The THREAD: March 2023

I’m not entirely sure who said it (though I strongly suspect it was C S Lewis), but there’s an old saying that goes something like this:

Isn’t it funny how day by day nothing changes, but when you look back everything is different?

It doesn’t feel like more than a month has gone by since I sat down and wrote the first of these THREAD posts, but here I am again. Only a few weeks ago that I was musing about raising teenagers, reading Jonathan Franzen and reminiscing about our (now far less) recent trip to New Zealand. That holiday feels like an eternity ago, now we are well and truly in the swing of all things school and work.

Since it’s been a busy month, I’ve got a bunch of things buzzing around in my head — so best to let them out.

THINK | HEAR | READ | EAT | ADMIRE | DO

This month I have been Thinking about the imminent retirement of Adam Bull from the Australian Ballet. I have genuinely enjoyed watching him dance over the years, and am sorry the blasted pandemic meant I had to put my ballet subscription on hold, meaning I will probably not get to see him take the stage again. I’ve never been a dancer (my body favours sporty stuff rather than the life balletic), but I have come to love and appreciate the athleticism, grace beauty of both classical and contemporary ballet. I will be sad to see Adam Bull’s tall and striking figure leave the company after more than two decades, but am grateful to have seen him perform.

I’ve also been thinking about how various artforms inform and inspire each other, largely because I have just finished reading Maggie O’Farrell’s book The Marriage Portrait. The novel opens with Lucrezia de’ Medici, Duchess of Ferrara realising — on page one, no less — that her husband intends to murder her, and that the portrait he has commissioned of her is being painted in isolated castello precisely because that is where he intends to carry out the fell deed without anyone realising or interfering. Needless to say, I was pretty much hooked from the initial paragraphs and finished the book in a night.

The painting which inspired the novel is generally attributed to Florentine artist Agnolo Bronzino, and also served as the stimulus for Robert Browning’s poem “My Last Duchess”. Like O’Farrell’s novel, the poem has an equally memorable opening:

“That’s my last Duchess painted on the wall,/Looking as if she were alive.”

When I first looked at Bronzino’s portrait, I was struck by how modern Lucrezia appears — and how worldly, despite her youth. She did not survive her marriage to the Duke of Ferrara, and died suddenly at the age of 16. Lucrezia’s dress in the painting might be dreadfully outmoded, but her expression is intelligent and her gaze direct. I went down quite the rabbithole trying to figure out who she reminded me of, and stumbled across this comparison, which seemed rather apt:

Fortunately, Anya Taylor-Joy is very much alive, and I suspect she’d do a great job of playing Lucrezia de’ Medici if The Marriage Portrait ever made it to the big screen — much like Scarlett Johansson did in Girl with a Pearl Earring, which was based on Tracy Chevalier’s novel of the same name, which in turn was inspired by the painting by Johannes Vermeer. Or how Adam Bull played the Prince in Tchaikovsky’s ballet The Sleeping Beauty, which was based on the fairy tales of Charles Perrault.

Is everything created somehow borrowed, rather than brand new? I’m not sure…but it’s certainly given me a lot to think about.

I finally got around to Hearing this interview Helen Garner gave Annabel Crabb late last year. Recorded to mark the occasion of Garner’s 80th birthday, it is a thought provoking hour of insights into the life of artists generally and writers particularly. I suspect one of the main reasons I enjoyed listening to this so much was that this particular interview was a discussion between two women I admire (and whose general vocabulary I covet). Then again, in my experience it is always pleasurable to listen to intelligent, articulate and opinionated people discuss…things. Anything, really. If they are speaking of something about which you know nothing, you have the opportunity to learn something new. Perhaps more importantly, if they are discussing something with which you are familiar, you may gain a fresh perpsective or better understanding of someone else’s point of view.

In any case, Garner spoke candidly about many things, including the self-doubt which plagues her whenever she is writing something new, the book she believes to be her worst, her views on feminism, the controversy provoked by The First Stone and her understanding of how and why that particular storm erupted and how it appears differently to her now. She also talked about her numerous journals, leading Crabb to extract a promise from her not to burn any more of them. I found the interview thoroughly entertaining — much as I did Garner’s book Everywhere I Look, which just so happens to contain a superb extended essay about the Australian Ballet.

In addition to Maggie O’Farrell’s The Marriage Portrait, I have been doing quite a lot of Reading lately. Truly excitingly, I strongly suspect some of the books I have read lately are Great Books (and yes, those capitals are Definitely Required). Last weekend I finished reading Ian McEwan’s lastest, Lessons, which was brilliant but requires further reflection before I write about it. A few weeks ago, however, I finished Shehan Karunatilaka’s outstanding novel The Seven Moons of Maali Almeida, which won the 2022 Booker Prize. This book got under my skin, and well and truly into my subconscious. Quite literally, I found myself dreaming things based on the pages I had read before I went to sleep — and, not surprisingly given the novel details the post-mortem exploits of a war photographer, they were not particularly pleasant things.

The Seven Moons of Maali Almeida is both a ghost story and a murder mystery, but is neither in the traditional sense. Set against the backdrop of the Sri Lankan Civil War, the novel demands you engage with all sorts of things including politics, religion, gender, class, friendship and family dynamics — the works. Despite concerning the exploits of a dead photographer during his first week an the Afterlife populated by supernatural beings, the book brims with roiling mass of humanity. This is a novel of colour and movement, peppered with dialects and idiomatic speech, bursts of hilarity and moments of adroitly observed insight, like this one:

Evil is not what we should fear. Creatures with power acting in their own interest: that is what should make us shudder.

I highly recommend The Seven Moons of Maali Almeida. A word to the wise, however: if you do choose to read it, really go with it. Suspend your disbelief and you’ll be in for quite a ride.

I next read Leigh Bardugo’s book Hell Bent, her sequel to Ninth House. Even though this is a fantasy novel with substantial supernatural elements, reading Hell Bent after The Seven Moons of Maali Almeida felt like returning to a reassuringly familiar world: not only is the geographical setting real, but the temporal setting is also close to present day. Additionally, the main characters are distinctly human…until they’re not. No spoilers here! Though I’m genuinely looking foward to the next instalment of Galaxy Stern’s adventures.

In terms of Eating, I’ve been getting a lot more organised and have resumed menu planning. Not only does this save me time and reduces my mental load, but it also boosts the variety factor when it comes to family meals. The added benefit of posting the week’s menu ahead of time is that other family members can also pitch in and start meal prepping if needs be (not that this has ever happened…I live in hope). Knowing I have increased work commitments coming up next term, I am making an effort to get into good habits now and and am reminding myself of meals I can cook ahead or dinners that are “one pot wonders”. In this vein I’ve also been calling to mind various traybake recipes, and have been figuring out what (other than muffins) I can make as lunchbox treats.

Since we’ve had a long hot March, we’re still enjoying our salad days — especially the salads featured in Hetty McKinnon’s brilliant cookbook Community: Salad Recipes from Arthur Street Kitchen. I don’t think I own a single coobook I have made more meals from than this one, and our most recent discovery from this gem is Pumpkin with Chickpeas, Toasted Coconut and Lemon Tahini (except we ditched the Lemon Tahini dressing in favour or a bit of extra lime juice). It’s a Fijian inspired salad, packed with fabulous flavours and topped with the satisfying crunch of toasted pepitas. It’s also truly delicious.

Admiring is one of my favourite sections of the THREAD, and this month I cannot go past the brilliantly and blackly comic television show Bad Sisters. Set in present day Dublin and featuring five sisters, the first episode features the funeral of John Paul — husband of the second eldest of the Garvey sisters, Grace. It turns out JP, during his life, was quite a piece of work (abusive, controlling, manipulative and generally nasty) so it may come as no surprise that the storyline flip flops between the past — during which all four of Grace’s sisters have some sort of a go at bumping off their evil brother-in-law to rescue their sister and niece — and the present, when a harried and hapless insurance agent is desperately trying to prove JP’s death has been caused by the Garvey sisters’ foul play so he does not have to pay out a life insurance claim. It is not immediately apparent who or what has killed John Paul, but the show is so darkly funny and entertaining that Marvel Girl and I binged the ten episodes over the course of a single weekend.

Back at the beginning of the month I also found myself admiring the glorious scenery that forms the backdrop to Yellowstone. I had been putting off watching Season 6 of this fabulous show, because I didn’t want to watch an episode a week. (I also suspect I was feeling slightly superstitious about watching the most recent season because I watched the other five while I was isolating when I had COVID, and a fresh wave was hitting around the time Season 6 came out). In any case, I adore the scenery in the show — which could probably, given how many people fight over the land in Yellowstone, be counted as a character in itself — particularly as it reminds me of the country near where I spent part of my childhood when our family moved to Canada for a couple of years. So, as it turns out, I watch Yellowstone the nostalgia it evokes for me just as much as the drama — and for Kelly Reilly’s vivid portrayal of badass Beth Dutton. Just as an aside — did you know Kelly Reilly is English? Her accent in the show is pretty tight.

And that brings us, as always, to Doing, though this month one of the main things I have been doing is waiting for and then celebrating the return of another stellar television series: Ted Lasso. Season 3 is landing at last, and not a moment too soon! There are so many things that I (along with the rest of the known world) love about Ted Lasso. The writing is so sharp it sparkles, and the performances — especially now we are three seasons in — are so well-honed they truly shine. Rather than fangirling at length over the cast, because I can’t think of a single one of them I don’t love, let’s just leave it by saying there are so many lines from this show that have found their way into our family’s daily vocabulary — not least of which is simply, “Oi!” — that I can’t imagine life without Ted Lasso. It’s that good.

Other things I have been doing have included making a concerted effort to maintain good hydration and to keep stringing together sessions with my personal trainer. PT sessions are easier to keep up with (you schedule regular sessions, you turn up: “Simples” as the meerkats say). Drinking enough water? You’d think it would be so straightforward, but making and sustaining this habit is taking me longer than I expected. I am incredibly grateful to my girls, who thoughtfully presented me with a large Ravenclaw drinkbottle for my birthday, because I now try to chug my way through this several times a day. I’m getting better with hydration, and I’m deadset sure it will be worth the effort, so…go me?!

Anyway, we’ve reached the end of the THREAD for March 2023. Like a piece of string, I’m never sure how long it’s going to be and this one has been a bit of an epic, (so good on you if you’ve stuck with me and got this far), so my head is definitely less “buzzy” than it was when I started. As always, I’d love to hear what’s buzzing around in your head or what you’ve been THREADing your way through, so leave a comment if you’d like to.

Until next time, mind yourselves!

BJx

2020 On Screen: Blue Jai’s Top 5

Happy New Year from Blue Jai!

Folks, I’m still in lockdown as I write this, but am hoping against hope that restrictions will ease tomorrow and we will finally be able to escape the Northern Beaches for the first time since 19 December 2020.

Not surprisingly, escape seems to have been the theme of much of what I consumed on screen in 2020. In my view, desperate times call for comedy, for fantasy, and for distraction – and that’s just what I went for last year. So yes: I watched things like Space Force and allowed my children to binge way too many episodes of Brooklyn 99. But I also needed things to be real, so I devoured (along with most of the TV watching population of the planet) The Last Dance, and also took in Cheer and My Octopus Teacher and other documentaries – even Operation Odessa, from which I am still recovering.

Most of all, now that I reflect on it more deeply, I think much of what I really enjoyed on screen in 2020 revolved loosely around notion of “family” – which, as we all know, is much more about what you make it rather than what you’re born into. I’m very fortunate 2020 brought me closer to my own family than ever before.

So here, in no particular order, is Blue Jai’s Top 5 on Screen for 2020:

The Mandalorian, Season 2 (Disney+)

Can we all just take a minute to acknowledge the genius and greatness of Jon Favreau? The Mandalorian has clearly been such a labour of love for him – and in my view he has triumphed, successfully tying together so many disparate threads from the Star Wars universe, as well creating a thoroughly entertaining series populated with fantastic characters. Our family has loved hanging out together taking in the eight episodes of Season Two, delighting in the developing bond between the Mando and Baby Yoda, watching awesome warrior women like Cara Dune and Fennec Shand kick butt alongside Boba Fett, and screaming with excitement when we finally saw Ahsoka Tano appear on the screen for the first time (as a live action figure, obviously – she was probably the best thing about Star Wars: Clone Wars). And the blockbuster final episode? I want to talk about it so much! But also don’t want to spoil it for anyone…it’s that good.

The Mandalorian has brought us joy in a year tainted by so much…other stuff, and I’m so grateful that the Space Western genre is not only alive and well (complete with masterful musical contributions from Ludwig Göransson), but is thriving in the eminently capable hands of Jon Favreau and his team.

Hamilton (Disney+)

Other than The Mandalorian, I don’t think anything on screen in 2020 has been obsessed over as much by me and my family – especially Marvel Girl – as Hamilton. Lin-Manuel Miranda delivers a virtuoso performance as creator, producer and star of this incredibly successful musical. I have lost count of the number of times we’ve watched it or listened to the soundtrack, and lines from the show seem to sneak into our everyday parlance with astounding regularity. The libretto is astonishing – as is Daveed Diggs, but that is a whole other story. Watching this masterwork prompted me to post a note on my kitchen wall reminding me (and the other people who live here): You have as many hours in the day as Lin-Manuel Miranda.

Challenge accepted?!

The Bureau, Seasons 1-5 (SBS On Demand)

Let’s change it up a bit, shall we? Once the world (well, my world) became a bit less tense in 2020, I was able to take in content that was more suspenseful. By this I mean that I binged five entire seasons of the brilliant French production The Bureau and loved every minute of it. This spy drama has it all – a superb cast, great characters, gripping plotlines, realistic engagement with current events, the works.  You will probably recognise Mathieu Kassovitz, who plays main protagonist, Guillaume Debailly alias Paul Lefebvre alias Malotru, from the cult classic movie Amelie. Here, however, Kassovitz portrays a deep cover agent for the DGSE who is unable to let go of a former love when he is unexpectedly recalled to Paris, setting off a chain of events which have repercussions for him, his lover (played by the luminous Zineb Triki), his daughter, his colleagues, and many others. I sincerely hope Season 6 is in the works – I’d watch it in a heartbeat.

A Suitable Boy (Netflix Series)

I watched a number of shows with a subcontinental theme this year, including Never Have I Ever (which I thoroughly enjoyed, especially since it is narrated by John McEnroe and also features one episode narrated by Andy Samberg) and Indian Matchmaker (which I found hilarious and heartbreaking all the same time). But in the latter part of the year I was delighted to discover something Indian with which I was far more familiar: A Suitable Boy.

I have a rather large soft spot for A Suitable Boy, not least because I had the privilege of meeting Vikram Seth, who wrote the book upon which this show is based, when I was seventeen. It was the first time I’d met a famous published author, and my copy of A Suitable Boy, which he generously inscribed for me, remains a treasured possession – even though The Bloke jokes that it could double as a door stop, such is its size.

The Netflix television adaptation of A Suitable Boy necessarily leaves out some of the incredible detail which characterises Seth’s book, but it remains full of colour and life and tackles the personal and the political in greater depth that I had imagined it would. At its core it’s a love story, but it is so much more besides.  Tanya Maniktala does a great job as Lata Mehra, the main character, but for my money Tabu nearly steals the show as Saeeda Bai. This six part series is well worth watching.

The Queen’s Gambit (Netflix Series)

I was tossing up a number of options for my fifth choice, but The Queen’s Gambit managed to pip several other contenders at the post because of its polish. The production values of this Netflix show (another screen adaptation of a novel, this time by Walter Tevis) are consistently high, and the attention to detail is second to none. I have next to no interest in chess, but this series kept me hooked – probably in part because of the attention to detail paid to the fashion, décor and music of the time in which the series is set. Add to this Anya Taylor-Joy’s mesmerising turn as Beth Harmon, and throw in the ‘chess family’ she ends up with, and I was left well satisfied.

Under the category of Highly Commended for 2020 I would have to include:

  • Umbrella Academy Seasons 1 & 2 (Netflix) – more escapism and quirky takes on “family”, not to mention the zany brilliance of Robert Sheehan as Klaus;
  • Douglas (Netflix) – Hannah Gadby’s masterful follow up to Nanette, in which she tells you exactly what she’s going to do to you and you still laugh as she does precisely what she told you she would;
  • The Highwaymen (2019 Netflix Film) – in which Woody Harrelson and Kevin Costner take on Bonnie and Clyde (I particularly love the way this movie was shot, without showing the faces of Bonnie and Clyde until they are finally ambushed);
  • Freeman (ABC iView) – introducing Cathy Freeman’s historic gold medal win at the Sydney 2000 Olympic Games to my children was a more emotional experience than I ever expected.

That’s a wrap of Blue Jai’s Top 5 On Screen for 2020 – stay tuned for the next episode, in which my trusty alter ego, the Thrifty Fictionista, tackles Blue Jai’s Top 5 Books.