I started this blog in 2014, and I don’t think I’ve had a month when I didn’t post something in all that time — except for March 2022.
Last month, the dreaded Spicy Cough finally caught up with me, and I was stuck alone in my room for seven days. I’d managed to avoid getting it when the kids did in early February, but in mid-March COVID finally got its claws into me. How I got it I will never know: I’m double vaxxed plus boosted, I’d worn a mask everywhere I went, and I’d hardly been anywhere.
I didn’t think COVID had affected me too badly until I started to recover. Only then did I realise how crook I’d been, and as a result I am so grateful to be back doing normal things like working and shopping and exercising. I can run up the (many) stairs to our rental without puffing again. I can walk to the beach and back without having to rest halfway. Most importantly, after being contained in a small space and not being able to see the rest of my family for an entire week, I can truly appreciate living life to the full.
And I guess that brings me to the second part of my musings today: the tragic and untimely death of Taylor Hawkins, a man who appeared to live life to the full every day.
I have joked often, and publicly, that Taylor Hawkins is my spirit animal.
I never met him, of course, was not likely to, and now never will.
But in life, Taylor seemed to be sunshine personified, imbued with incredible energy and creativity, and ever ready to smile, laugh and have copious quantities of fun.
What’s not to like about all or any of those things, or to aspire to emulate them?
And who says it’s not possible to grieve, in some way or another, for someone you never met?
Not being especially well versed in such matters, I am now wondering whether I need to choose a new spirit animal for myself — but I’m guessing Taylor himself would say: no way.
In which the Thrify Fictionista abandons her usual carefully considered annual Top 5 posts and crams all her thoughts about the things she has read, watched and listened to during 2021into one hot mess of a post entirely appropriate for the year that was…
Folks, I am so grateful for the gift of literacy. To be able to read — and hence escape between the pages of a book — is one of my life’s true delights, a pleasure that has only been heightened by being part of a protracted historical event. So, as of now, I’m putting on my positive pants and dismissing any further mentions of that pesky Pandemic in this post, and presenting to you in an order as yet unknown to me with the things I loved most this year. Books, TV shows, movies, songs and various bits of ephemera that caught my attention, held it, and made me feel. Because FEELING is what it’s all about, my friends.
I’m going to kick things off by recommending Craig Silvey’s book Honeybee, which just so happened to be the first book I read in 2021. It’s brilliant. So much so, I wondered whether I would read anything as good for the rest of the year (spoiler alert — I did, so please read on). Honeybee made me laugh, cry, shake my fist in both rage and triumph. I absolutely loved it, and reckon you should get a copy for yourself. Pronto.
Another summer holiday read I thoroughly enjoyed was Melissa Lucashenko’s Too Much Lip. In addition to having a cracking storyline following the main protagonist, Kerry Salter, and generations of her First Nations family, this story is dramatic and darkly comic. I may have found it even more engaging because the country where the tale is set (despite focusing on a fictional town called Durrongo) reminded me strongly of a part of northern NSW where I spent a lot of summers during my childhood.
Shortly after reading these, I got stuck into watching Narcos on Netflix. I was very late to the party, I know, but after watching Pedro Pascal in The Mandalorian I was keen to see what he could do without a helmet on and was not disappointed. Wagner Moura did a brilliant job of portraying Pablo Escobar and (being a non-Spanish speaker) I was not troubled by the fact that he apparently wasn’t so great at nailing the Medellín accent. Watching Narcos was an edge-of-your-seat ride combining politics, risky and highly illegal business, insurgents, excess and corruption, ever-present danger, families and cartels, the Colombian jungle, and a few blokes who were trying to stop the whole cocaine trade in its tracks, and I loved it.
By the time Lockdown rolled around again (I think it was the third one for us — the one that went for 17 weeks?), our whole family was looking for something to escape into, and when we weren’t snort-laughing watching back episodes of Travel Guides, which we also watched to take in scenery of anywhere but our own backyard, we got right into The Mysterious Benedict Society on Disney Plus. This was a show the entire family enjoyed, and the fact that a new episode dropped only once a week gave Marvel Girl and Miss Malaprop a taste of what life was like for The Bloke and I when we were kids in the days before streaming services. We’re all looking forward to Season Two!
Speaking of second seasons, we also used up quite a few tissues earlier in the year watching Old People’s Home for Four Year Olds on ABC iView, which also prompted Marvel Girl to develop an app for older Australians with some of her classmates for a Praxis project at school. The entire family loved the show and The Bloke and I were really proud when Marvel Girl and her mates took out the top gong for the project it inspired.
During lockdown I also embarked up on a Couch to 5km project that was curtailed only by us having to pack up and move house, but heading out on a run gave me the opportunity to listen to tunes. Not surprisingly, the music I’ve been listening to this year has been far more gentle than I would normally go for. I got into things like:
Running Red Lights by the Avalanches, Rivers Cuomo, Pink Siifu
Balenciaga by New West
Strange Girl by Laura Marling
Smile by Valerie June
Move by Flight Facilities, DRAMA
I also delved back into some oldies but goodies like The Wallflowers’ One Headlight, Funkadelic’s Can You Get to That and U2’s I Will Follow. Troubled times call for familiar favourites.
On the reading front, I got through those seventeen long weeks with the help of Hilary Mantel and hertruly remarkable trilogy of Wolf Hall, Bring up the Bodies (both of which I re-read) and The Mirror and the Light. I am in awe of Mantel’s writing: sometimes her words were so beautifully, perfectly chosen that I would have to mark my place in whichever of the gorgeous hardbacks I was currently reading with the jewel-toned ribbon bound into the cover and simply close my eyes. Then I would go back and read the passage again and sigh (often quite audibly), and would then find myself hoping that one day I, too, will be able to write so succintly, so eloquently, so precisely, and also to elicit such feeling. Because — as I said earlier — it’s all about the FEELING, folks.
I had a similar reaction to reading Ed Ayres’ book Whole Notes, which is truly and utterly a MUST READ for any music lover. Unusually for me, I have embarked upon a second reading of this volume, which is part “call to instruments” and part memoir of becoming a trans man aged 50 (better late than never, as Ed says). Same goes for the brilliant Trent Dalton’s book Love Stories — but as any regular readers of this blog will know, the Thrifty Fictionista is a massive fan of Dalton’s work and it did not come as a surprise to me that I found myself wanting to stretch Love Stories out for as looooooong as I could, trying to make it last — it was that good.
What else did I enjoy this year? I binged all three seasons of Medici on SBS On Demand and found myself going down various Florentine themed rabbitholes on the interwebs for quite some time afterwards. Filmwise, I got a bit of a kick out of the 2020 movie Rose Island (or, in the original Italian, L’incredibile storia dell’Isola delle Rose), and I also enjoyed Hugh Grant in The Gentlemen.
The Bloke and I decided it was high time we introduced the kids to Daniel Craig’s Bond movies, and so far we’ve watched Casino Royale, Quantum of Solace and Skyfall. I suspect Spectre will be on the menu soon (if my offspring are not devouring more episodes of Gilmore Girls, which they have recently discovered and have many questions about — including what a video store was — thereby making The Bloke and I feel somewhat antiquated, if not ancient). We also made the kids watch Dirty Rotten Scoundrels, which looks massively dated but the jokes still hold up, for the most part. I tried to get them into watching Lupin (which I loved) but it only piqued the interest of the Paris-loving Marvel Girl, and failed to grab Miss Malaprop. That said, we all thoroughly enjoyed Hawkeye.
There are a couple of other things I don’t think I could have got through 2021 without — like watching episodies of 30 Rock on Stan, because sometimes all you really need is 20 minutes of madness and mayhem from Alec Baldwin and Tina Fey to lift your spirits. In a year where internet shopping has taken on a life of its own, I am still eyeing off a T shirt reading “Royal Tampa Academy of Dramatic Tricks” in honour of Jenna Maroney’s alma mater, but I ended up settling for a 3 pack of Silent Theory T shirts instead (the Lucy style is great and the quality is top notch, in case you’re asking). Another internet purchase I loved? A drink bottle from Target that has the hours of the day printed down the side so I know where my water intake should be up to when. But I digress…
What else? What else did the Thrifty Fictionista love? Well, towards the end of the year I got right into reading Dave Grohl’s book The Storyteller, which inspired our New Year’s Eve feast of Kentucky Fried Chicken and French Champagne. And I finished up the year reading Hannah Kent’s Devotion, Sarah Winman’s Still Life, Evie Wyld’s The Bass Rock and Anne Enright’s Actress — all of which were great, and made for a solid finish to a rather troublesome year.
And so, friends, here endeth the Thrifty Fictionista’s cultural ramblings through the year that was. I would love to hear what you watched, listened to and read during the past year than made it more bearable for you and yours. I hope you find some solace or joy in what I enjoyed.
At the beginning of each year I attempt to find a word or theme to guide me through the twelve months ahead. It makes sense to me to do this, not only because here in the Southern Hemisphere the school year mirrors the calendar year, but also because my birthday falls in January. I find it useful to embrace an overarching concept that often ends up informing what I do, what I read, what I think, and even the way I approach my life.
Last year, I took delight as my guiding principle after dipping into Ross Gay’s Book of Delights. Prior to that I (perhaps less successfully) delved into the lives of diverse people — Marcus Aurelius, Virginia Woolf, Keith Richards — to see how their perspectives might inform my own. Another year I chose a different Word of the Month to engage with.
In 2021, I’m taking myself going down a slightly different path again — one decidedly unfamiliar to me, raised as I was in a reasonably conservative Roman Catholic home by parents who remain steadfast in their faith and who chose to send me to Catholic schools throughout my primary and secondary education. This year, inspired by reading Jay Shetty’s book Think Like a Monk, I’ve chosen to explore the Divine Qualities outlined in Chapter 16 of the Bhagavad Gita.
There are 26 Divine Qualities listed in the Gita, so I am hoping to tackle one every couple of weeks. Quite obviously, I haven’t been raised Hindu and have little experience with the Vedic tradition other than what I’ve learned from various teachers when attending yoga classes from time to time, which means I am engaging with each quality as outsider. From the oustet I think it is important to state that I do not intend to bring a religious slant to any of my posts and I mean absolutely no disrespect to believers in this or in any religion: I am simply using the Divine Qualities mentioned in the Bhagavad Gita as a starting point and exploring how these, as I understand them, apply to my own life.
The first Divine Quality mentioned in the Bhagavad Gita is FEARLESSNESS.
What a way to kick things off, huh?!
You may, given the current state of the wider world, now have an inkling of understanding as to why I was intrigued by the Divine Qualities: given that much of 2020 involved a global pandemic, trade wars, continuing environmental crises and particular politicians peddling lies and failing to protect their own people, there were many things about last year that made me FEARFUL. I often wondered, in 2020, whether my family would stay physically safe in the face of an invisible disease and mentally strong when confronted with multiple lockdowns, whether my husband’s business and those of his clients would survive the associated economic upheaval, and whether the world was actually going to hell in a handbasket.
Fearlessness? I’ve never lived through a year more prone to making people fearful, or for provoking (at best) garden variety anxiety on a daily, if not hourly, basis!
I have to admit the word shocked me when I first read it, right at the top of the list of Divine Qualities. It felt like such a foreign concept in these strange and unusual times.
And yet, the more I thought about it, the more I wanted to embrace fearlessness.
Many of us spend far too much time worrying about — or even fearing — things beyond our control. What if we stopped fearing what other people might think of us, or whether we’re good enough, or if the timing is right? What if we started to trust ourselves and our abilities more, to do what is right and responsible, to make our best effort every time with the knowledge and resources we have?
For me, staring fearlessness in the face meant asking myself:
What if I actually finish my novel?
What if I allow myself time to exercise every day?
What if I publish more on this blog, even if it exposes me to potential ridicule?
What if I say no to stuff that no longer serves me?
What if I say yes to trying new things?
And I’ve decided, on balance, that all of those things are worth doing.
That it’s worth letting go of fear and trusting the universe (or God, or whatever you believe in) has my back.
That it’s important to have faith that the vast majority of people on this planet are doing their best and are kind and decent human beings.
OK folks…strap yourselves in — it’s time for my Top 5 in music for 2019!
Only rule that applies to this list is that the song had to be released in 2019. No more mucking around — let’s jump straight in.
1. Harmony HallVampire Weekend
Who can fail to be happy when one of their favourite bands releases their first single in aaaaaages on your actual birthday? This was a present I didn’t expect and one that kept giving the whole year long. I love everything about this song, from the catchy beat to the genre-jumping progression of muscial styles — especially when they go from what sounds like a classical piano solo into sliding country guitar. For what it’s worth, the snake in the video is super cute, too.
2. The Barrel Aldous Harding
I’m not going to lie — I have no idea what the lyrics to the song are about, but this was one of the tunes I found myself listening to over and again in 2019. It’s whimsical and somehow magical and proves you don’t have to be playing klezmer to include a clarinet on a track. Aldous Harding is a Kiwi folk singer-songwriter whose work I will definitely be checking out more regularly — though the video does prompt ever so many questions…not least of which is do I need to wear platforms to dance like that?
3. FiresmokeKate Tempest
I read Kate Tempest’s book The Bricks That Built the Houses a few years ago and it remains one of my favourite reads of the past decade. I suspect this song will also be one of my favourites of the decade. It is an incredible, personal love song, a raw and searing portrait of intimacy. It’s Firesmoke.
4. All I WantBroken Social Scene
This one needs to be listened to up loud! It’s as bold and brash as Firesmoke is quiet and contained, but the sentiment remains the same. Canada’s indie rock darlings delivered this around the same time Vampire Weekend released Harmony Hall — it must have been quite a week for great tunes, because this one rocks and I love it.
5. Summer GirlHAIM
There is not, in my humble opinion, enough saxophone being played in songs these days (or clarinet…as The Barrel proved at No. 2 above). This song from HAIM is a poppy classic with a sax riff that gets stuck in your head in all the best ways. I love the video too: the idea of stripping off all we no longer need as we head into summer — not to mention the next decade — it one I can get behind.
Honourable Mentionsthis year go to James Blake for Don’t Miss It, and also to a few tracks released in 2018 than didn’t really make it onto my radar until 2019: Fireworks by First Aid Kit and No Roots by Joshua Hyslop.
And my Top 5 Throwbacksfor the year (other than anything by the inimitable and still very much missed David Bowie) are, in no particular order:
Love and Peace — Quincy Jones (1969)
Heads Will Roll — Yeah Yeah Yeahs (2009)
Kiss Them For Me — Siouxsie and the Banshees (1991)
Where Is My Mind? — The Pixies (1988)
Grateful Song — Villagers (2013)
Stay tuned for my best of 2019 in Movies/TV and books!
Nothing makes me happier than hearing my children say these words — particularly when we’ve just spent the school holidays, in their entirety, at home.
I mean, we have left the house every now and then, because good old Sydneytown has turned on a run of truly spectacular winter days. It’s wonderfully warm in the sun, and even though it’s been windy the skies have been mostly clear of clouds. Staring skyward has been like looking up at a shimmering swathe of pale blue silk, stretching high into the heavens.
But the best bit has been the freedom.
For me, there is nothing more liberating than turning off all the alarms on my phone, knowing that we are — blissfully — not bound by routine for two whole weeks.
Being winter, we have slept in, relishing being able to get up with the sun at seven rather than scurrying out of bed in the dark. Even better, there have been days when we have stayed snug beneath our bedcovers, reading books or revelling in the very real pleasure of not having to be anywhere at a specific time.
We have enjoyed other simple things, too. We have walked in the winter sun, sometimes with a destination in mind and other times just because we can. We have watched Captain Marvel and endless episodes of The Adventures of Merlin, reminding ourselves that magic should be part of everyday life. We have planted flowers to brighten the back yard. We have played board games and card games while sipping hot chocolate and even hotter coffee. We have baked more muffins than it’s sensible for humans to consume.
From time to time I have marvelled at my children’s creativity, partciularly when they took it upon themselves to transform a large cardboard box into a Viking longboat in the back yard. I have smiled to myself in wry amusement when they protested having to scrub paint out of their pants when their artistic endeavours haven’t gone entirely to plan. I have admired their generosity when they have gone through old books and clothes and toys and worked out what they wanted to pass on to other kids.
And in the evenings, when the winter darkness falls so fast, we have heated our home by making stews and coming up with new spice blends to season homemade chicken nuggets, all while listening to Miles Davis and other jazz greats, or The Bad Plus working their own kind of wonder with instrumental versions of long-beloved songs like No Woman, No Cry. I’ve probably drunk more wine than I meant to, stirring pots on the stovetop and peeling sweet potatoes and parsnips to bake, not because the kids are driving me crazy, but because I am relaxed and happy — and because these are my holidays, too.
We’ve had the best time.
And I have, too.
…and the end of all our exploring will be to arrive where we started and know the place for the first time.
I’m never quite sure who’s going to show up for my peripatetic (and completely invented) brain-picking sessions with people I admire. After my last foray into imaginary interviewing — when I intended to focus on Virginia Woolf and ended up rambling on about the Roman Emperor Marcus Aurelius instead — I sat down one day not much later and made a list of people I thought I might like to “meet”.
I made two lists, actually, divided simply along the lines of life or death.
And armed with those lists, I quickly realised that it is much simpler to write about a person who is no longer gracing the Earth with their presence, particularly if they have been dead for quite some time. In the era of #metoo (fundamentally important as that movement is), it is far more challenging to delve into the thoughts of a living person, particularly when they may or may not end up being outed as a sex pest.
True. But you also see my sex pest problem…
Imagine my surprise, therefore, when I turned up in my little patch of cyberspace this morning and discovered Keith Richards waiting for me.
Not really, obviously.
But after spending an evening this week watching Olé Olé Olé!: A Trip Across Latin America, the Rolling Stones’ documentary about their 2016 tour which culminated in their historic Cuban concert, there he was.
With plenty, as always, to say. And, one can only assume, probably not all that bothered about whatever acusation anyone would level at him — the man, as he freely admits, has lived long and hard, and outlived many it was readily assumed he would predecease.
Good question. How do you play with your time?
I’m not what you’d call a diehard Rolling Stones fan. I don’t have a standout favourite Stones song, but harbour soft spots for several (depending mainly on my mood). I know better than to put myself in the middle of any pointless Beatles vs Stones battles, because there’s actually no contest: the world is a better place for having both bands (I stand firmly with the girl from the taco ad on that one…“¿Porque No Los Dos?” ). And I can’t say I prefer any one of the Rolling Stones over another: I tend to appreciate them collectively more than I do indivdiually.
And yet, I have to admit there is something undeniably intriguing about Keith Richards.
Unlike the 2015 film Under the Influence, which focussed solely on Keith himself, the Olé Olé Olé! doco is about the whole band, though it does shift (seamlessly, I might add) from ensemble pieces to individual portraits of the band members. The juxtaposition of these different points of view enhances both: the concert footage of stadiums seething with fans is made all the more massive, while the one-on-one sequences achieve greater intimacy and poignancy. As the band wends its way (via private jet and with police escourts) through South America, we glean insights from each member into the various countries they are visiting and how they have changed during the fifty (yes, fifty) years that they have been performing there, into life on the road, and into life itself.
Richards in Lima, 2016.
There is a beautiful moment in the film when Richards can be seen, initially from a distance, sitting poolside at a clifftop hotel in Lima, playing an acoustic guitar. The pool is turquoise, his shirt scarlet, the sounds flamenco. There is no doubting his musical ability: this is a man who, to use Malcolm Gladwell’s phrase, has done his 10,000 hours, playing everywhere from small pubs to gigantic arenas, or simply noodling away with an instrument and an endless succession of cigarettes, whiling away the time. Richards’ observation of Lima is that it has changed, markedly, since he first visited it in 1968: cities spring up “like tombstones” he says, as the camera pans out to reveal a skyline full of skyscrapers, resembling a cemetary more than one would like to admit.
Richards is a man who, quite clearly, knows how lucky he is — he seems, genuinely, to appreciate the trappings of fame he gets to enjoy, but he also appears to be acutely aware how fortunate he is to be doing what he loves (sorry, make that absolutely loves) for a living, and to be doing it with a bunch of blokes he has been hanging out with for five decades.
There is something that sticks us together. It’s nothing you’d ever catch us talking about. I feel I’m awfully blessed, really.
There’s a glimmer of it in here….
There is an occasional glint in his eye or a throaty chuckle that betrays the fact that he doesn’t half mind his own notoriety, either, but it’s nothing malicious — if anything, now that Richards is aged 75, these small glimpses remind me in some way of my own globetrotting gypsy grandmother who, at a similar point in her life, may well have had the same sense of mischievous glee in behaving in ways that were not generally considered to be age appropriate.
And finally, beneath all of this is a strong, unspoken sense that Richards knows just how lucky he is to be alive.
And that, for my money, is something worth remembering.
Time flies, as any wag will tell you, when you’re having fun.
But here in Sydney, as our glorious summer holidays are drawing all too swiftly to a close, my mind has turned to Virgil’s original words, written in his Georgics centuries ago.
Sed fugit interea, fugit inreparabile tempus, singula dum capti circumvectamur amore.
Fast flies meanwhile the irreparable hour, as point to point our charmed round we trace.
VIRGIL trans. Rhoades
We have had a fortunate summer, sun-filled and surf-drenched, with barefoot days and balmy nights.
And while the clocks sometimes seemed to slow during the past six weeks, time — inescapable, irretrievable time — has slipped steadily, stealthily by.
I mean it’s there, if I look for it. I know I could find snippets of it between the pages of the dozen novels I’ve read since Christmas, or catch a glimpse or two between beach towels flapping in the breeze on the washing line. There’s probably a drop or two left in a wineglass on a windowsill somewhere, and a few morsels thrown in with the leftover salads in the fridge. I will no doubt discover a few more bits in with the various brightly coloured cards and plastic pieces of board games we’ve played during the heat of the day, or find some slipped into the pocket of one of my kids’ shorts with a couple of movie ticket stubs.
But now, at the end of my favourite month of the year, there is only a day or two left before school resumes for my girls — a new start for one, a familar return for the other — and I will admit feeling slightly nostalgic and a little bereft. The irreparable hour has well and truly flown, and I am reminded of my favourite childhood picture book, Robert McCloskey’s Time of Wonder, about another summer, spent by another family comprising, as ours does, of a mother, father and two sisters, far away in Maine.
I know this feeling is universal and, ironically, timeless: Virgil wrote about it in the first century and McCloskey was still picking up the theme in the twentieth.
But I also know that there will be a certain heaviness in my heart and a lag in my step when we wend our way from point to point on our own charmed round this evening…down to the beach for one last swim as a family, and back home again for a BBQ and a quiet glass of wine.
That charmed round isn’t going anywhere — and I am well aware we are beyond lucky to live where we do — but it’s never quite the same once school has started again, and the long summer days have lost their laziness, and a perhaps a little of their loveliness.
Take a farewell look at the waves and sky. Take a farewell sniff of the salty sea. A little bit sad about the place you are leaving, a little bit glad about the place you are going. It is a time of quiet wonder — for wondering, for instance, where do hummingbirds go in a hurricane?
It’s the final day of the year, and here is my final countdown, too.
Music is practically as essential to me as oxygen, an ever-present part of my life that I am grateful for each and every day. For me, the ability to create and appreciate music is one of the most significant aspects of being human that separates us from all other species on the planet. We are the luckiest of creatures.
So here they are, in no particular order, Blue Jai’s Top 5 Songs of 2018:
1. Superstar by IV League (AUS)
This is the kind of song that makes me feel alive every time I listen to it. There’s something about the guitar-driven sound of this Melbourne-based four piece that makes you want to move (dance on top of a bar even), to sing along at the top of your lungs (though props to you if you can match Bella Venutti’s vocals). Unearthed on Triple J a couple of years ago, these guys know garage rock and they do it damn well.
2. The Comedown was Real by Drapht (AUS)
Perth hip hop artist Drapht comes through with this sweet number that gets stuck in your head as much as it gets your toes tapping. There’s a lot to love about this track, not least the lyrics, which are pretty funny and reference everything from John Lennon and Yoko Ono to Tom Cruise’s couch-jumping episode on Oprah. This song never fails to bring a smile to my face.
3. All The Time by The Kooks (UK)
I don’t know how many hundred times I’ve listened to this song this year. Somehow it brings together disco with an eighties glam feel and makes something shiny and bright and as close to over the top as you can get without going over the edge. The Kooks have at least three fans in our household of four, and this song from their latest album “Let’s Go Sunshine” gets our vote.
4. Bubblin’ by Anderson .Paak (USA)
The story goes that when Anderson .Paak heard the hook that inspired this track it brought his mind straight to James Bond. In an interview he described Bubblin’ as “some black 007 action adventure high speed chase type of music”, and believe me he delivers just that. I haven’t included the video to this one as it’s not entirely kid friendly, but I can assure you it’s so OTT that it does the song justice. Even the zebra. Especially the zebra.
5. Fool’s Gold by Jack River
This is another song that’s been on high rotation at ours this year, along with a bunch of other tracks from Jack River’s debut album “Sugar Mountain”. I suspect you’d be hard pressed to find a person who couldn’t find one song on that album to like, but I have a soft spot for several of them. This is Aus Pop at it’s best, delivered by the woman who also had the chutzpah to curate the Electric Lady Festival and then turn it into an entire world, “a platform to amplify the strength of women in music, politics, science, sport and beyond.” We need more Jack River!
Honourable Mentions this year are perhaps too numerous to mention. Lana Del Ray’s Mariners Apartment Complex (USA) very nearly made the final cut, but five is five and Jack River snuck in instead.
I have to say that I loved a whole pile of homegrown Australian music in 2018, like Hatchie’s Bad Guy, Gretta Ray’s Radio Silence and Kira Puru’s Molotov, and I’m looking forward to delving deeper into Matt Corby’s, Tash Sultana’s and RÜFÜS DU SOL’s new albums over the summer. I suspect Ziggy Alberts, City Calm Down, Mallrat, Phantastic Ferniture and Baker Boy wil be getting a spin, too.
I’ve also enjoyed songs from elsewhere, like Jungle’s Heavy, California (UK), Grouplove’s Welcome to Your Life (USA), Aurora’s Queendom (Norway), Bill Ryder-Jones’ And Then There’s You, and Poppy Ackroyd’s beautiful instrumental piece Paper (both UK).
And just for fun here a my Top Five Throwbacks for 2018 — oldies but goodies I’ve been getting into again:
Machu Picchu by The Strokes
Country Grammar by Nelly
She’s a Mystery to Me by Roy Orbison
Bad Decisions by Two Door Cinema Club
Revival by Deerhunter
So that’s a wrap for 2018, folks! Hit me with your top tunes…I’m sure to find something I love in the mix.
And all the best for a 2019 full of all the best that can be found in books, on screen and in music.
I would MUCH rather be on an adventure than have the flu.
So, it finally happened. I thought, when I got laryngitis a couple of weeks ago (much to the eternal — or perhaps infernal — amusement of my children), that I had done my time with lurgies great and small this Winter. Or Spring. Or whatever the damn season is, given that the temperature rocketed up to 34°C two days ago before plunging back to a wild and windswept 12°C.
Unfortunately, my own temperature has been vacillating just as unpredictably: influenza has me in its evil grip, and the Thrifty Fictionista has taken to her bed. Still, rather than railing against the indignity of barely having the energy to get out of said bed, or boring you with my symptoms, I have managed to haul myself upright for a minute or two so I can tell you what has been keeping me sane for the past three days.
Books, books and more books. And even though recently I have been reading things like Margaret Atwood’s The Handmaid’s Tale (which I freely admit I could not read in bed as I found that a bit too disturbing), and Virginia Woolf’s A Room of One’s Own (which I highly recommend — both as a read and a concept), and Jane Harper’s The Dry (which is as fine a debut novel as you’ll ever read as well as providing an unflinchingly accurate depiction of life in small outback Australian towns), I have — as usual — a confession.
I do wish I had a coat like Kell’s…
The Thrifty Fictionista can’t read such things when she is sick.
No, when I am sick, I need magic.
And so, the past few days have I reached for my Kindle (which, with its amazing capacity to deliver whole books into my waiting hands without leaving my bed, seems like magic itself) and buried myself in V E Schwab’s A Darker Shade of Magic trilogy.
On Wednesday, I re-read A Darker Shade of Magic, because it had been quite some time since I had dipped into the world of Red London. Or Grey London or White London, for that matter. And given the flu made me feel like I was already well on my way to Black London, I found myself wishing for a coat like Kell’s — you know, the one that you can turn inside out and every time it’s a different coat — and for the ability to wield Antari blood magic.
As Hasari…I wanted to whisper.
Oh, for a working spell, not days stuck malingering in bed.
But the flu had other ideas, so I kept on reading and followed the thief, Lila Bard (you just have to love a girl who would like to be a pirate, don’t you?), and the magician Kell on their adventures through the various Londons, saving cities and rescuing (or was it resurrecting?) princes.
On Thursday, I started reading A Gathering of Shadows, and was gratified to discover that it was considerably longer than the first book, as the damn flu showed no signs of abating even when hit with hard core antibiotics and a decent-sized helping of The Bloke’s best Spaghetti Bolognese. I love that Lila did wind up becoming a pirate — ahem, I mean a Privateer — and thoroughly enjoyed meeting her Captain, Alucard Emery, and I relished the magic and mayhem of the Essen Tasch tournament.
And now it is Friday, and I have just downloaded the third book, A Conjuring of Light, hoping that it will bring me just that: light relief from being stuck in this bed. Still.
So, without further ado, I am going to get on with it, not least because I need to lie down again…but also because I am grateful for the escape. For the distraction. For the adventure.
I’m driving home through the city at night. One of my dearest friends is riding in the car beside me, and we’re basking in the afterglow of an evening of revellery: good food, even better wine, a classical music concert with a brilliant soloist. Crossing over Circular Quay, we get the giggles, cracking each other up with increasingly ridiculous remarks about the man we’ve just seen perform.
He’s a violin virtuoso, he sings like an veritable angel, he has such shiny hair he should be in a L’Oreal commercial…no doubt he is the world’s greatest lover, too…
We make the long loop up onto the Harbour Bridge, our laughter sprialling skywards through the arching steel and up into the night.
There’s a dance off happening in the kitchen.
In this house we celebrate good news by busting out moves, and today we’ve had plenty. Ugg-booted and stocking-footed we rollick around the room, each of us attempting to outdo the others with displays of increasingly questionable choreography, while outside in the gathering darkness the real stars appear.
Tonight I’m dealing with Arsenic hour — the fraught and fractious time of day when you’re wondering whether you might poison your kids or yourself — when mid-meltdown from Miss Malaprop I get a text from The Bloke asking whether he can catch up with the Other Blokes for a beer or three. I flick back a quick, “If you want”, resisting the urge to scream obscentities or engage in a vicious game of compare and contrast.
There is no point in declaring marital war over the differences between our Tuesday evenings.
The Bloke and I are at the top of a ruined high rise, and he is about to be hauled through a dilapidated door behind him to face a firing squad. I can hear bullets spraying, drilling into the the other side of the wall, and he’s pleading with me to leave, telling me everything will be OK (which it clearly won’t be) as I get progressively more agitated and distraught.
In desperation I wake up, wrenching myself from the drama of the dream into the quiet of the night, and draw enormous comfort from the sound of the The Bloke’s breathing, deep and even, beside me in the dark.
The flying foxes are at it again.
Those manic marsupials were squawking and carrying on as I drifted off to sleep, and now their raucous predawn party in the top of the tree next door has me wide awake.
I get up and stalk down the long hallway of my house, surefooted and keeneyed as a cat. They say the darkest part of night is just before the dawn, but this is my territory and I have no need for light in the place I call home.