The THREAD: April 2023

It’s autumn here in the Antipodes. Although the days are still pleasantly warm enough, the nights are starting to cool down. Sleep comes easier at this time of year. The summer doona is back in the linen press, replaced with a warmer one that always reminds me of a cloud — so much that changing the sheets makes me feel happy.

There many aspects of autumn that I love, but one of the best things about this time of year is that the ocean temperature is still delightfully warm, and the beaches are less crowded. An April dip in the Pacific brings me a quiet sort of joy. Sometimes I think autumn in Sydney might be a reward for surviving the drooping humidity of late summer.

But enough rambling on about the season. Even though we have just slipped into May, it’s time for the April THREAD.

THINK | HEAR | READ | EAT | ADMIRE | DO

It was ANZAC Day last week, so I’ve been thinking about my grandfather, who served in the Royal Australian Navy during World War Two and was present in Toyko Bay when the Japanese signed the surrender ending that awful conflict. We went to a small Dawn Service on April 25th at the caravan park at Seal Rocks, to which we had escaped for a couple of days to cap off the Easter holidays. It was a solemn and simple commemoration: a couple of school kids reading short reflection on the bravery of the ANZACs and the Ode, then a trumpeter playing the Last Post. There was a minute’s silence before he continued with the Reveille, followed by the beautiful and moving sight of a lone uniformed horseman with an Australian flag paying tribute to the Light Horsemen who served in World War One, riding along the beach as the sun rose over the sea.

I wondered, as I stood there, my hands cradling a candle in a paper cup, whether my grandfather had seen Seal Rocks from his ship when he sailed back to Sydney Harbour, having survived the war in the Pacific with all its horrors — not least of which were the infamous kamikaze pilots. Perhaps he saw the coastline, crowned by the lighthouse that has warned ships away from the rocks since 1875. Maybe he didn’t — and it really doesn’t matter. I felt gratitude as I stood there, surrounded by my family and by strangers. There were people of all generations, from well dressed retirees to kids still in their pajamas and dressing gowns, all gathered to remember those who served, especially the fallen, and to pay our respects to those who continue to serve. It also felt distinctly Australian, perhaps because as we sang the first part of the National Anthem I felt all of us there knew exactly what it feels like to be girt by sea, or maybe because despite the solemnity of the occasion the vast majority of us in attendance were wearing thongs or ugg boots or no shoes at all.

At the going down of the sun, and in the morning, we will remember them. Lest we forget.

Ahhh…moving on. Because we’ve had a few hours in the car getting to and from Seal Rocks, I’ve been hearing a couple of podcasts The Bloke has been listening to lately. The first one is called Billy Joel A to Z, a podcast by a couple of comedians called Elon Altman and Dave Juskow who happen to love Billy Joel songs and have decided to go through all 121 songs he recorded from A to Z — or, more accurately perhaps, from A Matter of Trust to Zanzibar. I’d never heard any of it before, so landed where The Bloke was up to (towards the end of the F’s), and found it entertaining enough. It seems I made the same complaint many listeners do, which is that they do not play the song they are talking about at the beginning of each episode — though given licencing laws I can understand why. Some of the content is genuinely funny, especially the song parodies they come up with, and if you’re a fan of Billy Joel’s music, it’s worth a listen. That said, I would also recommend listening to the specific song they are dissecting before each episode so it makes more sense.

Since the NBA Playoffs are upon us and The Bloke is a big basketball fan, we also listened to the latest installment of The Mismatch. Fortunately, I’ve been watching some of the game highlights on YouTube so was familiar with some of the big topics covered (not least of which was Draymond Green’s suspension), but at the end of the episode it came out that their theme song was recorded by Father John Misty, which led us down a rabbithole of his songs — kicking off with Mr Tillman, which has the kids and I have counted as a favourite for quite a while but The Bloke had never heard, until we found ourselves pulling into our driveway at home.

I mentioned during the March THREAD that I had just finished reading Ian McEwan’s book Lessons, which explores — in a significant amount of detail — the life story of one Roland Baines, starting from his primary school days at an English boarding school and finishing when he has become a grandfather. Beejay Silcox summed the novel up well in her review for The Guardian:

McEwan’s 17th novel is old-fashioned, digressive and indulgently long; the hero is a gold-plated ditherer, and the story opens with a teenage wank (few books are improved by an achingly sentimental wank). But Lessons is also deeply generous. It’s compassionate and gentle, and so bereft of cynicism it feels almost radical. Can earnestness be a form of literary rebellion?

I’m still not sure whether I enjoyed Lessons. It’s densely written, full of allusions and references (if you care to pick them all up), and of historical and socio-political detail (frequently from more than one point of view). I will admit, however, that since I finished reading it I have thought about passages in the book often — particularly in relation to women and the creation of art. As McEwan writes towards the end of Lessons: “The larger subject was the ruthlessness of artists. Do we forgive or ignore their single-mindedness or cruelty in the service of their art? And are we more tolerant the greater the art?” This is a question that makes me wonder about my own creativity, because although I may possess a room of my own (or more accurately, passageway?!) à la Virginia Woolf, I know I do not possess the sort of ruthlessness portrayed by Roland’s first wife in Lessons. Does that mean I will never create something great? I wonder…

Not surprisingly, after reading Lessons, I needed something entirely different — and so devoured Samantha Shannon’s epic A Day of Fallen Night, which returns to the same fantasy world of The Priory of the Orange Tree. Happily, it did the job I needed it to.

As part of our return to menu planning, we have been eating some old favourites and some new creations lately. After ordering a massive box of green vegetables when my usual fruit and vegetable delivery was on a hiatus, I made a silverbeet version of what was meant to be Spinach and Feta Pie, based on a recipe from Jamie Oliver. I’ve not used filo pastry for ages, and forgot how versatile it is, not to mention how crispy and tasty. The kids told me this one definitely needs to be added to the list, along with various other favourites like Beef and Bean Nachos, Satay Chicken and good old reliable Spag Bol.

I also made a batch of passionfruit and pear muffins this week. These were intended to be blueberry muffins, but upon opening the freezer I discovered that Miss Malaprop her helped herself to a bag and a half of frozen blueberries while making smoothie bowls. Necessity is the mother of invention, as they say, and the pears were on the verge of being relegated to being thrown out or turned into crumble, so…yeah. At least we had something to go into lunch boxes until the next lot of blueberries arrived.

I have been admiring the resilience of my dear little cat, Tauriel, lately. She had emergency abdominal surgery just before Easter, having (very unfortunately) blocked her own bowel with a furball. Despite being in obvious discomfort — not to mention slightly off her head on methadone and fentanyl — she has patiently endured the post-operative recovery process, with all its vet visits and oral antibiotics (I only got scratched once). Since being given the all clear to return to her regular feline pursuits, Tauriel has been rather more affectionate than usual and has even given me her version of a hug. Truly heartwarming stuff.

My admiration has also been kindled by a dear family friend of ours, Valda, who was experiencing some health issues recently and subsequently received an unexpected and unpleasant diagnosis. She has displayed great dignity and calm as she faces this challenge — which, upon reflection, is hardly surprising, because as for as far back as I can remember she has been a dignified and calm person. She also has a wonderful sense of humour, which I sincerely hope serves her well in the coming weeks and months, and she has always been very kind to me and mine — so fingers crossed some exceptionally good karma is coming her way.

And that brings us, as always, to doing, and also returns this post back to where it started — at Seal Rocks. After having a great initial experience in the surf at our local break in late January, I mused one evening that I might like The Bloke to teach me how to surf when we went for our ANZAC Day getaway up the coast. He, having being provided with this flimsiest of excuses, decided this would be a great opportunity to purchase (yet another) surfboard for our burgeoning collection — a foam topped one for beginners of my size and (lack of) ability.

On our first day at Seal Rocks, the surf was too big for beginners such as myself. But on the second day, The Bloke deemed the conditions to be more manageable and decided it would be a good time to take me and my new blue board and push us out to sea. The water was very clear, and the most beautiful shade of turquoise I’ve seen in a long time. It was also reasonably warm, but a little bit dumpy. Friends — I had a go. Not a particularly successful go, given I grazed both my knees on the surface of my new board (which turned out to be a weird combination of rough and slippery). Sadly, I did not manage to stand up on the board a single time without immediately pitching sideways into the surf. Then, having experienced the excruciating ignominy of attempting to paddle back out to the break and discovering that — despite my genuinely best efforts — the board was travelling backwards through the water instead of forwards, I was forced to make a demeaning retreat to the sand and walk along the beach beforing attempting to catch one more wave.

I ended up riding that last wave in on my belly, boogie board style, to The Bloke’s (probably) eternal shame. Clearly, I did not cover myself in any kind of glory, but lived instead to tell the tale — however humiliating. That said, I have not given up and to my immense surprise, my ego has rebounded from the experience far more swiftly than I thought it would. I will, despite my relatively ancient age to be taking up such pursuits, try surfing again at some point…most likely when The Bloke is next willing to suffer through what will likely be yet another embarrassing spectacle. Such is life?!

Anyway, that brings us to the end of the April THREAD.

I would love to hear what you’ve been up to and what you’ve been consuming — via ears, eyes, mouth or any combination of these.

Until next time, mind yourselves.

BJx

The THREAD: March 2023

I’m not entirely sure who said it (though I strongly suspect it was C S Lewis), but there’s an old saying that goes something like this:

Isn’t it funny how day by day nothing changes, but when you look back everything is different?

It doesn’t feel like more than a month has gone by since I sat down and wrote the first of these THREAD posts, but here I am again. Only a few weeks ago that I was musing about raising teenagers, reading Jonathan Franzen and reminiscing about our (now far less) recent trip to New Zealand. That holiday feels like an eternity ago, now we are well and truly in the swing of all things school and work.

Since it’s been a busy month, I’ve got a bunch of things buzzing around in my head — so best to let them out.

THINK | HEAR | READ | EAT | ADMIRE | DO

This month I have been Thinking about the imminent retirement of Adam Bull from the Australian Ballet. I have genuinely enjoyed watching him dance over the years, and am sorry the blasted pandemic meant I had to put my ballet subscription on hold, meaning I will probably not get to see him take the stage again. I’ve never been a dancer (my body favours sporty stuff rather than the life balletic), but I have come to love and appreciate the athleticism, grace beauty of both classical and contemporary ballet. I will be sad to see Adam Bull’s tall and striking figure leave the company after more than two decades, but am grateful to have seen him perform.

I’ve also been thinking about how various artforms inform and inspire each other, largely because I have just finished reading Maggie O’Farrell’s book The Marriage Portrait. The novel opens with Lucrezia de’ Medici, Duchess of Ferrara realising — on page one, no less — that her husband intends to murder her, and that the portrait he has commissioned of her is being painted in isolated castello precisely because that is where he intends to carry out the fell deed without anyone realising or interfering. Needless to say, I was pretty much hooked from the initial paragraphs and finished the book in a night.

The painting which inspired the novel is generally attributed to Florentine artist Agnolo Bronzino, and also served as the stimulus for Robert Browning’s poem “My Last Duchess”. Like O’Farrell’s novel, the poem has an equally memorable opening:

“That’s my last Duchess painted on the wall,/Looking as if she were alive.”

When I first looked at Bronzino’s portrait, I was struck by how modern Lucrezia appears — and how worldly, despite her youth. She did not survive her marriage to the Duke of Ferrara, and died suddenly at the age of 16. Lucrezia’s dress in the painting might be dreadfully outmoded, but her expression is intelligent and her gaze direct. I went down quite the rabbithole trying to figure out who she reminded me of, and stumbled across this comparison, which seemed rather apt:

Fortunately, Anya Taylor-Joy is very much alive, and I suspect she’d do a great job of playing Lucrezia de’ Medici if The Marriage Portrait ever made it to the big screen — much like Scarlett Johansson did in Girl with a Pearl Earring, which was based on Tracy Chevalier’s novel of the same name, which in turn was inspired by the painting by Johannes Vermeer. Or how Adam Bull played the Prince in Tchaikovsky’s ballet The Sleeping Beauty, which was based on the fairy tales of Charles Perrault.

Is everything created somehow borrowed, rather than brand new? I’m not sure…but it’s certainly given me a lot to think about.

I finally got around to Hearing this interview Helen Garner gave Annabel Crabb late last year. Recorded to mark the occasion of Garner’s 80th birthday, it is a thought provoking hour of insights into the life of artists generally and writers particularly. I suspect one of the main reasons I enjoyed listening to this so much was that this particular interview was a discussion between two women I admire (and whose general vocabulary I covet). Then again, in my experience it is always pleasurable to listen to intelligent, articulate and opinionated people discuss…things. Anything, really. If they are speaking of something about which you know nothing, you have the opportunity to learn something new. Perhaps more importantly, if they are discussing something with which you are familiar, you may gain a fresh perpsective or better understanding of someone else’s point of view.

In any case, Garner spoke candidly about many things, including the self-doubt which plagues her whenever she is writing something new, the book she believes to be her worst, her views on feminism, the controversy provoked by The First Stone and her understanding of how and why that particular storm erupted and how it appears differently to her now. She also talked about her numerous journals, leading Crabb to extract a promise from her not to burn any more of them. I found the interview thoroughly entertaining — much as I did Garner’s book Everywhere I Look, which just so happens to contain a superb extended essay about the Australian Ballet.

In addition to Maggie O’Farrell’s The Marriage Portrait, I have been doing quite a lot of Reading lately. Truly excitingly, I strongly suspect some of the books I have read lately are Great Books (and yes, those capitals are Definitely Required). Last weekend I finished reading Ian McEwan’s lastest, Lessons, which was brilliant but requires further reflection before I write about it. A few weeks ago, however, I finished Shehan Karunatilaka’s outstanding novel The Seven Moons of Maali Almeida, which won the 2022 Booker Prize. This book got under my skin, and well and truly into my subconscious. Quite literally, I found myself dreaming things based on the pages I had read before I went to sleep — and, not surprisingly given the novel details the post-mortem exploits of a war photographer, they were not particularly pleasant things.

The Seven Moons of Maali Almeida is both a ghost story and a murder mystery, but is neither in the traditional sense. Set against the backdrop of the Sri Lankan Civil War, the novel demands you engage with all sorts of things including politics, religion, gender, class, friendship and family dynamics — the works. Despite concerning the exploits of a dead photographer during his first week an the Afterlife populated by supernatural beings, the book brims with roiling mass of humanity. This is a novel of colour and movement, peppered with dialects and idiomatic speech, bursts of hilarity and moments of adroitly observed insight, like this one:

Evil is not what we should fear. Creatures with power acting in their own interest: that is what should make us shudder.

I highly recommend The Seven Moons of Maali Almeida. A word to the wise, however: if you do choose to read it, really go with it. Suspend your disbelief and you’ll be in for quite a ride.

I next read Leigh Bardugo’s book Hell Bent, her sequel to Ninth House. Even though this is a fantasy novel with substantial supernatural elements, reading Hell Bent after The Seven Moons of Maali Almeida felt like returning to a reassuringly familiar world: not only is the geographical setting real, but the temporal setting is also close to present day. Additionally, the main characters are distinctly human…until they’re not. No spoilers here! Though I’m genuinely looking foward to the next instalment of Galaxy Stern’s adventures.

In terms of Eating, I’ve been getting a lot more organised and have resumed menu planning. Not only does this save me time and reduces my mental load, but it also boosts the variety factor when it comes to family meals. The added benefit of posting the week’s menu ahead of time is that other family members can also pitch in and start meal prepping if needs be (not that this has ever happened…I live in hope). Knowing I have increased work commitments coming up next term, I am making an effort to get into good habits now and and am reminding myself of meals I can cook ahead or dinners that are “one pot wonders”. In this vein I’ve also been calling to mind various traybake recipes, and have been figuring out what (other than muffins) I can make as lunchbox treats.

Since we’ve had a long hot March, we’re still enjoying our salad days — especially the salads featured in Hetty McKinnon’s brilliant cookbook Community: Salad Recipes from Arthur Street Kitchen. I don’t think I own a single coobook I have made more meals from than this one, and our most recent discovery from this gem is Pumpkin with Chickpeas, Toasted Coconut and Lemon Tahini (except we ditched the Lemon Tahini dressing in favour or a bit of extra lime juice). It’s a Fijian inspired salad, packed with fabulous flavours and topped with the satisfying crunch of toasted pepitas. It’s also truly delicious.

Admiring is one of my favourite sections of the THREAD, and this month I cannot go past the brilliantly and blackly comic television show Bad Sisters. Set in present day Dublin and featuring five sisters, the first episode features the funeral of John Paul — husband of the second eldest of the Garvey sisters, Grace. It turns out JP, during his life, was quite a piece of work (abusive, controlling, manipulative and generally nasty) so it may come as no surprise that the storyline flip flops between the past — during which all four of Grace’s sisters have some sort of a go at bumping off their evil brother-in-law to rescue their sister and niece — and the present, when a harried and hapless insurance agent is desperately trying to prove JP’s death has been caused by the Garvey sisters’ foul play so he does not have to pay out a life insurance claim. It is not immediately apparent who or what has killed John Paul, but the show is so darkly funny and entertaining that Marvel Girl and I binged the ten episodes over the course of a single weekend.

Back at the beginning of the month I also found myself admiring the glorious scenery that forms the backdrop to Yellowstone. I had been putting off watching Season 6 of this fabulous show, because I didn’t want to watch an episode a week. (I also suspect I was feeling slightly superstitious about watching the most recent season because I watched the other five while I was isolating when I had COVID, and a fresh wave was hitting around the time Season 6 came out). In any case, I adore the scenery in the show — which could probably, given how many people fight over the land in Yellowstone, be counted as a character in itself — particularly as it reminds me of the country near where I spent part of my childhood when our family moved to Canada for a couple of years. So, as it turns out, I watch Yellowstone the nostalgia it evokes for me just as much as the drama — and for Kelly Reilly’s vivid portrayal of badass Beth Dutton. Just as an aside — did you know Kelly Reilly is English? Her accent in the show is pretty tight.

And that brings us, as always, to Doing, though this month one of the main things I have been doing is waiting for and then celebrating the return of another stellar television series: Ted Lasso. Season 3 is landing at last, and not a moment too soon! There are so many things that I (along with the rest of the known world) love about Ted Lasso. The writing is so sharp it sparkles, and the performances — especially now we are three seasons in — are so well-honed they truly shine. Rather than fangirling at length over the cast, because I can’t think of a single one of them I don’t love, let’s just leave it by saying there are so many lines from this show that have found their way into our family’s daily vocabulary — not least of which is simply, “Oi!” — that I can’t imagine life without Ted Lasso. It’s that good.

Other things I have been doing have included making a concerted effort to maintain good hydration and to keep stringing together sessions with my personal trainer. PT sessions are easier to keep up with (you schedule regular sessions, you turn up: “Simples” as the meerkats say). Drinking enough water? You’d think it would be so straightforward, but making and sustaining this habit is taking me longer than I expected. I am incredibly grateful to my girls, who thoughtfully presented me with a large Ravenclaw drinkbottle for my birthday, because I now try to chug my way through this several times a day. I’m getting better with hydration, and I’m deadset sure it will be worth the effort, so…go me?!

Anyway, we’ve reached the end of the THREAD for March 2023. Like a piece of string, I’m never sure how long it’s going to be and this one has been a bit of an epic, (so good on you if you’ve stuck with me and got this far), so my head is definitely less “buzzy” than it was when I started. As always, I’d love to hear what’s buzzing around in your head or what you’ve been THREADing your way through, so leave a comment if you’d like to.

Until next time, mind yourselves!

BJx