Sera in the face of the slightest adversity. All I’m suggesting is that we use this fleeting time we have together to the best of our abilities, to live in alignment with whatever First Principles guide us, to be our best selves.

Much of life is unpredictable. Parts of it are downright incomprehensible. But it is also, sometimes, miraculous. And it is always — always — mutable.

And that’s why, in the face of ever-changing circumstances, I choose to draw comfort from the curious words of an old Taoist:

Life is a funny.

Six Stack of Sunshine

Car ENVY

So The Bloke has new wheels…

So as I said in my last post, I started a new job not so long ago — and that has meant I have been spending more time in my car than I have in recent years. My car is silver, but is by no means flash. It’s safe and serviceable. It definitely has a lot more bells and whistles than other cars I’ve owned, though if you’d seen any of those, you’d know that wouldn’t be too hard.

The Bloke, on the other hand, acquired a new car late last year, a great white BEAST of a car. (Not quite a Beluga on wheels, but close enough.)

I can say, with certainty, that it’s the first brand new vehicle either of us has ever owned.  And I can also say that since he acquired it, my position on his Totem Pole of Great Loves may have slipped slightly…not to say that I’m out of the top spot, but…well, I’m watching this space.

I’m not jealous.  Not a bit.

Well…that may not be entirely true: I am a tiny bit green-eyed, but it’s not over the car itself.

Car STEREO

The Bloke’s old car stereo looked a bit like this…

What I will admit being ever-so-slightly covetous of is the sound system, with its touch-screen technology, its Bluetooth connectivity, its up to the minute compatibility with just about any other device that’s been invented already.

Now, I am well aware that I should not begrudge The Bloke his newfound sonic bliss — his last chariot (it wasn’t quite horse-drawn, but I’ll let you extrapolate from there) was so woefully ill-equipped in the musical department that when we headed off on holidays I resorted to taking our BOSE Bluetooth speaker, plonking it on the dashboard, and playing Spotify via my iPhone for as long as we were in range, then switching to whatever I had downloaded from iTunes. We may have had decent music for as long as the battery lasted, but clearly, the setup wasn’t ideal.

Even so, it was not without a twinge of envy that I slid behind the wheel of my own car the other day.  I may even have looked a little folornly at the stereo, before recalling that just about every self-help guru that ever was suggests that in such cirumstances, a little gratitude does not go astray. Even Benjamin Franklin, it seems, was on the old gratitude bandwagon (though given the fact that he has been dead for nearly 227 years he might even have been the bandwagon’s original driver):

We can complain that rose bushes have thorns, or rejoice because thorn bushes have roses.

Thank you, Mr Franklin. Ever so ta.

My car stereo was already starting to look better.  In fact, I decided to have a good — and far more grateful — look at what I actually had: a fully functioning car stereo with six presets for radio stations, and capacity for not one, not two, but six CDs.

Bloody marvellous, really — though given I generally listen to indie rock-type radio stations most of the time I couldn’t remember for the life of me what half of the CDs I currently had in the car stereo were, despite strongly suspecting they were a rather, ummm….shall we say, eclectic mix? So I decided, on what turned into quite a slow commute work that morning, to find out exactly what I had on board.

Spolier alert…even I was surprised…

Car BONEY M

Boney M

CD 1, as it turned out, was none other than The Best of Boney M.

I kid you not.

But just in case your eyebrows have just shot skyhigh and you’re seriously concerned about whatever else I might have lurking in my car stereo, there is method to such madness — as this post I wrote about the Healing Power of Disco will reveal. Trust me: if you have a tendency to get a little cranky while in traffic, this might be just what you didn’t even know you needed.

Car SPEM IN ALIUM

Thomas Tallis

CD 2 was equally surprising: a compilation of medieval choral music that began with a sublime rendition of Thomas Tallis’ Spem In Alium, a 40 part Renaissance motet composed around 1570 for eight choirs of five voices each.

Some critics consider it to be the greatest piece of early English music. I just know it’s a piece of music that had a massively calming influence on my children (and, if I’m being totally honest, on me as well). Check it out on YouTube…you might be pleasantly surprised.

Car JAY KAY 2

Jay Kay of Jamiroquai

Not unexpectedly, having discovered music from the 1970s and the 1570s currently occupying two of the six slots in my car stereo, I appoached CD3 with some trepidation — and was relieved to find a bunch of funky tunes from Jamiroquai.

Hearing Jay Kay singing (not to mention imagining him dancing) immediately transports me to a happy, summery place in my head, full of golden light and good times. It’s great music to have in your car — particuarly given the unusual amount of grey skies and general downpour we’ve had in Sydneytown lately.

Car AWESOME MIX

Yeeha…mix tape!

Less perturbed now, I made my way to CD4 and discovered a mix tape (well, that should probably read mix disc?) of dance tracks I had thrown together at some point. Now, as everyone knows, the best bit about a mix tape is that you know — if you put it together — that you’re going to love ever last track on it.

This CD was about as far away from Thomas Tallis as you can get (it has songs from Sia, Robin Schulz, Watermät, The Weeknd, and all sorts of other stuff), but it was equally uplifting — and full of fun too.

Car SIGUR ROS 2

Jonsi of Sigur Rós

CD5 began quietly enough and built into the unmistakable wall of sound produced by Iceland’s Sigur Rós on their incredible Takk album.

I once read about how, while preparing for the final scenes in the 2007 movie Sunshine, Danny Boyle had Cillian Murphy listen to Sigur Rós at maximum volume, trying to create some sort of (obviously earthbound) impression of what it would be like to be in complete communion with the sun Murphy’s character was attempting to reignite.

I can readily understand the choice — the euphoria is clearly present in Sigur Rós’ music, along with positivity and a very real sense of power.

Car OK COMPUTER

Radiohead: OK Computer

And that brought me, finally, to CD6, which proved to be a rather battered and slightly skippy ripped copy of Radiohead’s OK Computer. Because it is a truth intergalactially acknowledged that no vehicle is roadworthy without a bit of Radiohead hanging around — I mean the first track is Airbag, so clearly no car is safe without a copy?

I’m not quite sure where I would be without songs like Let Down or No Surprises. And for me it is a strangely (OK, perhaps downright weirdly) comforting thought that cosmic forces aligned themselves in such a way that they not only produced life on this planet, but also contrived to bring the likes of Thom Yorke and Jonny Greenwood into existence in the same place at the same time, to form a once-in-a-generation band with such a distinctive sonic presence…but that, I suspect, is a whole other blogpost…

So anyway — that’s what was in my car stereo. A few surprises, even to myself, along with a few old faves. And while the sound system in The Bloke’s new car is very nice, I am quite content (for the moment) with my old school CDs and my six stack of sunshine.

Tout Pret

write it out

The sanity-saving act of putting fingers to keys…

It feels like forever since I’ve posted here, and it’s such a relief to have my fingers back on the keys, tapping away so I can make sense of it all.

A fair bit has changed for me in the past six weeks or so: I’ve started a new job and taken on a volunteering role in addition to the work I already do. And although I’ve managed to keep my employment within school hours (which as any working mother will tell you is about the closest thing you’ll get to a modern day miracle), I have missed being here, in my small patch of cyberspace, and have found myself yearning for just five more minutes than I actually had so I could bash out a blogpost.

And because I didn’t have those extra five minutes, the school uniforms got hurriedly ironed instead. Or I threw together some lunch for the next day at the office. Or I quickly sipped a life-saving cup of tea before I jumped back into the car to pick up whichever child from whatever sporting practice/birthday party/school event/playdate they happened to be at.

But I still wanted to be here, sharing the musings of the Daydream Believer.

I’ve often joked with my mates that I’m not a very pleasant person to be around if I haven’t been writing something — writing anything. And the more time I spent attempting to adjust myself and my (occasionally uncooperative) family members to the new set of circumstances I had brought to bear on our world, the less time I spent putting words on a page.

Any words. On any page.

I could feel myself starting to unravel a bit. To come unstuck. Maybe even a little unhinged…

And I knew that meant I had to prepare.

Preparation works for me. It’s why I make lists — on the backs of envelopes, in notebooks, on my phone, even on the back of my hand. It’s why I have a bullet journal (and by this I mean a battered book I lug everywhere and in which I scrawl utterly irreverently, not some sort of pristine Pinterest-worthy portfolio with natty colour coded tabs). It’s why I menu plan. It’s why I write out timetables for my kids. It’s why I have a small filing system in my kitchen to keep track of everything from permission forms to potential holiday plans. It’s why I mentally review my to do list in bed each night. It’s why I allocate time to thinking things through and planning them out.

think

I reckon there’s one in every family…

Preparation is also, perhaps, in my blood. The motto of the clan into which I was born is “Tout Pret” — which means, of course, “all ready”. And while I do realise that our family words probably have more to do with a well-honed Highland propensity to fight off (just about any) invading force rather than a simple willingness to get the domestic drudgery done, recent family history does seem to indicate that we still possess a tendency towards preparedness and — consequently — to getting things done.

And so here I am: back on the page, still trying to making sense of it all, but knowing that I I made the plans and made the time to be here, now — with my words.

As always, it’s doing what you have to do before you do what you want to do.

what you wanna do

It’s doing what you really want to do…

It’s being true to my self and to what I believe.

It’s coming home.

It’s in my blood.

Tout Pret.

Without a Word

nijinsky-faun

Nijinsky as the Faun

I have been forever fascinated by how humans can convey the depth and width of their emotions without uttering a single sound. You may think it odd that someone like me, who relishes and cherishes the written word, would value such expression so highly – but, quite simply, I do.

I love watching people dance. I’ve written before about how my children do, too. And while I don’t mind a bit of a boogie myself from time to time, there are some things — ballet, for example — that I believe are best left to the experts. To those rare individuals who are disciplined enough to dedicate their lives to honing their skills and their selves to the point that they bare their very souls on stage.

On Saturday night I was fortunate enough to witness one such individual dance, when Alexandre Riabko took to the stage as a guest artist with the Australian Ballet in the title role of John Neumeier’s Nijinsky.  It was a powerful, masterful performance, vividly depicting Vaslav Nijinsky’s life inside and outside of dance via a series of memories and hallucinations as he descended, finally, into madness.

riabko-nijinsky

Descent into madness…Alexandre Riabko as Nijinksy.

Watching Riabko inhabit Nijinsky’s interior world, as other dancers recreated his recollections — of being the Golden Slave in Scheherazade, or of the Faun in L’apres midi d’un faune, or of Petrouchka, or of learning his ballet steps with his brother and sister  — was mesmerising. But as other dancers began to give form to Nijinksy’s delusions and as his complex relationships with his lover and employer at the Ballet Russes, Sergei Diaghilev, and with his wife, Romola, visibly unravelled, I was filled with an overwhelming sense of tragedy.

nijinsky-sheherazade

The Golden Slave…

The image of Nijinsky returning again and again to something like second position, arms outstretched, as though trying to find his centre and a sense of safety in the midst of his increasing confusion was heartbreaking, particularly when juxtaposed with the transformation of his memories of Diaghilev — performed with all his usual elegant line and length by Andrew Killian — from sensual lover and suave mentor to sinister impresario.

No footage of Nijinksy dancing is believed to have survived — Diaghilev, apparently, would not allow him to be filmed — but during the two and half hours he was on stage, Alexandre Riabko had me completely and utterly convinced that he was channelling the spirit of the man whom many regard as being one of the greatest interpreters of the artform to ever set foot on a stage.

I left the Sydney Opera House deeply saddened by the tragedy of Nijinsky’s tale — he never again danced publicly from the time of his final performance in 1919 until his death, after spending years in and out of asylums, in 1950 — but I was also, ultimately, uplifted by the sheer intensity, beauty and bravery of the performance I had just witnessed.

And I suspect that feeling — one of great admiration tinged with sorrow — would have stayed with me for the remainder of the weekend, had I not had the pleasure of attending a Greek Orthodox wedding with my family the following day.  My daughters had never been to a wedding before, and they were entranced by everything about the experience from the singing at the wedding ceremony to the table settings at the reception. But what really captivated them — and me — was the dancing.

Watching the wedding guests encircling the dance floor, every one of them tracing the intricate steps of a Syrtos, was every bit as mesmerising as the ballet had been the night before.  Here were women — some in sensible sandals, most in spectacular stilletos — and men following in the footsteps of those who had come before them. Here was a sure-footed groom, leading his radiant bride. Without uttering a single word, the dance spoke of tradition, of continuity, of community, of family.

And as the long line of dancers wound their way around the room, I found myself thinking of each of their bodies as a living link to the past, stretching all the way to the present and then onwards, ever onwards, as they danced into the night, celebrating with the newlyweds and wishing them a lifetime of happiness in the future.

syrtos

A long line of tradition and celebration…