At the Going Down of the Sun…

ANZAC

There was once a man who loved to sail…

It’s Anzac Day here in Australia today — the day we commemorate the continued service and sacrifice of our armed forces, the day we remember those who gave their lives to make this country the safe haven it is today.

For me, Anzac Day is a solemn occasion. It brings to mind of the sharp scent of rosemary, the sound of harbourbound fighter planes overhead, and the comforting feel and weight of the two brass buttons from my grandfather’s naval dress uniform that I took into every exam at the end of high school and throughout university.

I have no memories of my grandfather speaking to me of his war service: not of surviving the bombing of Darwin, not of the time he spent at sea during the war in the Pacific, not of being one of the first Australians to set foot on Japanese soil after the signing of the surrender in Toyko Bay. And yet, the photograph I have of him on top of my piano is one that was taken at sea during that awful time, and it is of a slim young man leaning casually against the ship’s rail, immaculately dressed (as always) and smiling — and reminding me of my younger brother more than I’d like to admit.

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…he was my Grandfather…

Somehow, the sight of that photograph often prompts me to imagine what he and his mates went through — a bunch of blokes thrown together as the crew of a small ship on a vast ocean, facing a determined enemy. In all honesty, however, I know I can’t really imagine what it was like. Not the exhaustion. Or the feeling of being constantly threatened. Or the battles at sea. Or the kamikazes. And even though I will always be proud of his service, my overwhelmingly emotion is one of relief that he came home.

That he had a family.

That I got to know him and love him.

And as I write this, I am acutely aware that in a matter of days it will be the 25th anniversary of my grandfather’s death.

Anniversaries are strange things. At first they often feel so raw we wonder whether we will make it through them, and worry that the sorrow and anguish will never go away. Because loss literally makes our hearts ache — and I suspect Queen Elizabeth II was absolutely right when she once told her young grandsons, “Grief is the price we pay for love.”

But even as time goes on, anniversaries can fill us with a welter of conflicting emotions, and can sometimes surprise us with the  intensity of our residual grief. Only two years ago, I used this space to write about my grandfather when those feelings crept up on me once again. And, perhaps because I am at heart a reader and writer, then as now I tend to draw comfort from the words of fictional characters whenever grief rears its shaggy head. In the Harry Potter series, for example, Albus Dumbledore offers these comforting words:

Ddore dead do not

…and he’s never really left me….

To have been loved deeply, even though the person who loved us is gone, will give us some protection forever.

Elsewhere, Dumbledore also reminds us that the ones who love us never truly leave us, and that even when they have the continue to influence us in our everyday lives — in the thoughts we think, the decisions we make, even in the turns of phrase we use.

I try to pass those funny little things that my grandparents said on to my own children.  My Welsh grandmother, for example, used to say “Golly Gosh!”, which my kids, for reasons known only to them, find utterly delightful. My globetrotting gypsy grandmother was famous for asking, “Where’s Beulah?” every time she hosted a dinner party — referring to an imaginary kitchen maid who supposedly shot through every time guests arrived, leaving Grandma with all the work. And my grandfather? Well, any success, no matter how big or small, was always celebrated by him as being a “true triumph”.

I am grateful I can refer my children to the words of their ancestors as well as those of Albus Dumbledore when they are in need of comfort, though there is one other thing I told them when they were small that they have latched onto: that when someone we love dies, we see them again every night because they are up with the twinkling stars. They reminded me of this only recently when, after we finished reading The Hobbit together, we sat down as a family and watched all three Hobbit movies. Not surprisingly, both my girls have become particularly fond of Tauriel, the Sylvan Elf who does not appear in the book, but who has a minor role in the movies.

starlight

…and he never ever will.

When Thorin Oakenshield and his company of dwarves have been imprisoned by Thranduil, The Elvenking of Mirkwood, Tauriel has a discussion with Kili, one of the younger dwarves about Mereth Nuin Giliath, the Feast of Starlight.

“All light is sacred to the Eldar, but the Wood Elves love best the light of the stars,” Tauriel tells Kili, who says he always thought starlight was cold, remote and far away.

But Tauriel, it seems, has a similar view of the stars to mine:

It is memory, precious and pure…I have walked there sometimes, beyond the forest and out into the night. I have seen the world fall away and the white light of forever fill the air.

At the going down of the sun, and in the morning, we will remember them.

At the going down of the sun, the twinkling stars shine.

Dirt Music

 

Dirt Music 3

Dancing spotlit in a bodystocking? Not me…I’ll leave that to the likes of Misty Copeland.

So the other night, after a few “light beers” (which may or may not have been entire bottles of wine), a mate of mine asked me whether I had a Favourite Book.

As in, a Favourite Book OF ALL TIME.

And I said…Yes.

Or perhaps I just whispered it.

I definitely held my breath for a split second before I answered, not sure of how my response would be received, or whether it would be treated with the reverence I reserve for Favourite Books.

Because let’s face it — owning up to having a Favourite Book (of All Time, no less) is to to reveal your self, to expose your self as completely and unapologetically as a dancer in a flesh-coloured bodysuit on a spotlit stage.  Which is fine, completely fine, if you’ve spent the requisite years honing your body and your skills to the point that a body-stocking, or a distinct lack of on-stage hiding places, or (God forbid) an audience no longer fazes you, but…clearly, that’s not me.

I write. I read.

I cook. I most definitely eat. And while my kitchen is well-known as a place where dancing is heartily encouraged, I would sooner eat a body-stocking rather than wear one.

Even so, despite my many misgivings (or maybe because I, too, had consumed several glasses of wine), the other night I actually confessed to loving one book above all others.

Now, any literature lover will tell you that the idea of narrowing down the books you couldn’t bear to part with to a Top Ten is an utterly absurd exercise. If you truly love books, whittling down your list to a Top Fifty is a difficult proposition.

But if you have a Favourite Book, you know what it is. If, unlike me, you’re the sort of person who likes to proclaim your Favourite Book far and wide and to encourage every last being in the known universe to read it, you know what it is. If, like me, you’re a little more circumspect about revealing the identity of your Favourite Book, you know what it is. Even if you have trouble admitting to yourself that one particular volume is your Favourite Book, you still know what it is.

And mine is Tim Winton’s Dirt Music.

Dirt Music

So here it is — my Favourite Book. OF ALL TIME.

(Oh dear Lord! Did I just type that for the world to see?!)

Yep, Dirt Music is my Favourite Book of All Time.

And I have decided that I will own up to it, and expose myself to whatever judgements you may make about me as a result of that admission, because it is my Favourite Book.

I could have dodged the issue entirely, perhaps, and said it was impossible to decide between Dirt Music and any number of other books, such as Pride and Prejudice or Anna Karenina or The Lord of the Rings or The Great Gatsby or Hamlet, to name just a handful of others.  No authors’ names necessary, of course — they’re all tomes that are regularly cited as being Favourite Books. I could even have wrong-footed my friend by pointing him in the direction of Ursula Le Guin’s Earthsea books, or Marilynne Robinson’s Gilead, or Vikram Seth’s A Suitable Boy or  Jonathan Safran Foer’s Extremely Loud and Incredibly Close.

But I didn’t.

Because, deep down, I know that Dirt Music is my Favourite Book.

I’m not saying that it’s best book in the universe — that’s a whole other discussion. And I’m definitely not going to weigh into the whole debate about the Great Australian Novel, either, and whether that accolade goes to Winton’s Cloudstreet or not.  I’m not even saying that you should rush out, buy Dirt Music, and devour it cover to cover — it may not be your thing at all. (I mean, if you want to, of course — go ahead; it might end up being your Favourite Book too).

Nup. I’m not doing any of that.

But what I am saying is pretty simple, really.

For me, Dirt Music, Winton’s tale of Georgie Jutland losing and finding herself in the wilds and waters of Western Australia is special. In the true blue, Bruce McAvaney sense of the word.

I love — no, I utterly adore — Tim Winton’s prose.  I love the tangible physicality of his descriptions of people and place. I love the accuracy with which he captures his characters’ vernacular. I love the overarching presence of the Australian landscape, particularly of the ocean and the coast. I love the way he describes Georgie’s father as Himself, QC — and I love the sheer volume of information and resonance and impact those two words impart.

Dirt Music 2

My super-power: escaping into books…

Reading is such a great privilige, and literacy such an inordinately important gift. And, as Alain de Botton points out, “Of all the addictions, bibliophilia is the noblest and most dangerous.” Where else, but between the pages of books, can we embark on great quests, fight revolutions, ride dragons, or sail further west than west?

I will, I know, continue to read, and always — always — to write. Like Rudyard Kipling, “I am by nature a dealer in words, and words are the most powerful drug known to humanity.”

And it is beyond comforting to know that I can return time and again to the happy places that lie between the dog-eared volumes that line my shelves, to wend my way along hidden paths towards Rivendell, to walk with Elizabeth from Netherfield back to Longbourn, even to hold my breath as Anna waits for the oncoming train…

But I will always come back, time and again, to Dirt Music, if only to discover, like Luther Fox, just one last time:

She’s real…she’s real…