Category Archives: music

The THREAD: October 2023

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So this THREAD is late, I know. It also doesn’t include pictures.

But I have a VERY GOOD REASON (and yes, that absolutely required shouty caps). This time last week, I had everything set in my mind about what I would write about in relation to October (because at that point it had shaped up to be a pretty good month, all things considered). But at precisely this time last week — as in 5:13pm last Saturday — I boarded a Manly Fast Ferry and set off for Circular Quay with The Bloke and one of his clients, who had asked us to keep that particular night free.

Because this person is not only a client, but is also one of The Bloke’s great surfing mates (specifically) and an all round good person (generally), we did as requested and made no plans, thinking we were heading out to dinner. But no — he was waaaaaaay more generous than that.

HE TOOK US TO SEE SIR PAUL McCARTNEY IN CONCERT.

And as a result of that amazing and completely unexpected experience, my tiny mind was blown and I failed to put fingers to keys because I was unsure how to adequately describe what had happened. To do so, you see, I need to rewind several months…which I will do when I start the October THREAD proper…which is NOW!

THINK | HEAR | READ | EAT | ADMIRE | DO

I have been thinking, since that extraordinary concert last week, about manifestation and serendipity. As regular readers of the THREAD will know, in June this year in our entire household was in the throes of Taylor Swift Ticket Acquisition Fever. It was an extremely serious preoccupation, and one which ended very fortunately for us, but not without considerable expense. Which is why, when July rolled around and Paul McCartney tickets went on sale (also at considerable expense), I was sorely tempted to purchase some but held off. I do recall saying, however — and Marvel Girl can attest to this — “If I am meant to see Paul McCartney in concert, the universe will provide. Imagine seeing a real live Beatle, though…that would be really something.” And not long after that, life continued and I promptly forgot about the tickets I had opted not to buy.

Until…one week out from the Paul McCartney concert — and with reports flowing in of how great the shows had been in Perth and Adelaide and Melbourne — I began feeling a little wistful. I even logged on to see whether there were any seats available for the Sydney shows. Still not making the connection regarding dates, I asked The Bloke to call his client to find out what we could bring for dinner…and found out it was not dinner at all. “I’m taking you to see Paul McCartney,” he said. “Can you believe we’re going to see a real live Beatle?”.

They were his EXACT WORDS — I kid you not. The Bloke had the call on speaker, so by this point my jaw was on the floor, as was Marvel Girl’s when I told her what had been said (followed by a short silence, and a firm affirmation that I had completely restored her belief in manifestation). Needless to say, I absolutely loved the concert and remain ever so grateful to The Bloke’s client for taking us along. Paul McCartney is 81 years old but played for over three hours, and got better and better as he went along. It was a once in a lifetime experience, capped off by us making actual eye contact with the man himself as his tour bus left the venue, driving away from the crowds and coming directly towards where we were walking instead, with the four of us waving to a real live Beatle who was waving right back.

Magical doesn’t even begin to describe it.

Anyhoo…I’ll try to stop fangirling now and get on to what I have been hearing, which — unsurprisingly — has been a lot of Beatles tunes, Wings tracks and parts of the Get Back movie Peter Jackson so brilliantly made. I can’t go past this section without including a final anecdote relating to the Paul McCartney concert, which relates to one of the encore pieces he played: I’ve Got a Feeling. During the song, John Lennon was on the big screen singing his part (lifted straight from the famous rooftop performance that ended up being the last time the Beatles played together), and Sir Paul was on the stage in front of him singing his part. For any Beatles fan — or music fan for that matter — it was spinetingling stuff, the kind of moment that brings genuine tears to your eyes. I still can’t quite believe I witnessed it, but am ever so grateful I did.

I’m going to move onto reading, because otherwise this entire post will end up being about last Saturday night, and we have a whole month to review. I have read a couple of great books this month, but not before I finished Chai Time at Cinnamon Gardens — I know I mentioned in the July THREAD that it had won the Miles Franklin award, but please get your hands on a copy and discover how great Shankari Chandran is. I love her writing — almost as much as I love Maggie O’Farrell’s writing, and I also had the great pleasure of reading Hamnet this month. I know it’s not new, but it was novel I fell straight into and then…well, several hours had past and I was turning the final pages.

There was one passage in Hamnet which struck a chord with me at a very deep level, describing Hamnet’s mother Agnes:

She, like all mothers, constantly casts out her thoughts, like fishing lines, towards her children, reminding herself of where they are, what they are doing, how they fare.

Agnes is, of course, the wife of William Shakespeare, who wrote the play Hamlet one year after the death of his son, Hamnet. It’s a play that holds a special place in my heart, having seen it performed for the first time on the day my grandfather passed away. We never really let go of the ones we love, whether it be casting out our fishing lines while they are alive, or casting our memories back when they have left us.

Ahhhh…moving on to eating, life-sustaining activity that it is. At the end of the school holidays (mid-October) I took my dear mum to a concert at the Sydney Opera House (more about that later), and before the show we dined — and I do mean dined, because it was fancy — at Aria. We began with a couple of sparkling glasses of French champagne, then proceeded to enjoy our selections from the pre-theatre menu, which included multiple amuse bouche offerings from the chef (Matt Moran is a genius) and even an palate cleansing pre-dessert. I had never eaten at Aria before, though have had the pleasure of dining at Benelong (inside the smallest Opera House sail) multiple times. I have to say I enjoyed the menu at Aria more — though perhaps that was because it was entirely new to me, or because we had a view of the Harbour Bridge and the Opera House (instead of sitting in it), or because I was having a truly extravagant meal with my wonderful and ever-so-deserving mother. OK: it was probaby a combination of all three, but I can’t remember the last time I enjoyed a dinner out so much.

And now onto admiring, in which (be warned!) I will wax lyrical about yet another concert I went to — this time the one I attended with my mother. We were fortunate to see violinist Joshua Bell perform with the Academy of St Martin in the Fields in the newly renovated Concert Hall of the Sydney Opera House.

Bell is famous for performing at an extremely high level, having made the transition from child prodigy to virtuoso violinist many years ago. Yes, he plays a Stradivarius rumoured to be worth as much as $14million (USD), but his technical prowess and musicality cannot be attributed simply to the quality of his instrument. Now aged 55, Bell has been practicing and perfecting his craft for decades. He is renowned the world over for the purity of his tone, which was described by one reviewer of the concert I attended as ‘silvery’, which almost describes what I felt when I heard Bell play.

It was like listening to a moonbeam.

Silvery, yes – but also bright and clear and radiant and possessed with profoundly otherworldly beauty. As I sat, enthralled, listening to the notes of Mendelssohn’s Violin Concerto in E Minor spill seemingly effortlessly from Bell’s instrument, I felt tears forming in my eyes. It was another one of those unforgettable, breathtaking experiences, and I was beyond grateful to share it with my mother, who promptly declared it the best concert she had ever been to. I thought she was just saying that to be nice, but she then informed me the best concert she had been to before that was seeing Victoria de los Angeles at the Sydney Town Hall before I was born, so…I suspect she was being truthful?!

And just as aside, did you know that William Shakespeare invented the word moonbeam? That’s also true.

So now we come, finally to doing. I think it’s fair to say that for much of the month, I have relishing the tingling highs that have come with seeing some truly fabulous performances, eating some delicious meals and reading some brilliant books, and then nursing myself through the crashing lows that inevitably follow those experiences. For me, being able to bear witness to cultural greatness is one of the great privileges of being alive, and this month I’ve been beyond blessed — so much so that I even forgot to mention in the reading section above that I also devoured the latest offering from my literary hero, Trent Dalton, which is called Lola in the Mirror. Reading that book is one of the best things I did during October, along with watching both seasons of The Bear on Disney+, which is a complete tour de force. I defy anyone to watch that show and not be viscerally affected.

So that brings me to the end of the October THREAD, knowing that it has been a rollercoaster month of highs and lows, punctuated by some spectactular perfomances: on the stage, the dining table, the page and the screen. It is the sort of month that has made me feel truly alive, and glad to be alive, and wanting to share that feeling with everyone I encounter — but with my family most of all.

I hope October was a good month for you, too. I wonder what November will bring us?!

Mind yourselves,

BJx

PS I’m just gonna leave this here…because who doesn’t want to sing along to Hey Jude with a real live Beatle and 50,000 of your new best friends?

The THREAD: July 2023

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Another month has rolled around, and with it winter school holidays and both my kids’ birthdays. I know they’re getting older (obviously), but I find it interesting that they are now beginning to comment on how quickly time flies by. When they were little, they felt like eons or entire geologic eras passed between one birthday and the next, but now they are experiencing the passage of time in a different, far more adult, way.

Naturally, having teenaged children has the tendency to make me feel considerably older, too. But the thing that brought me up short recently was a conversation I had with a friend while out of a walk in the glorious winter sunshine, and she asked me about holidaying in Hawaii, as she’d never been. I feel very fortunate to have winged my way between Sydney and Honolulu quite a few times during the course of my life, but admit to being aghast when I realised my first Hawaiian vacation took place forty years ago when I was seven years old.

Gulp.

So let’s move on — life may be short, but it’s still for the living. Let’s dive in to the July 2023 THREAD.

THINK | HEAR | READ | EAT | ADMIRE | DO

I’ve been thinking, as I would imagine many people have, about Sinéad O’Connor. While she was best known for Nothing Compares 2 U, as news of her untimely death at the age of 56 has spread around the world, the song I have found myself listening to is I Am Stretched on Your Grave. Based on a translation of an anonymously written 17th century Irish poem, Táim sínte ar do thuama, she recorded the lyrics over the top of a drum beat with very little instrumental accompaniment (save for some fiddle at the end of the piece). You can see her performing it live here, if you’d like — I suspect that is how she would like us to remember her: powerful, passionate, with superb and subtle control of her instrument.

Despite living in the Antipodes, I feel like my generation grew up with a succession of Irish singers who provided the soundtrack to our formative years. Bono is the most obvious of these, and thankfully he is still with us. But I am also thinking specifically of Dolores O’Riordan now, sadly, of Sinéad O’Connor. Knowing that both of these awesome talents have left us saddens me more deeply than I expected it to. I’m also feeling a little downhearted that a whole bunch of kids are probably only discovering today what a incredible talent Sinéad O’Connor was — I hope they also find out how damn brave she was, too.

Rather than dwelling on sadness, however, it’s best that I move onto hearing. Strangely enough, I’ve been listening to another Irish voice, that of Cillian Murphy, who is probably my favourite actor of all time. I listened to a great interview he did with Marc Maron, whose WTF podcast is one I find myself dipping into from time to time with great enjoyment. I have not yet seen Murphy in Oppenheimer, because I want to see it (if possible, should the scheduling stars and planets align) in 70mm as Christopher Nolan intended it to be viewed.

I suspect Oppenheimer is going to be among the most important films of the decade, if not the century, and by all accounts Murphy delivers a truly impressive performance, along with a stellar supporting cast. What is so lovely about Maron’s interview with Murphy, however, is that ranges all over the place — from the various guitars they own, to what it’s like to live in Ireland, to Murphy’s upbringing — and intersperses some heavier material (primarily about the film) with funny anecdotes, including one about Marc Maron meeting Cillian Murphy at an airport and failing to recognise Christopher Nolan, who was sitting right beside him. All in all, it’s an entertaining podcast and I’m looking forward to seeing Oppenheimer as soon as possible.

I have been reading a lot more than usual lately, because school holidays have provided me with the time and space to do so. I have read a couple of thrillers/mysteries, such as Michael Robotham’s Lying Beside You and Sarah Penner’s The Lost Apothecary, and also re-read Raymond E Feist’s fantasy epic The Magician.

More recently, I picked up a copy of Shankari Chandran’s Song of the Sun God at Townsville airport and decided to buy it because the story begins in Ceylon in 1946. After reading The Seven Moons of Mali Almeida, I have been interested in reading other novels set in Sri Lanka, and this multi-generational family saga was compelling and beautifully written despite detailing the horrors of civil war and the challenges of migration. This book felt very alive to me, full of small but significant details that enriched the action. Specific ingredients are added in scenes where food is being prepared, for example, and the ordinariness of these actions only highlights the massive upheaval the family members are dealing with: physical violence, social dislocation, philosophical and religious disputes. Chandran’s descriptions are brief but evocative, deftly weaving together history and emotion and relationships:

The map stretched, inviting and blue across the wall. The world was such a vast place, surely ther ewas somewhere they could go: somewhere they would be safe from riots and growing rage.

I was delighed to learn that this week Shankari Chandran has won the Miles Franklin award for her latest novel, Chai Time at Cinnamon Gardens. I know, having read Song of the Sun God, that the seemingly saccharine title will hide a book of depth that is unafraid to broach difficult topics, and am looking forward to reading it.

The other book I read and loved during the past month was Costanza Casati’s Clytemnestra, which is a retelling of the Greek tragedy from the perspective of one of the greatest figures of the Ancient World. The novel gains a sense of immediacy and accessibility from being written in the present tense: not only do we witness what is happening to Clytemnestra as it occurs, but we are also privy to her thoughts and feelings in those same moments. She becomes far more relateable, and as a result her quest for vengeance seems almost reasonable — even though she takes the lives of those who have betrayed her in brutal fashion. Clytemnestra was a magnifiently drawn character and the novel was a great read.

On to a different type of consumption now: eating. Oh boy…there are two parts to this section of the THREAD this month. First off, there’s the part where we went away on holidays and all the (delicious, amazing, high end restaurant quality) meals were included, so for a week I ate incredibly well but didn’t actually feel hungry again until I got home, so I probably ate too much. OK, let’s be clear. I know I ate too much. But the most extraordinary thing about that holiday was I didn’t have to plan or shop for or cook a meal for an entire week so it was totally WORTH IT!

Now that we’re home, I’m onto the second part. I’ve been working on providing the family with simple, tasty food. It might not be a fancy ceviche, or a differently themed cuisine each lunch time, or martinis by the infinity pool, but at least I’ve created some headspace to get back into eating well and as cleanly as possible. Tonight’s dinner? Swedish meatballs on cauliflower puree with broccoli. Last night? Pesto chicken with tomato and feta risoni and green beans. Tomorrow night? No flipping idea…that is tomorrow’s problem!

Speaking of problems (and freely acknowledging that most of mine are of the First World variety), you may recall a couple of months ago I finally finished watching The Americans. Working out what to follow such a show with was not easy — but I finally settled upon Schitt’s Creek as a palette cleanser, and that hilarious and beautifully executed sitcom well and truly did the trick. Various parts of Rose family parlance have subsequently entered our own family lexicon, and I imagine they will stay there for quite some time.

Since then, I’ve been admiring a few things on the small screen, including Shantaram on Apple+. I was initially hesitant to watch Shantaram, because I was not sure I would be convinced by Charlie Hunnam’s attempt at an Australian accent (and now, having watched it, I would give his efforts a solid B minus). I read Shantaram years ago, but not so recently that I could recall it in vivid detail. The storyline is compelling, not least because it’s based on the author’s real life (and crimes). The slums of Bombay in the 1980s are brilliantly brought to life — even if they were actually filmed in Thailand — though I was not particularly satisfied with the ending.

I then watched The Essex Serpent, starring Tom Hiddleston and Claire Danes, also on Apple+. The Essex Serpent is a period drama with moody visuals and interesting themes (think: science vs religion, women vs the patriarchy, rich vs poor). Both leads were eminently watchable (as always), the Essex coastline was suitably mysterious, and the hysteria generated by the “serpent” believable. I really loved Clémence Poésy as Stella Ransome, the ailing wife of the local vicar, Will Ransome (played by Hiddleston). Strangely enough, however, the ending of this show did not satisfy me either — it felt a little bit too neat. Humpf.

Anyway, that brings me finally to doing, and to our family holiday to the Great Barrier Reef. Despite dramas with planes on the way to and from Queensland (which included missing pilots, missed connections, an unexpected overnight stay in Brisbane on our way home and much gritting of teeth along the way), the vacation itself was spectacular and we were blessed with fine weather, even if it was a little windy at times.

In addition to the incredible food (which I mentioned above) we met some great people, including a lovely family from Switzerland who are currently living in Adelaide for a year. We also had some fantastic experiences: snokelling, hiking, sailing, paddle boarding, kayaking, and puttering around in dighies. One highlight of the trip was feeding fishy kitchen scraps to reef sharks off the resort’s jetty, another was watching glorious sunsets over the sea (which for this Eastcoast dweller is always a bonus). And as a final bonus, we saw some whales from the helicopter when we were transferring back to the mainland.

Anyway, that’s a wrap on the July THREAD.

I’m off to a themed trivia night I’ve been roped into and (no pun intended) have to get into my cow girl costume…fingers crossed we come home with a prize!

Until next time, mind yourselves.

BJx

The THREAD: June 2023

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We’ve gone past the shortest day here in the Antipodes! The Winter Solstice is a milestone I mark each year, not least because it means that from this point onwards the days are getting longer again. Admittedly, we still have to get through that small botheration called winter, but nobody has really noticed much of that around here lately because we’ve all been glued to various devices trying to get tickets to see Taylor Swift.

So, keeping with our theme of brevity, let’s jump straight into the June THREAD.

THINK | HEAR | READ | EAT | ADMIRE | DO

I’ve been thinking a lot about equity and fairness during the past week or, perhaps more specifically, since Taylor Swift announced the dates for the Australian leg (such as it is) of her Eras tour. As regular readers of this blog will know, I live with a pair of Swifties — one diehard, one far more nonchalant — so the news that Tay Tay was finally heading Down Under was met with great excitement.

However, as details of concert dates and pre-sales and ticket pricing began to filter through, my cogitations began in earnest. The amount I would have to spend on some of the packages available to attend just one of these highly desirable concerts is equivalent to the amount we would normally spend on a weeklong family holiday. Could I justify the expense? Was it fair of me to tell my children that if I did manage to get tickets, they might not get Christmas and birthday presents this year? Would Marvel Girl even cope if we did not secure this most elusive of bookings?

I’ve been hearing a lot of the same sorts of questions from other parents, and from other people who are fans. The hype surrounding the Eras tour has been phenomenal, and I know that this concert is not simply a “bit of a gig”, but a full blown stadium spectacular choreographed down to the last pyrotechnically enhanced millisecond.

I’m also conscious that, if I did get my hands on Taylor Swift tickets, this would be Marvel Girl and Miss Malaprop’s first proper concert (because at this point I’m not counting the Babies Proms at the Sydney Opera House folks…that ship sailed so long ago it’s halfway to Haiti by now). I’m also acutely, painfully aware that — thanks to a global pandemic and a bunch of lockdowns — my kids have missed out on unforgettable experiences like this.

So, like so many others, I started reading all the fine print. And the presale information. And began setting alarms and checking login details and updating passwords and acquiring ticketing codes and taking a long hard look at my bank balance. I also started reading Curtis Sittenfeld’s new book Romantic Comedy, and had been perusing a bunch of travel guides (dreaming of a European vacation before the girls get to the pointy end of high school), but all these had to be put on the back burner. Tay Tay was coming to town, and I had to be ready.

It was around this point that the stress eating began. I can safely say that I have eaten more chocolate in the past week than I ever ate at Easter time.

I may also, equally sadly, have fallen into the trap of eating cheese and drinking wine. So much so that The Bloke — who, by now, had joined the feeding frenzy — went to the trouble of finding Tim Minchin’s hilarious song about cheese on Spotify or YouTube or some other thing and began playing it for me in a very misguided show of what he called ‘support’. I think it’s fair to say that Minchin’s lyrics about him loving cheese but cheese not loving him did apply, but it was not The Bloke’s finest moment?!

As things turned out, however, it did become one of Miss Malaprop’s finest moments, one that I am still admiring. The first presale came and went with a giant crash (brought to you by American Express), and despite frantic — and might I also say valiant — efforts on my part to navigate some sort of safe passage through the maze of the interwebs to ticket ownership, I came up empty handed. By some small miracle, one of The Bloke’s staff got wind of what we were up to (perhaps because there were several fraught phonecalls to his office as we kept him apprised of our lack of success), and she managed to find her way onto the presale site…but the best she could come up with was a pair of tickets (at a whopping $900 each), and I was determined that both my girls would be coming with me to the show or none of us would go at all.

It was at this point that Miss Malaprop, bless her cotton socks, piped up that if we could only get two tickets we should nab them and that I should take Marvel Girl, superfan as she is of Ms Swift. Her generosity and selflessness caught me off guard, and made me even more determined to get her a ticket as well…if that was humanly possible?!

Which brings us, of course to doing. By the time the next presale rolled around (OK, it was only two days later but I can tell you the hours drag until the event begins), we were ready. We were SO ready. Three laptops and three phones were logged on and ready to enter the Ticketek lounge — home of the infamous blue bar of doom (if you were there you know what it is I speak of) — and after 10:00am the minutes, which had so recently felt like they were lagging by, suddenly began to fly past as I knew there were tickets flying into people’s online shopping carts faster than you could say …Ready For It.

And then, about twenty adrenaline-filled minutes in, The Bloke called. It turned out that half the staff in his office, upon hearing of our plight (first world problem as it absolutely is), had registered for presale codes and were all trying to get us tickets as well. And — wait for it — the same staff member who had got through to the elusive Amex presale had been miraculously plucked from the Ticketek lounge (which we are all now aware is anything but a queue), deposited on the hallowed seat selection page and beaten the famous clock to secure us a trio of tickets for Taylor Swift’s opening night in Sydney.

We were gobsmacked. Celebratory. Relieved. Grateful. Even a little bit tearful, in Marvel Girl’s case. Miss Malaprop was practically turning cartwheels and the cat, never one to be left out, got the zoomies and began racing up and down the stairs.

I still can’t quite believe our luck, not to mention the generosity of The Bloke’s staff. But that’s good people for you — they chip in and help make the impossible somehow, unexpectedly, brilliantly possible.

We’re going to Taylor Swift.

And until a Taylor’s version is released, that’s a wrap on the June THREAD.

I’m officially exhausted.

Mind yourselves,

BJx

Introducing the THREAD

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It’s been a long while since I last posted here. Christmas has come and gone, and New Year’s too.

Since our family finally ventured overseas for the first time in years at the beginning of January 2023, my year in review posts for 2022 never eventuated. And, although I often have a multitude of ideas for posts, I frequently don’t have the time to execute them — mostly because life. So between my last post and this, I’ve been doing a lot of thinking about how to make this blog more relevant to my life as it is now.

When I started making a list of what I wanted to write about — things I’d been thinking, reading, eating and doing — I realised I had the beginnings of a workable acronym for all I wanted to communicate. A couple of minutes of tinkering later, I had a plan in my notebook and a smile on my face.

And so, without further ado, I would like to introduce you to the THREAD.

THINK | HEAR | READ | EAT | ADMIRE | DO

I’ve been thinking about this post by Amy Betters-Midvelt, which someone shared to the Chat10LooksTeen Facebook group recently. It’s called All Parents of Teenagers are Liars, and examines the way we speak about — OK, lie about — the lives of those she refers to as “tall kids”, or teenagers. It reminded me of the old saying, which I may have heard myself imparting to my own tall kids of late, that everyone is dealing with something. You might be privy to someone’s situation. Perhaps, to you, it seems trivial, perhaps not. Or maybe you’ll never know what a person is going through, and it’s something truly ghastly. Or maybe it’s not. But the fact remains: everyone is dealing with something.

My two main takeaways from this thought-provoking piece were, firstly, that regardless of how tall they are (and believe me, Marvel Girl has well and truly passed me, and Miss Malaprop’s not far behind her), teenagers are still kids. And secondly, that just about every parent of a teenager I know is more likely to respond as cheerily as they can to a query about how their tall kid is doing rather than launching into a ten minute diatribe about whatever it is they are dealing with at that time, whether it be school refusal, bullying, slipping grades, vaping, porn, alcohol, general slothfulness, or their insistence on publicly wearing a bikini so miniscule it would make a Brazilian blush. We’re all doing our best, with varying degrees of success, and sometimes as unsure of ourselves as parents as our tall kids are of the almost-adults they’re becoming.

Everyone is dealing with something. But focusing on the good bits when we’re asked? Maybe that’s not such a bad thing…

Since I live in a house with two tall kids, I’ve been hearing a lot of their music lately. Our summer days have been filled with songs from Lana Del Ray, Taylor Swift, and Harry Styles. Marvel Girl got a record player for Christmas, so there have been numerous trips to various music stores in search of specific titles on vinyl. (I suspect I did clock up more than a few brownie points for presenting her with the Moonstone Blue edition of Midnights to start off her collection, but that may have been more good luck than good management on my part).

The Bloke and I have made sure Marvel Girl has added a few classics to her record collection too, making sure she’s got some Beatles tunes, and some U2, and even dug out some old vinyl we’d been hanging on to since forever and introduced her to Neil Diamond’s Hot August Nights. We even found some Elvis records that had belonged to her great grandmother, and the theme song to Felix the Cat, just for good measure.

When the kids are not around, I’ve been listening to a weird mix of Indie Folk and whatever happens to be on Spotify’s ever-changing “Front Left” playlist. And when I’m working, it’s all instrumental…no words, because lyrics have a tendency to get in the way of the words I’m writing.

I’ve been doing quite a lot of reading this summer, have have been on a bit of a Jonathan Franzen kick after reading Crossroads just after Christmas. I was happy to hear Crossroads is intended as the first of a trilogy, and I enjoyed it so much I decided to read Freedom. Franzen writes about family so well — the weird, somtimes stilted, inter-generational dynamics of living with people purely by accident of birth — and often in a darkly funny way.

I also plowed my way through several holiday reads via the Libby app (Jane Harper’s Exiles, and two very British mystery novels by Sarah Yarwood-Lovett called A Murder of Crows and A Cast of Falcons). In various airports and armchairs I read Allegra in Three Parts by Suzanne Daniel, Hilde Hinton’s new book A Solitary Walk on the Moon, Toshikazu Kawaguchi’s Before the Coffee Gets Cold and a couple of entertaining thrillers: The Cloisters by Katy Hays and A Narrow Door by Joanne Harris. I also read and found myself frequently reflecting on the tragically beautiful portrait of love and mental illness in Olivie Blake’s novel Alone With You in the Ether. I enjoyed them all, some more than others, but mostly because each was exactly what I needed at the time.

Eating is something I am eternally grateful for. I am one of those people who lives to eat, not one who eats to live, so good food — whether prepared by me or for me — is something I truly relish. We ate some fantastic meals during our road trip around New Zealand, discovering some great restaurants. To this end I highly recommend Atticus Finch in Rotorua, Pacifica in Napier (where our kids enjoyed their first ever degustation dinner), and the Pier Hotel in Kaikoura.

Since we’ve been home and school has resumed, we are back to far more routine offerings, such as Nigella Lawson’s Chocolate Banana Muffins (my copy of her book Kitchen automatically falls open at the page featuring this recipe, not least because it is a very effective way of using up over-ripe bananas). Like most of Australia — OK, half the world — we’ve been singing the praises of Nagi Maehashi, of RecipeTin Eats fame, whose cookbook Dinner has been a source of many a home cooked meal at our place this summer. We are particular fans of the Asian Glazed Salmon, not only because it’s insanely delicious, but also because it is super quick to prepare. We tip our collective hats to Nagi, a Northern Beaches local who creates amazing recipes and gives so much back to our local community via RecipeTin Meals.

I know it might seem like a peculiar thing, but one thing I have been admiring lately is the bottom of our new swimming pool. Yep — the bottom! You know how the light hitting the water creates those mesmerising moving patterns? The ones that make you think you might be swimming over the top of a gigantic turquoise-shelled sea turtle (if such a thing existed)? Or some kind of weirdly warped honeycomb-like tessellation? OK…maybe it’s just me. But I do love watching it, floating on the surface, gazing down into the blue.

I am also admiring my kids, who both started at a new school this year. It’s not been entirely plain sailing, but they’re both doing all those hard things that stand you in good stead later in life, as well as in the here and now: making new friends, finding their way in unfamiliar territory, remembering (after a long summer) how to be punctual, showing up to things they’ve signed up for, speaking up for themselves when they need to. I’m struck by their courage, their tenacity, their humour. It was truly gratifying to see their care for each other after their first day, checking in and making sure their sister had survived their first day before regaling me with tales of what they’d experienced. And I’m grateful — beyond measure — that after four years at separate schools, they are finally together again.

And finally, we find ourselves at doing! We’ve been doing so much, but the standout highlight would have to be our New Zealand road trip. We flew into Auckland, and drove — via Hobbiton, of course — to Rotorua in all its (stinky) geothermal glory, then onto Napier before heading down to see very dear friends who have made their home in Wellington, at the tip of the North Island. A particularly exciting moment for Marvel Girl was watching her godfather flying a plane out of his “office”, Wellington airport: she had requested he do a barrel roll but apparently such aerobatics are frowned upon on domestic flights, so we settled for seeing him take off instead. We might even have cheered.

From Wellington we made our way across to the South Island via the Interislander Ferry to Kaikoura, saw hundreds of seals including about fifty pups at O’hau, then made our way via Christchurch to Aoraki (Mt Cook). There we were blown away by mountain views, icebergs and glaciers, and even swam in the very cold but still refreshing Lake Pukaki. We finally wended our way to Queenstown, made a magical day trip to Milford Sound and saw a bunch of bottlenosed dolphins put on quite a show, before finishing up with a hair-raising jetboat ride on the Shotover River. We flew home tired but happy, pleased with all we’d been able to do and see but also glad to be back in our new house.

So there you have it, folks: the inaugural edition of the THREAD, which I hope you’ve enjoyed.

I’d love to know what you’ve been getting up to over the summer and how life is treating you now school is back in session for another year. I’d also appreciate any thoughts you have on tall kids and how to manage being a parent (I’ve just about given up trying to “manage” the tall kids at this point, but I think that’s also kind of the point at this stage in their development?!), or anything else that has got your brain turning over lately. And feel free, as always, to use the comments for recommendations for any music, books or recipes you’re into as well.

Mind yourselves,

BJx

Spicy Coughs & Spirit Animals

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I started this blog in 2014, and I don’t think I’ve had a month when I didn’t post something in all that time — except for March 2022.

Last month, the dreaded Spicy Cough finally caught up with me, and I was stuck alone in my room for seven days. I’d managed to avoid getting it when the kids did in early February, but in mid-March COVID finally got its claws into me. How I got it I will never know: I’m double vaxxed plus boosted, I’d worn a mask everywhere I went, and I’d hardly been anywhere.

I didn’t think COVID had affected me too badly until I started to recover. Only then did I realise how crook I’d been, and as a result I am so grateful to be back doing normal things like working and shopping and exercising. I can run up the (many) stairs to our rental without puffing again. I can walk to the beach and back without having to rest halfway. Most importantly, after being contained in a small space and not being able to see the rest of my family for an entire week, I can truly appreciate living life to the full.

And I guess that brings me to the second part of my musings today: the tragic and untimely death of Taylor Hawkins, a man who appeared to live life to the full every day.

I have joked often, and publicly, that Taylor Hawkins is my spirit animal.

I never met him, of course, was not likely to, and now never will.

But in life, Taylor seemed to be sunshine personified, imbued with incredible energy and creativity, and ever ready to smile, laugh and have copious quantities of fun.

What’s not to like about all or any of those things, or to aspire to emulate them?

And who says it’s not possible to grieve, in some way or another, for someone you never met?

Not being especially well versed in such matters, I am now wondering whether I need to choose a new spirit animal for myself — but I’m guessing Taylor himself would say: no way.

His spirit will always live on, if we let it.

If we aspire to it.

If we let it shine like Taylor Hawkins did.

The Truth Will Set You Free

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Telling the truth.

It’s a basic building block of society. A moral imperative. Something we raise our kids to do; something we expect of each other. And yet, in an era where Fake News is a real and troublesome thing, it’s good to be reminded every now and then of how important telling the truth acutally is.

Truthfulness, not surprisingly, is one the Divine Qualities mentioned in the Bhagavad Gita, and while I’ve written about truth before, having the opportunity to view all sorts of virtues through a different lens has kept me interested in exploring the Divine Qualities during the course of this year. And, having spent last year focusing on delight in all its myriad and unexpected forms and often finding joy the tiniest of details, it is equally unsuprising to me that a couple of things have happend to me lately that inspired me to view truthfulness via…ballet.

Yes, ballet.

Relax, please relax — I’m not about to include video footage of myself or anyone else explaining truth via interpretative dance.

Rather, the first oddly inspirational thing that happened was that I didn’t go to the Ballet, even though I had planned to see the Australian Ballet’s final Sydney peformance of Counterpointe. The truth, difficult as it was to admit to myself, was that I was simply too tired to go. Circumstances (think sick kids, a bunch of meetings, various deadlines, a whole pile of domestic detritus and an emergency call to the Fire Brigade when my car unexpectedly started spewing petrol from its undercarriage) conspired against me, and I was exhausted.

So I owned it.

And I didn’t go.

I didn’t go, even though I would have genuinely loved to. I didn’t go, despite the fact it meant I missed out on the first live performance I’d planned to see since COVID hit. I didn’t go, which means I haven’t ventured across the Sydney Harbour Bridge in well over a year.

Most importantly, I didn’t go because I was honest with myself — and, as a result, was dressed for bed before the dancers stepped on stage and was slumbering well before the final curtain fell. I deliberately chose not agonise over my decision to stay home, so I slept soundly. I did not succumb to the sickness my kids had brought home, because I consciously prioritised rest. And that meant…drumroll please…that I was free to do the things I wanted to in the days that followed.

It may not sound like much — going to bed instead of going to the ballet — but, if 2020 taught me anything, it was that the little things are often the ones that really count.

Except when you’re Rudolf Nureyev, and then the BIG things count.

And, of course, that brings me to my second inspirational thing: watching Jacqui and David Morris’ 2018 documentary Nureyev. Even though the film has its flaws (when Rachel Saltz reviewed it for the New York Times she noted in her title “His Life was High Drama: this Film Could Use More”), all of the footage depicting Nureyev is transfixing. Regardless of whether he was performing on stage, being interviewed on television, or simply walking down the street, Nureyev commanded attention — and deservedly so.

Nureyev wasn’t just a star, he was more like a comet blazing through the skies.

His story has everything: childhood poverty, Stalinist persecution, rising fame across the Soviet Union, defection to the West at the height of the Cold War, global stardom, tumultuous relationships on and off stage and, finally, death from an AIDS related illness. He was a man in motion, from the moment of his birth — on a train, en route to Siberia in 1938 — and he lived and danced with an instantly recognisable intensity. The documentary does show some archival footage of Nureyev dancing, rehearsing and teaching, and also includes some memorable still photographs taken by Richard Avedon, but somehow the audience is still left wanting more — more Nureyev, more, more more.

And yet, despite its shortcomings, a couple of moments in the film took my breath away.

The first was during an interview, when Dick Cavett asks Nureyev (resplendent in a snakeskin tunic and matching thigh-high platform boots) whether he remembers the first time he knew he wanted to be a dancer. The camera switches to Nureyev’s face, capturing the exact moment when his dark brown eyes begin to gleam as he nods his head slowly, recollecting the occasion, and no doubt the feeling, of knowing that was what he wanted to do.

The truth in this exchange — not verbalised, but demonstrated — is palpable, and beautiful.

The second was when the film explored Nureyev’s defection to the West in 1961, an incredibly dramatic event not particularly well rendered visually in the documentary, but memorable because of the voiceover providing the words of Nureyev himself. Faced with the choice of returning to an uncertain future (and possible imprisonment) in the Soviet Union or remaining in Paris, Nureyev calls on the one person he thinks may be able to help him: French socialite Clara Saint, who at the time was engaged to the son of the French Minister for Culture. It is Clara who alerts the gendarmes at the airport that there is a Soviet dancer who may be wanting to defect, and it is also she who explains to Nureyev what he has to do in order to gain their protection.

You have to tell them what you want to do.

In other words: truth.

You have to tell the truth.

Nureyev then tells the French police:

I want to stay here.

And with those words, the truth set Nureyev free.

Sometimes, truth can be found in the tiniest things.

Other times, it’s in the very greatest things of all.

2020 in Music: Blue Jai’s Top 5

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Most years I am pretty clear about which songs constitute my Top 5 for the year – this is, after all, the only list I produce with any regularity in which the proviso is that any song included on my list has to have been released in the current year.

My problem with my Top 5 for 2020 is that when the world turned upside down (and particularly when it then turned in on itself during the first lockdown), what I listened to ended up being firmly and unashamedly rooted in nostalgia. In the face of such enormous unknowns, I sought refuge in the songs from my teenage years and before. I found myself listening to plenty of songs with fuzzy guitar riffs like Ratcat’s “That Ain’t Bad”, cruisy tunes like The Badloves’ “Green Limousine”, heading back to the inimitable groove of Sam & Dave’s “Soul Man” or going back even further in time to songs like Cannonball Adderley’s “Mercy, Mercy, Mercy”.

It wasn’t accidental, and my trips down memory lane definitely helped me navigate this most troublesome of years.

But there came a point when I had to venture back onto the airwaves and Spotify Playlists I know and love, to connect with the myriad of new releases that artists, also in lockdown, have created in 2020. And from those rich pickings, I present Blue Jai’s Top 5 Songs for 2020.

“Low” by Chet Faker

Just because I feel low, right now

It doesn’t mean all that I’ve got has run out…

I suspect from the moment I heard the opening lines of this song for the first time I knew it would be my favourite of the year. Chet Faker (also known as Nick Murphy) is back, and this song could not have come at a better time. The production on this track is sublime and the lyrics somehow sum up everything about 2020 – I love everything about “Low”. More please, Chet Faker.

“Je disparais dans tes bras” by Christine and the Queens

The entire La Vita Nuova EP from Christine and the Queens is brilliant, right from the plaintive opening song “People I’ve been Sad”, as is the accompanying short film (which I’ve included above, since looking at individual songs on their own doesn’t make as much sense as seeing the entire artistic vision). I probably could have picked any of the songs from this latest offering from multi-lingual Héloïse Letissier and her crew, but I ended up picking “Je disparais dans tes bras” over the title track, “La Vita Nuova” (featuring Caroline Polachek) upon discovering it was one of the songs I listened to most on Spotify this year. If you’ve got a spare fifteen minutes – no, scratch that – find yourself fifteen minutes to watch this film, shot in the beautiful Palais Garnier Opera House in Paris, and immerse yourself in epic choreography and wonderful music.

“Dribble” by SYCCO

SYCCO (which is, of course, pronounced “Psycho”, a moniker apparently inspired by all things psychedelic rather than psychotic) is a Brisbane teenager who, judging from this release, is one to watch. “Dribble” came about when SYCCO was trying to make sense of someone sleep talking, attempting to derive meaning from words that were probably entirely random. The end result is great: catchy melody, driving beat, great song. This one got plenty of airplay at our house and in the car.

“Gold Dust Woman” by Julia Holter

OK, OK…so Julia Holter actually recorded this in 2012, but she released it in 2020, so I’m going to count it in this year’s Top 5. Besides, it’s such a great cover of Fleetwood Mac’s original song that I can’t not let this one through (you can thank me later — the link will take you to audio, not video, but it’s totally worth it). Holter takes Stevie Nicks’ lyrics to an otherworldly place and I honestly couldn’t love this more. Fingers and toes crossed we get from some new music from Julia Holter in the near future; she’s a class act.

“Are You Even Real?” by James Blake

There’s a lot to like about this track from James Blake, who I think is one of the most interesting recording artists on the planet right now. At its core “Are You Even Real?” is a love song, but as with many of Blake’s songs it’s not always easy to tell upon first listen exactly what headspace he’s in: the music and lyrics don’t always line up precisely with the feel of the song. Blake’s “Don’t Miss It” (from 2019) is another great example of this – Cillian Murphy described the lyrics to that song as being “either profoundly sad or profoundly hopeful – perhaps both at the same time”, and that sums up the way I feel about much of James Blake’s music. Ultimately, however, for me one line in “Are You Even Real?” stands out, and is incredibly beautiful:

She runs her hands through my imagination…

I suspect that’s exactly what all great artists do to us when they sing and play, don’t they? And that’s as real as it gets.

So that’s my Top 5 for the year…but here’s some of the best of my nostalgic listening from years gone by to keep your toes tapping and your mood upbeat as we navigate the 2020 Season Finale.

Top 5 Throwbacks for 2020

  • “Red Dress” by the Sugababes (2005)
  • “Dancing Barefoot” by Patti Smith (1979)
  • “She Has to Be Loved” by Jenny Morris (1989)
  • “Peace Frog” by The Doors (1970)
  • “Close But Not Quite” by Everything is Recorded, featuring Sampha

(That last track is brilliant by the way…interweaving Sampha’s ethereal voice with the Curtis Mayfield sample takes it to another level).

So there we have it folks! Blue Jai’s Top 5 in Music for 2020.

Stay tuned for my Top 5 in Books and on Screen, coming soon…

2020: Wrapping Up a Year of Delight?!

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I’m writing this not so long after summarising my December Delights, the posting of which was delayed by the desolation I felt when the beautiful place in which I live went back into lockdown. As time has passed I am learning, yet again, to sit tight without a fight, and to remind myself – as some insightful wag commented – that people from the Northern Beaches have been practicing their whole lives not to leave the Northern Beaches. I am prompted, yet again, to recall how boundlessly fortunate we are to live here: residents of vibrant yet peaceful neighbourhoods, surrounded by abundant natural beauty, and bordered by the mighty Pacific Ocean in all its majesty.

And as I’ve willed myself to turn my attention to delight, I’ve found – as I have consistently observed throughout this yearlong process of observing the delightful – that actively choosing to look for things which inspire wonder and bring me joy, however fleeting, brings me greater contentment and inner peace.

It’s not an unexpected discovery.

But it’s still an insight I will carry with me into the new year, along with a (sometimes ironic) appreciation that even before I had any inkling how 2020 would unfold, I chose to follow and notice delight in all its forms during this year, the most unusual in which I’ve ever had the privilege to live.

I’m also not surprised to see that the majority of the delights I have selected as my Top Five for the year relate back to my First Principles, which I articulated many years ago now in a post I called The Wellspring: words, music and food. To these, I would now add the recognition of delight, in all its forms.

And so, without further ado, here are my most precious delights of 2020…

Fillipé Fridge

Looking back over my year of delights, I notice that there are not many things that have made my list…unless of course they are foodstuffs, such as Chocolate Croissants and Oysters (and yes, those capitals are entirely necessary). But I have to admit there is one thing, one object of considerable bulk and immense importance, that has made its way into my life this year and which did, upon arrival, and has in all the intervening time since, brought me enormous joy and satisfaction.

It’s my new refrigerator.

His name is Fillipé, and he is our brand new sleek stainless steel fridge. I had been wanting him for a very long time, and now that he is here I love everything about him: that the fridge compartment is on top and the freezer drawers are at the bottom, that on the inside he is well lit and glass shelved and spacious, that he is oh so quiet…the list goes on.  Opening Fillipé’s door is always a pleasure…it’s like opening a chocolate box, except my fridge is usually full of fruit and vegetables, and glass bottles standing in gleaming rows, and – well, it’s easy to wax lyrical over something so ordinary when you have a friend like Fillipé Fridge, the most delightful appliance I have ever owned.

Being Alcohol Free

At the time of writing this post, I will have gone without alcohol for almost an entire year.  I kicked off 2020 with a desire to do things differently, and one of the items highest on my list was to reset my relationship with alcohol. You see, I’m a finisher: if a wine bottle is open, I’m highly likely to see it as my civic duty to ensure it’s finished by the end of the evening. This was true even if I was at home alone, enjoying a quiet glass of vino by myself once the kids had gone to bed. Or even before they’d gone to bed. And so, on 1 January 2020, I resolved not to touch a drop of the demon drink and to see how long I lasted.

Well folks, I’ve lasted far, far longer than I thought I would – ALL YEAR! And along the way I discovered, much more swiftly than I ever thought possible, that I really didn’t need alcohol in my life at all. I’m perfectly happy without it, and feel very comfortable with my decision to eliminate it from my life in 2020.  I am also learning to accept other people’s reactions when I say I’d prefer not to have a drink – many and varied as these have been.

I’ve stuck to my decision, feel ever so much better for it (mentally and physically), and that in itself has been a true delight.

Receiving a Negative COVID Test Result

Speaking of being free of things, I would have to say that in 2020 one of the greatest delights you can ever receive is the SMS alerting you to the fact that your most recent COVID test is negative. Given that I am writing this post during a lockdown and waited four hours the other day to get tested (along with eleventy-million other people on the Northern Beaches), I can tell you that receiving the negative result which allows you to venture back out of doors – the wonder, the delight! – is a truly magical thing. You could probably have seen my frenzied fist pump from space.

I should also add that I am also beyond grateful to live in a part of the world where we have excellent access to free of charge testing (Sydneysiders have done over 300,000 tests in the past week – go us!), and that New South Wales also has amazing health workers and contact tracers who go above and beyond to stop the spread of the insidious virus that has turned the world upside down this year.

Cillian Murphy’s Limited Edition

It’s no secret that I am a Cillian Murphy fan – the man is pure class. But in this instance it’s not his brilliant acting that has brought me delight, or his many and varied reading recommendations, but his love of music.  Every so often, BBC Radio 6 asks Cillian to guest DJ – whether it’s filling in for Guy Garvey when Elbow goes on tour or, more recently, when they’ve asked him do a Midnight-2am shift that he prerecords from his basement in Dublin and shares with the rest of the world — and when he does, the results are impressive.

The music Murphy includes in his playlists is a truly eclectic mix, but that suits me down to the ground. In addition to bringing spoken word pieces and music new and old to my ears, I’ve been surprised to hear him throw in bits and pieces I listen to often and had (possibly mistakenly?!) thought were obscure – from Spiritualized’s Ladies and Gentlemen We are Floating in Space to instrumental tracks like Sophie Hutchings’ Tail Lights and so very many more.  Murphy’s musical knowledge is encyclopaedic and I’m always utterly delighted when his playlists pop up on the airwaves.

Sunshine Over Sea

I love living close to the ocean. We are saltwater people around here, folks who revel in the many splendours of the sea. Some of us need to immerse ourselves in it, others are content to sit and look at it, but many of us need to at least catch a glimpse of it as we go about our daily whirl.

One of the delights I have savoured most this year has been driving around a particular bend near where I live, following the road as it curves upward until – at the crest of the hill, not less – the ocean appears and stretches before me in all its glory, all the way to the horizon. Often, at the time of day when I make this journey, the road I’m travelling appears to merge with a vibrant path of sunshine lighting up the surface of the sea. Would that I could keep driving onto that golden road instead of sticking to the tarmac beneath my wheels!

On one particularly memorable drive during this unforgettable (for all the wrong reasons) year, I happened to be listening to Gang of Youths’ song The Deepest Sighs, the Frankest Shadows as I made my morning drive. The music begins quietly enough, but it built to a crescendo just as I drove that curving road and crested the hill, exploding into its chorus as the sunlit ocean overwhelmed my view:

‘Cause not everything means something, honey
So say the unsayable
Say the most human of things
And if everything is temporary
I will bear the unbearable
Terrible triteness of being…

It’s a memory I will cherish, and one that reminds me – almost every time I turn up that hill – that if everything is temporary (and I genuinely suspect it is), then welcoming and noticing delights may well be our best way of anchoring ourselves in the present, of bearing the unbearable, of making sense of this strange thing we call life.

Thank you to @frank_see_fotos for use of this beautiful image.

We all have different ways of making sense of our place and time on this planet, and I thought it fitting to end this post by including a photo capturing the same view I just described that was taken by a friend of mine, whose photography has also brought me delight this year. I asked to share this particular picture because it depicts the glimmering beginnings of the road the sun paints across the sea each day, the one I would love to keep driving onto…but if you check out his Instagram page @frank_see_fotos you can lose yourself in a wealth of images, each one more beautiful than the last. I can’t think of a lovelier way to spend Boxing Day.

Mind yourselves,

BJx