2018: The Year in Music

It’s the final day of the year, and here is my final countdown, too.

Music is practically as essential to me as oxygen, an ever-present part of my life that I am grateful for each and every day. For me, the ability to create and appreciate music is one of the most significant aspects of being human that separates us from all other species on the planet. We are the luckiest of creatures.

So here they are, in no particular order, Blue Jai’s Top 5 Songs of 2018:

1. Superstar by IV League (AUS)

This is the kind of song that makes me feel alive every time I listen to it. There’s something about the guitar-driven sound of this Melbourne-based four piece that makes you want to move (dance on top of a bar even), to sing along at the top of your lungs (though props to you if you can match Bella Venutti’s vocals). Unearthed on Triple J a couple of years ago, these guys know garage rock and they do it damn well.

 

2. The Comedown was Real by Drapht (AUS)

Perth hip hop artist Drapht comes through with this sweet number that gets stuck in your head as much as it gets your toes tapping. There’s a lot to love about this track, not least the lyrics, which are pretty funny and reference everything from John Lennon and Yoko Ono to Tom Cruise’s couch-jumping episode on Oprah. This song never fails to bring a smile to my face.

 

3. All The Time by The Kooks (UK)

I don’t know how many hundred times I’ve listened to this song this year. Somehow it brings together disco with an eighties glam feel and makes something shiny and bright and as close to over the top as you can get without going over the edge. The Kooks have at least three fans in our household of four, and this song from their latest album “Let’s Go Sunshine” gets our vote.

 

4. Bubblin’ by Anderson .Paak (USA)

The story goes that when Anderson .Paak heard the hook that inspired this track it brought his mind straight to James Bond.  In an interview he described Bubblin’ as “some black 007 action adventure high speed chase type of music”, and believe me he delivers just that. I haven’t included the video to this one as it’s not entirely kid friendly, but I can assure you it’s so OTT that it does the song justice. Even the zebra. Especially the zebra.

5. Fool’s Gold by Jack River

This is another song that’s been on high rotation at ours this year, along with a bunch of other tracks from Jack River’s debut album “Sugar Mountain”. I suspect you’d be hard pressed to find a person who couldn’t find one song on that album to like, but I have a soft spot for several of them. This is Aus Pop at it’s best, delivered by the woman who also had the chutzpah to curate the Electric Lady Festival and then turn it into an entire world, “a platform to amplify the strength of women in music, politics, science, sport and beyond.” We need more Jack River!

 

Honourable Mentions this year are perhaps too numerous to mention.  Lana Del Ray’s Mariners Apartment Complex (USA) very nearly made the final cut, but five is five and Jack River snuck in instead.

I have to say that I loved a whole pile of homegrown Australian music in 2018, like Hatchie’s Bad Guy, Gretta Ray’s Radio Silence and Kira Puru’s Molotov, and I’m looking forward to delving deeper into Matt Corby’s, Tash Sultana’s and RÜFÜS DU SOL’s new albums over the summer. I suspect Ziggy Alberts, City Calm Down, Mallrat, Phantastic Ferniture and Baker Boy wil be getting a spin, too.

I’ve also enjoyed songs from elsewhere, like Jungle’s Heavy, California (UK), Grouplove’s Welcome to Your Life (USA), Aurora’s Queendom (Norway), Bill Ryder-Jones’ And Then There’s You, and Poppy Ackroyd’s beautiful instrumental piece Paper (both UK).

And just for fun here a my Top Five Throwbacks for 2018 — oldies but goodies I’ve been getting into again:

  1. Machu Picchu by The Strokes
  2. Country Grammar by Nelly
  3. She’s a Mystery to Me by Roy Orbison
  4. Bad Decisions by Two Door Cinema Club
  5. Revival by Deerhunter

So that’s a wrap for 2018, folks! Hit me with your top tunes…I’m sure to find something I love in the mix.

And all the best for a 2019 full of all the best that can be found in books, on screen and in music.

BJx

 

Sonic Soothing

 

I woke up this morning and knew within a matter of minutes that my over-stuffed brain was not going to allow easy decision making today, crammed as it currently is with details (many and varied) relating to the projects (disparate and deadlined) that I am working on at the moment.

Robby Cavanaugh

Love this image from Robby Cavanaugh…

Don’t get me wrong — I like being busy; in fact I probably feel most alive when I know that I’ve got as many balls in the air as I can realistically manage, when I know I’m keeping those balls up there and am getting it done, when I know that if it was possible to press the cosmic pause button I’d probably stand there, smiling goofily, staring at all those balls of different colours and sizes, suspended in intricate patterns, precisely positioned on their sweeping arcs and curves.

But this morning, I knew that successfully juggling my day required some of my decision-making to be outsourced.

I’m not talking about massive, life-changing decisions, of course — but I am speaking of something that is still very important to me, something essential to each and every day: the soundtrack. And when your First Principles consist of words, music and food, and being true to yourself means aligning yourself with these, you attend to the basics first.

So I reached for the iPad and sound dock, and within a matter of seconds had settled on a playlist someone else, some random stranger (bless them), had put together.

Music surged forth from the speaker. I sighed with relief. Job done.

And I took a moment, then, to consider just how amazing that feat was — because it blows my mind that I live in a technological age on this planet where it’s possible, in the blink of an eye, to enter a musical wonderland of (literally) uncharted tunes, populated by singers and bands and artists I’m yet to discover, far away and free from the confines of commercial radio.

Thank goodness for Spotify.

Praise the Old Gods and the New for Pandora.

All hail the genius who came up with the miraculous algorithm behind Shazam.

Because this is where this age of hyperconnectivity comes into its own, where it really starts to shine: in the sonic spaces. Where you can be listening to Christine and the Queens in one minute, move on to Sigur Rós the next, mellow out with Matt Corby, then listen to a tune or two from Nils Frahm.

Where you travel the world on a soundwave, from France to Iceland to Australia to Germany, without even leaving your workspace.

This is the digital age at its best.

This is sonic soothing.