Drinking White Wine in the Sun…

I…really like Christmas…it’s sentimental, I know, but I just really like it…

I’m one of those people who really gets into Christmas. I look forward to it — can’t get enough of decorating the tree, wrapping presents, creating table centrepieces and playing carols.

Every year we pick a different colour theme to use throughout the house, from the wreath on the door to the baubles on the tree, not to mention the wrapping on the presents beneath it. Somehow it seems to make Christmas fresh and shiny and new each year, and we know from the colours exactly which year it was whenever we look back at the photographs.

But yesterday I got a text from a very dear friend proclaiming that she is already over Christmas — that she can’t wait for it to be through.

And I realised, not for the first time this Christmas, that I’m one of the lucky ones.

Every single one of my living blood relatives resides in the same city as me. Just about all of our marriages are all still intact, some of them after more than forty years. And while I wouldn’t describe the vast majority of my family members as normal (whatever that means), we still all speak to each other…well, most of the time, anyway.

I do know just how lucky I am. I’ve celebrated Christmas thousands of miles from home and family members, and spent my childhood celebrating it twice as a result of my grandparents’ divorce — or three times if we made the long trek up the Pacific Highway to do it all again with my relatives in Queensland too.

Looking around at my circle of friends I see so many dear ones who have made Australia their home, and who still have family elsewhere. I know that at Christmas their thoughts will inevitably turn to England, Scotland, Ireland, the Netherlands, the United States, South Africa, New Zealand, Poland, Austria, Brazil…and I also know that however much we love it, Australia is a long way from most other places.

Wherever you are and whatever you face, these are the people who make you feel safe in this world…

I can’t take away the distance, or whatever dysfunction might affect your family situation this Christmas. But it is my fervent hope that you get to celebrate with the people you love, who mean something to you, regardless of whether they are related to you or not.

What I can do is share with you my favourite Christmas song.  It’s not a carol — but a beautiful, irreverent, heartfelt piece by the inimitable Tim Minchin. For me, it captures the spirit of Christmas in Australia, and sums up the way my family celebrates each year.

I can’t watch it through without tearing up.

But if you’re on your own this Christmas, or if your family situation is fractured or somehow faulty, or if you’re nine thousand miles from the people who dared to bring you into this world and gave you the courage to roam it, or if you are lucky enough celebrate Christmas surrounded by the people you love, or whatever your circumstances are — this is for you.

And me? The Bloke? Marvel Girl and Miss Malaprop?

We’ll be seeing my Dad, my brother and sister-in-law, my nieces and Mum…we’ll be drinking white wine in the sun…

Sprechen Sie Liebe?

Darth Christmas

‘Tis the season, people…

‘Tis the season…so they say.

The season of attending a seemingly endless whirl of Christmas parties and festive functions involving various degrees of fun, stress, inebriation and/or sugar.

The season of juggling multiple (not to mention competing) schedules to ensure that everyone gets to their ballet concerts, client drinks, end of year school assemblies and only Rudolph knows what else — and woe betide you if you forgot to charge your phone and failed to video your offspring’s rousing rendition of Jingle Bells for the grandparents to watch later.

And the season of wondering just how Marvel Girl’s school managed to schedule a swimming carnival and a carols night on the same date…and of trying to remember to smile (rather than grin fixedly or simply scream) when Santa Claus turns up on a trailer with a sack filled with brightly coloured lollipops to hand to your already delirious preschooler a full hour after her bedtime…

Elves

One for my bookclub lovelies…

It really is the season, the silliest of seasons, perhaps…but in amongst all the absurdity and there’s still a lot to be thankful for:

I remain (eternally) grateful, for example, that the lovely ladies in my book club are all firmly of the view that licensed premises are the best place to convene our meetings — particularly if there’s a courtesy bus to take us home.  Every last one of us will put up with our husbands’ japes about our reading glasses having stems rather than lenses if we can be left to talk about our…er, um, chosen book — yes, I’m sure it was a book we were discussing —  every six weeks or so, no matter what time of year it is.

Nov-Dec 2015 020

Nobody likes a half-assed jingler…part of my Christmas wall in my kitchen.

 

I am equally glad that Christmas gives me a brilliant excuse to indulge my love of cheap and tacky decorations and to bedeck my home with banners, candles, baubles, wreaths and whatever else we have to hand.  I love that my little Miss Malaprop reminds me most days in December that “there’s no such thing as too much tinsel!”, but I am also quite relieved that Marvel Girl was prepared to change the tone of her letter to Santa so it didn’t bear quite so much resemblance to a solicitor’s letter of demand.

I am definitely appreciative of the fact that my children are learning to verbalise what they are feeling at this time of year: from the dizzying, wondrous, joyfilled, frequently candy-cane fuelled heights, right down to the despairing depths of the massively over-tired, over-excited, and over-just about everything.

fabulous

It’s easy to run out of steam, riding the Christmas Crazy Train…

I will admit that my heart did break a little bit this morning when a pair of mournful greeny-blue eyes looked up at mine and Miss Malaprop confessed that “her love tank was not very full”: it seems that riding the Christmas Crazy Train isn’t always easy, especially for small people desperately counting down the days until the arrival of one S Claus.

But I am also grateful that she spoke up, so I was able to surprise her with a love-tank filling visit to The Kitchen Nook, her favourite cafe to hang out in before preschool, and that upon arriving there we simply sat down and were presented with our regular order (one life-preserving long black, one not-so-hot chocolate) with a smile and a nod — without even having to ask for it.

It’s the little things, people…they don’t go unnoticed, and they count — regardless of the season.

Because that’s all it took, really: it may not seem like much, but a few minutes spent sitting together in a welcoming cafe, sipping our drinks and having a bit of a chat was all that was required to help us rediscover our Christmas spirit.

Tinsel

Spend time, speak love…

And when you strip away all the parties and presents, the baubles and the bling, and even the tinsel, that’s what this season is really about: spending time with people you love, and making sure that you’re speaking the same language.

So — sprechen sie liebe?

Parlez-vous l’amour?

Do you? Go on…’tis the season.

 

 

 

The Healing Power of Disco

Disco ball

Disco, kids’ tantrums and crime drama? It’ll all make sense soon…

So I’ve discovered a new phenomenon this week: the healing power of disco. It has been a two phase discovery — partly inspired by a mega-meltdown from Miss Malaprop, and the rest by Stellan Skarsgård’s mesmerising performance of a police officer grappling with mental illness and the murder of his partner in River.

Yeah, I know: disco, a child’s tantrum and a crime drama are not usually things that get mentioned in the same sentence, but bear with me here — even if it’s only because the silly season officially starts today.

To be honest, it was watching River that came first, and provided me with the inspiration for dealing slightly differently with Miss Malaprop’s apocalyptic outburst yesterday morning (OK, it probably wasn’t quite that bad…it just felt like it at the time).

River is definitely not your average police procedural — it’s far too psychological and, dare I say it, Shakespearian for that. And despite the fact that Swedish Skarsgård plays the lead (and is in virtually every scene of the series’ six episodes), it’s not a Scandinavian crime drama either. Brilliantly and elegantly written by Abi Morgan, it’s a BBC production that follows the increasingly unstable detective John River (Skarsgård, obviously), who is — quite literally — haunted by his partner, Stevie (Nicola Walker), as he attempts to unravel who was responsible for her murder, a traumatic event he had the misfortune to witness.

River

Stellan Skarsgård and Nicola Walker at their brilliant best in River: “Madness can bring its own kind of clarity”, but a bit of Disco helps…

It’s compelling viewing, as dark and disturbed as River’s own mental state, yet punctuated with moments of startling insight into the beauty and fragility of humanity. And over the top of it all? A sparkling soundtrack full of the disco hits Stevie loved.

Oh I love to love…but my baby just loves to dance, he wants to dance, he loves to dance, he’s got to dance…

I’m not going to say any more about what happens to River, other than to say that I think the series is so good it probably deserves multiple viewings, that I am in total agreement with Michael Hogan’s assessment of Skarsgård’s handling of the final episode:

Skarsgård delivered a powerhouse performance: sad and soulful in one scene, sardonically spiky and manically energetic in the next. With his craggy face and crumpled demeanour, the haunted detective has prowled the streets of east London like a wounded bear, pawing at thin air as he pursued his prey.

Oh — I should probably also mention that since watching River, The Bloke and I have been humming disco anthems for at least a week now. And smiling at each other when we do. Not just because we know that we’re both remembering how Stevie made River smile when she sang along to disco songs while they drove around East London, but because it’s really hard to be grumpy when there’s disco in the house.

And that, of course, brings me to the god-awful Gotham morning I had with Miss Malaprop: what do you do when your younger child, sleep-deprived and still sugar-high after her very first camping trip, completely loses it before preschool?

Disco kitchen

Disco: my new remedy for counteracting meltdowns.

You dig out the Greatest Hits of Boney M, that’s what you do. Because it really is hard to be grumpy when there’s disco in the house.

Admittedly, it did take a little while, a whole lot of hugs (plus a hot chocolate with big AND small marshmallows), but before too long, Boney M were working their disco magic in my kitchen. And before long, there were smiles all around.

So this silly season, if the need arises, give it a spin at your house and embrace the healing power of disco…you may even discover yourself asking Santa to bring you a mirror ball to add some extra sparkle to your kitchen this Christmas.

Oh I love to love…but my baby just loves to dance, he wants to dance, he loves to dance, he’s got to dance…

Best wishes for surviving the silly season from Blue Jai.

And good luck trying to get that song out of your head now, too…

 

The Well-Daemoned Creative

EudaimoniaThe Ancient Greeks, it seems to me, knew stuff.

Lots of stuff.

Especially the sort of stuff that goes on inside human heads. In fact, thousands of years ago, they had sorted out more stuff than I can even imagine (and, as Han Solo once said to Luke Skywalker, I can imagine a quite a bit).

And they also had words for things to explain just how well they understood stuff — amazing words like eudaimonia. Sure, it might be a bit of mouthful to the average English speaking Joe or Jai, but when I discovered the word (this morning, straight after the courier delivered a parcel of books to my front door), I felt those teeny tiny hairs on the back of my neck rise. In a good way, people.

Eudaimonia translates as “human flourishing”, and was used in ancient Greece to describe the highest degree of happiness, a state of being characterised by not only by happiness itself, but also by health and prosperity. Sounds good, doesn’t it?

But it’s the etymology of the word that gives my inner geek the tingles: it comes from the Greek words eu, meaning ‘good’ and daimon, meaning ‘guardian spirit’. And the exciting part, as Elizabeth Gilbert explains in her book Big Magic, is that when you put those words together you get “well-daemoned”, or “nicely taken care of by some external divine creative spirit guide”. (And, yes, you now have to imagine me delivering my best Molly Meldrum impression when I tell you to do yourself a favour and get a copy of Big Magic…it’s an absorbing read).

But, as usual, I digress — let’s get back to eudaimonia. The idea that creative inspiration is something external to one’s self is not unique to the Greeks. The Romans, those other giants of the ancient world, also externalised the concept. As Gilbert says:

The Romans had a specific term for that helpful house elf. They called it your genius — your guardian deity, the conduit of your inspiration. Which is to say, the Romans didn’t believe that an exceptionally gifted person was a genius; they believed that an exceptionally gifted person had a genius.

In this ego-driven twenty-first century world, the ancient perspective is remarkably refreshing: that creativity is bestowed, by a genius the artist might be obliged to thank for the inspiration. Or, conversely, should the artist’s work be found somehow lacking, the same genius could be called upon to take some of the blame. Takes the pressure off, doesn’t it, creative types? Pesky old ego is removed from the equation…and, in Gilbert’s words once again, the artist is protected: “Protected from the corrupting influence of praise. Protected from the corrosive effects of shame.”

Inside JobBut there is a catch.

(You know there always is).

In order to get close to anything resembling eudaimonia, this highest level of human happiness, you have to do the hard yards too. It’s not as simple as having some Jiminy Cricket-like muse sitting on your shoulder telling you what to do — there’s not much point in having an external creative spirit guiding your creative pursuits if you don’t actively pursue them. Not surprisingly, human flourishing doesn’t just happen: it demands that we show up, that we find time, that we live authentically — in alignment with those things that make us our best selves.

 

AristotleAnyone who creates regularly and deliberately will tell you that yes, there are those fabled golden moments when whatever you are creating flows from you effortlessly. They are magical moments, and I do mean that literally. But the point is you have to be there, already creating, for those moments to happen. And no one can do that for you. You have to have the courage to do it for yourself.

It’s about following your passion, in whatever small moments are available to you. It’s about discovering, as Aristotle suggested, where the needs of the world and your talents intersect, and finding your vocation. Don’t get me wrong — I’m not advocating chucking in your job, leaving your family or withdrawing from society to pursue the creative: my strong suspicion is that you can’t get close to eudaimonia unless you’re actively involved in all those things, and in whatever you are inspired to create.

So find the time, if you can, to do what makes your soul sing.

ScrapsListen to that funny little guardian spirit — the one who has either been waiting patiently for you, or has been yammering away at you to do something for so long that it might just fall off your shoulder in shock when you finally pick up that paintbrush, or write that poem, or sew that dress.

Let’s honour creativity and make it an essential part of our lives — for our happiness, health and prosperity.

Let’s be more than humans being.

Let’s become humans flourishing.

 

 

 

Up Down Funky World

Easter falls at an odd time of year here in the Great Southern Land.  Instead of being filled with green growth and the tweets, cheeps and bleats that herald the coming of spring, we’re starting to feel the first cold snaps of autumn.  The pagan seasonal rituals that morphed into the major festivals of the Christian calendar are turned on their head here — it’s an Up Down Funky World, to quote Miss Malaprop (with apologies to Mark Ronson and Bruno Mars for her latest mondegreen). Not that we mind: we have our own traditions and ways of making Easter relevant, despite the seasonal imbalance, and they don’t all involve The Bunny.

Now, I’m not one to bang on about matters of religion — what you believe is your business, what I believe is mine — but here are a couple of the things that have made Easter special, in the true Bruce McAvaney sense of the word, for us this year.

March 2015 044Topping the list is our inaugural family outing to the Royal Easter Show, giving our girls their first taste of what happens when carnies and country folk collide. We wandered through a whirl of colour and light, taking in the giant fruit pictures (all Centenary of ANZAC themed this year) and the intricately decorated cakes before moving onto the animals: the cows and bulls, the goats and pigs, the dogs and cats. The kids had their first look at dressage and competitive woodchopping, tasted their first fairy floss, bought their first showbags (the Frozen bag for Miss Malaprop, while my Marvel Girl naturally chose the Avengers Assemble one).

While The Bloke went in search of the bratwurst and sauerkraut hot dog stall he frequents every time we go to the Show, the girls and I found a shady green space to relax near the Sydney Olympic Stadium, which neither of them had ever seen before. I found myself reminiscing about the old showgrounds at Moore Park before they were revamped into Fox Studios, remembering crowded laneways and redbrick pavilions where you could get separated from your parents in the crush faster than you could say “Bertie Beetle”, but knowing full well that getting lost at the Easter Show was a rite of passage for most kids growing up in Sydney during the 1980s. As I eyed the wrist bands displaying my mobile phone number that my children had been tagged with upon entering the Homebush showgrounds, I couldn’t help but think how much times have changed — probably for the better.

Easter PrizeSpeaking of changing times, the second tradition we upheld this year is a relatively new one for us: attending the Easter Hat Parade at Marvel Girl’s school. Not surprisingly, the Easter Hat Parade is exactly like it sounds: a parade of all the kindergarten children wearing Easter hats they (or more likely their parents) have created. Miss Malaprop was suitably impressed by the various bonnets from her vantage point on the sidelines, but even she knew that the main event came after the Parade: the drawing of the near-legendary Easter Raffle. First Prize in the Easter Raffle is usually so big that the box of chocolate and soft bunny toys is nearly impossible to carry, and the name of child who wins it is repeated reverently for years to come.

This year, Marvel Girl didn’t take home the Big One, but she did end up winning fourth prize, a box stuffed so full of chocolate rabbits and eggs that I was forced to explain that The Bunny doesn’t bring quite so much on Easter Sunday to kids who have been lucky enough to take home such a huge haul. What did please me, however, was the selfless generosity Marvel Girl displayed having won such a big prize: she gave away about half the chocolate she had won, and shared the rest of it with the family — even giving Miss Malaprop the egg in the Wonder Woman box she had been coveting since the second she saw it.

Easter TreeBut then, not to be outdone, it was Miss Malaprop’s turn to surprise me when she requested that we make an Easter Tree. Her reasoning, of course, was that Santa knew where to put presents at Christmas because we had a Christmas Tree, so wouldn’t it be easier if we made the Easter Bunny an Easter Tree so he would know where to put the eggs? We spent a delightful afternoon finding a suitable branch, crafting the decorations, and covering ourselves in glue. Seeing the look of pride on her face when she displayed the results to Marvel Girl and The Bloke was reward enough for me, but hearing their excited whispers outside their bedrooms on Easter Sunday morning before they charged down the hallway to share the experience of checking beneath the Easter Tree was equally heart-warming.

So what else has made our Easter special? The Bloke would probably say that getting to surf four days in a row would top his list — but that’s where living in an Up Down Funky World comes in once again: even though the air temperature is dropping rapidly, the sea temperature is still wonderfully warm. For me it has been curling up with a hot cup of tea to re-read the Tales of the Otori, Lian Hearn’s wonderful series set in an imagined Japanese inspired world. But it has also been getting to sleep for an extra hour, since Easter has coincided with the end of Eastern Daylight Saving Time, and getting to offload more junk, since Council clean up is on too (and many of you already know how I feel about that).

There’s a big southerly due in this evening, one that’s set to blow the chill off Bass Strait up the eastern seaboard. But right now, Easter Monday is sunny and warm, and another trip to the beach is ripe for the picking before the sea temperature starts to drop off too. It’s an Up Down Funky World, but it’s a good one.

Wash Dry Fold Repeat

Laundry roomI realised that I was in an uncharacteristically optimistic frame of mind this morning when I hung my washing out on the clothes line despite the fact that the weather report had forecast a thunderstorm today. Not that I’m naturally pessimistic, or that I have significant trust issues with the general veracity of Bureau of Meterology bulletins (I’d describe them as relatively minor trust issues, most days).

But I do admit that I was truly amazed to find myself out there in the back yard shortly after 8:00am, beneath skies that could at best be described as leaden, blithely hanging sheets on the line.

Queen sized sheets.

With all the audacity and aplomb of a Mardi Gras parader last Saturday night, I kept pegging away until they were hanging as proudly from the line as the rainbow flags that fly all over Sydneytown at this time of year.

Even when a few tinsy drops of rain fell on the windscreen as I drove Marvel Girl and Miss Malaprop to school and preschool, I was completely unfazed.  My washing, according to my miraculously positive (or perhaps delirious?) mindset, was going to get dry. On the line. Today.

It may have been around this point, or shortly after a grin spread across my face when I didn’t have to switch my windscreen wipers on because the rain suddenly stopped, that I began to wonder whether maybe, just maybe, I had stumbled upon that oh-so-elusive Holy Grail of the Home Front: Laundry Enlightenment.

Had I inadvertently strayed into domestic nirvana without even realising?  Was samsara near at hand?

Laundry is, quite literally, motherhood’s dirty little secret. No one ever tells you before you have children just how much washing small people can generate over the course of twenty-four hours. The simplest explanation of why this undeniable truth remains unsaid that I can provide to prospective parents is this: anyone who already has a child is too busy doing laundry to tell you.

I am not (yet) so cynical that I would substitute a more traditional newborn gift with a jumbo box of washing powder and a super-sized container of stain remover. It is true, however, that day after endless day we wash clothes, hang them out to dry, fold them into tidy piles, place them lovingly in the closets and drawers of our progeny and quite possibly of our spouse as well (knowing that if we don’t, we’ll only trip over them at 3:00am when someone calls out for one last glass of water).  It’s not rocket science — far from it. But it is relentless.

Doing the laundry — with all its insistent, inexorable cycles — often brings to my mind the old Zen adage: “Before enlightenment: chop wood, carry water.  After enlightenment: chop wood, carry water”. The fact that Buddhist teacher Jack Kornfield should have written a book on mindfulness and meditation entitled After the Ecstasy, the Laundry does not surprise me in the least.  Similarly, the fact that I haven’t had time to read Kornfield’s book — buried as I generally am under an avalanche of dirty clothes — does not fill me with astonishment either.

But every now and then, days like today come along when we rise above mundane routine: days when we defy the odds, we forget about taking calculated risks, we ignore the dire predictions of the weather forecasters.  Days when we hang our queen sized sheets on the line and let them flap away with gay abandon — thunderstorms be damned.

For the record, my washing did get dry today. On the line. By itself.

Just don’t get me started about the ironing.

Confession of a Thrifty Fictionista

SolaceI allowed myself a guilty pleasure yesterday afternoon.

That said, ‘guilty pleasure’ is a complete misnomer because I don’t feel a shred of remorse about it.  Rather, I felt an overwhelming sense of adulation: roaming around a bookshop, on my own, having given myself permission to leave the shop with one — just one — newly purchased tome.

I have said before that music is as necessary as oxygen to me.  Similarly, on my list of life’s necessities, books are akin to food: they are my nourishment and my sustenance. Even The Bloke often refers to me as the hungriest bookworm he has ever met.  And, as with what I eat, there are times when I am not at all fussy about what I am reading, times when I am very strict with myself about what I may or may not read, and times when only a certain book will do.

So, as you may well imagine, my trip to the bookshop yesterday was like visiting a literary smoragasbord: picking up a book here and a book there, flicking through the first couple of pages, sampling this author’s words and that publisher’s blurb, feasting on the myriad covers, on the handwritten staff recommendations, on the glory of the printed word.  And it was there, standing among all those shelves of shining volumes, my nostrils full of the unmistakable scent of new books, that I realised something.  Yes — here it is, the confession of a Thrifty Fictionista: I want as much book for my buck as possible.

Banal as it is, it’s true.  Even when I’m in the process of being swept up and away by the sight and smell of so many glorious books, I’ve got one eye firmly fixed on the price tag.  If I’m going to buy a book — one that will hold its own on my already overloaded shelves — it needs to be worth it.  In a world where my library space is also being inexorably usurped by my children’s expanding collection of Lego bricks and other toys, I need to feel confident that I will be willing to defend my literary purchase against the onslaught of small plastic figures, minuscule puzzle pieces and apparently self-multiplying coloured pencils and pens.  It doesn’t need to be a book that has won a major award, topped the best-seller lists or even received critical acclaim, but it does need to be a work of quality.  Perhaps it’s a snippet of dialogue that attracts me, or an impression of a particular place or historical time, or a particularly well-crafted description or turn of phrase.  But it does need to get me in.

And my book of choice not only has to be a quality tome, it has to last.  It needs to keep me occupied for days, not hours — and being a notoriously fast reader, this sometimes poses a problem for me.  That said, yesterday it proved to be instructive: I seriously considered purchasing a riot of a read by an Australian author whose work I love, but whose trademark fast-paced narratives and twisting plots take me only a few hours to devour.  They’re fantastic escapes, but ones that I am far more likely to borrow from the library.  Let’s face it, you can only be surprised by an ending once, and quite apart from that, this Thrifty Fictionista had a reasonably good inkling that she could pick up a brand new copy far cheaper online than she could in store…

Dec 2014 Jan 2015 021So just what did I emerge from the bookstore with?  Which volume managed to reel me in, and satisfy both the frugal and decadent sides of my nature — the one that doesn’t want to pay too much as well as the one that wants to wallow in a good book for hours?  Well, I ended up with three books in one: Haruki Murakam’s 1Q84 trilogy.  I’m 250 pages into it already and it has me hooked, and I went to bed feeling almost smug last night, knowing that I still have over 1,000 pages and many happy hours reading ahead of me.  And, if you must know, the Murakami omnibus was five dollars cheaper than the other book I was tempted by, so this Thrifty Fictionista is counting that as a win!

Innocence Lost

It has been one week since the Sydney siege.  I’m not entirely sure what it is that I want to say in this post.  But the best thing, I suspect, is just to begin writing and see where it ends up.

As I watched coverage of the horrific events unfolding in Martin Place it brought back many memories of my years working as a legal secretary in Sydney’s CBD.  The names being bandied around by the various media outlets were so familiar.  All part of what was literally my old stomping ground: walking — and, occasionally, running as fast as my (usually) high heels could carry me — to Martin Place Chambers in the Reserve Bank Building, to the Land and Environment Court opposite State Parliament on Macquarie Street, to so many other places.  The Supreme Court.  Frederick Jordan Chambers.  Even to Selbourne Chambers.

Katrina Dawson worked at Eight Selbourne.  She was the same age as me.  She was a mum, like me. One of the barristers on her floor was someone I knew when I was growing up.  He and I lived on opposite sides of the railway line in the same leafy north shore suburb, both played the violin, both got exactly the same TER in our HSC in the same year.  I can’t begin imagine what the past week has been like for him, losing a colleague — and, no doubt, a friend — in such unimaginably tragic circumstances.

I was at the gym when the identities of those who died in the Sydney siege were being released.  First Tori Johnson’s handsome face appeared on eight of the ten television screens in front of the treadmill I was running on, along with the information that the other victim was a lawyer and mother.  I averted my gaze from the TV in front of me, hoping that when the female victim’s identity was confirmed that it wouldn’t be someone that I knew, but the next screen over was continuing the media’s saturation coverage of the situation, and the screen after that too.  It was impossible to avoid, and as much as I wanted to, I found myself unable to look away.

I didn’t know any of the victims of the Sydney siege personally — not those who lost their lives, nor those who had their lives changed irrevocably over the course of seventeen awful hours.  But like most Sydneysiders, I feel a very Sydneyreal sense of grief, a sharp recognition of the traumatic nature of an ordeal that no one — no one — should have had to endure.

I don’t yet know how to make sense of how our city has changed, or how we will deal with our collective loss of innocence.  But I suspect that after the floral tributes have faded, after the messages chalked on footpaths have washed away, and after the hashtags stop trending, we will all need some time to reflect, to hold our loved ones closer, and to do our best to honour the memory of Tori Johnson and Katrina Dawson by doing the one thing they cannot do any more.

We must live.

As fully as we possibly can.

Melbourne Cup 2014: Triumph, Tragedy and a Touch of the Tawdry

Ryan Moore rides Protectionist to win the 2014 Melbourne Cup (Photo by Robert Cianflone/Getty Images)

Ryan Moore rides Protectionist to win the 2014 Melbourne Cup (Photo by Robert Cianflone/Getty Images)

The Race that Stops a Nation.  I mentioned it in my last post as marking the final stop of the crazy train before it makes its reckless descent into the Silly Season, with its whirl of office parties and pre-Christmas drinks.

This year’s win, by Protectionist — the first German horse to win the great Australian race — was undeniably convincing.  British jockey Ryan Moore rode brilliantly, timing his run towards the post perfectly to finish the 3200m race a full four lengths ahead of Red Cadeaux, who placed second in the big event for a record breaking third time.

At our house, the win was celebrated with enthusiasm by Miss Malaprop, who had drawn Protectionist in the two dollar sweep at The Bloke’s office, and by Marvel Girl, who had picked Red Cadeaux in her classroom sweep and won points for her school colour house for placing second.  Yep — you read that right — her classroom sweep.  That’s how big this race is in Australia: at 3pm on the first Tuesday in November, just about everything stops as the vast majority of the population crowds around television screens, radios, or any other handheld device you care to mention, just to find out who will win the Melbourne Cup: schools, shops, businesses — everything but the betting agencies.  It’s so big a deal in Victoria that the metropolitan region of Melbourne has a public holiday.

Now, the Melbourne Cup wouldn’t be the race it is were it not for a spot of controversy, but this year it was for all the wrong reasons.  It wasn’t just about the use of horse whips, or about the fact that Australia lost over a billion dollars in a single non-productive afternoon, or even about the sordid Instagram feeds depicting inebriated young women passed out face down on the grass or vomiting into garbage bins track side.  It wasn’t even about the (very) public marriage proposal made by a canary yellow clad Geoffrey Edelsten to his (very) much younger partner Gabi Grecko in the presence of his estranged (but not quite divorced) wife and a bunch of bemused reporters.

No, this year it wasn’t until after the race was run that controversy — closely followed by its near relative, tragedy — came calling.

Here at home things went slightly awry when Miss Malaprop finally understood that she had won Daddy’s office sweep, not a horse, and that she wasn’t going to get to ride Protectionist at all. (Fortunately she’s a bit too young to realise that she is not likely to see her winnings from the sweep either — I’m still waiting for The Bloke to bring mine home from last year.)

But down in Melbourne, a much bigger drama was unfolding in the yards and stalls of Flemington Racecourse: Admire Rakti, the Japanese horse who had started the race as favourite and placed last, died of a massive heart attack, and Araldo, injured after being spooked in a post-race incident by a couple waving an Australian flag, had to be put down.  Two horses — two incredibly beautiful, gloriously honed, impressively muscled and impeccably trained creatures — were dead.

No, this year’s race didn’t just stop the nation.

This year, it made us pause.  And reflect.  And wonder whether our armies of once a year punters and frocked-up flutterers might have got this whole horse racing thing slightly out of perspective.

This year, I suspect many Australians realised — painfully, perhaps — that the big race, with all its pomp and pagentry and talk of track conditions and trifectas, simply cannot happen without the horses.  And that it might be time we took a long hard look at what life is really like for these superb equine athletes all year round, and not just on their day in the November sun.

Because if the Melbourne Cup is going to remain relevant as a national obsession, I think many Australians would not want Admire Rakti or Araldo to have died in vain.  Hopefully, in future years, we will look back at 2014 as a turning point in Australian horse racing, and we will honour both of these magnificent animals with a lot more than a minute’s silence.

The Flags are Up!

The Flags are UpSummer.  Glorious, sultry, turbulent summer — the subject of this Great Southern Land’s greatest love affair.

The season we yearn for, along every seaside centimetre of this vast island’s perimeter, in this sand and saltwater obsessed nation of coast-clingers.  Our time of glorious wonder, complete with severe clear skies and the solace of a seabreeze on a sweltering day.

It’s on its way.

Anyone born within cooee of the coast can tell you the signs.  It’s not just the rising temperature, the lengthening days, the lingering golden light of evening.

It’s the flags going up at the start of the Surf Lifesaving Season, and the banners advertising registration days for Nippers.  It’s in the sharp briny scent of the sea, the smell of sunscreen and surfboard wax.

It’s in the first incessant, maddening calls of the koel.  The thwock of cricket balls in the nets at the local park, as footballs are ditched in favour of willowtree bats and dreams of one day wearing the baggy green.  The crash of the screen door after the kids have been reminded for the zillionth time not to let the mozzies in.  The satisfying crunch of a Stelvin cap unscrewing from the top of a crisp Sav Blanc on a Saturday afternoon.

It’s the slide into Daylight Saving Time on the October long weekend, when altering the clock also requires adjusting your headspace, signalling the start of the great unwinding of the end of the year. The deep exhalation as we shuck off out shoes and slip into thongs — we’re talking footwear, here, people — secure in the knowledge that once the race that stops the nation is run on the first Tuesday in November it’s just a few short weeks until the rounds of office parties and Christmas drinks begin.

It’s in the grin that tugs at the corners of your mouth on the first really hot day, knowing that soon enough there will be six weeks of school holidays, of tracking towel-slung to and from the beach, of backyard barbecues and endless lawn mowing, of a whole season of sand being trailed through the house and ever-present in the shower recess, and nights so warm that the sheets are kicked off every bed in the house as cicadas shrill and the Southern Cross wheels overhead in the deep Antipodean darkness.

I felt that grin today.

Ah, Summer.  It’s really on its way.