Parental Guidance Recommended

A Let them Be Little

How much should I tell them?

One of the greatest challenges of being a parent is finding the right way to explain things to your children — or maybe not the right way, but the one that is most age appropriate, or the one that they will actually find some way of correctly interpreting and understanding.

I was reminded of this when Miss Malaprop came home from school yesterday and said her teacher had read her class a story about Moses and the Israelites in Egypt. Ever true to her pseudonym, Miss Malaprop didn’t quite manage to say ‘Israelites’, but she had a pretty good go at it — and I must admit I was too distracted by the sheaf of school notices and permission slips that has somehow managed to materialise in my kitchen since school resumed two days ago to discern the exact word she used as a substitute.

Now, being fully aware that my younger daughter is never one to speak to one so lowly as her mother of the knowledge bestowed upon her in the classroom unless she at least seven questions to ask me about various aspects of what she has learned, I braced myself for the inevitable barrage. I presumed — incorrectly, as it turned out — that she probably wanted to know all about the basket into which Moses had been placed among the bullrushes, its capacity, its relative seaworthiness, that sort of thing. Or perhaps she wished to quiz me about exactly what the Egyptian princess who found Moses might have been wearing that day, and whether her ensemble would have included a crown?

Wrong again.

“Mummy, what are slaves?”

This was the question that came from my smallest child’s lips. It came out so sweetly, so innocently, that I was forced to stop, immediately, and turn away from the tottering pile of lunchboxes I had just plonked onto the kitchen bench.

How do you answer a question like that when the person who has asked it is so young that they have only just started school? And how do you explain something as abhorrent and cruel as slavery to that person when you believe it is your solemn and sacred duty to protect them from all that is evil in this world?

A Dobby

Dobby, the House Elf who started it all…

“Slaves,” I ventured, “well, they’re a bit like the house elves in Harry Potter — the ones who have to do everything their masters tell them to, and don’t get paid.”

Miss Malaprop’s greeny-blue eyes lit up with dawning comprehension — somehow, incredibly, I had managed to hit upon a reference she understood straight away.

“Oh, OK then,” she said, nodded her head, and ran off to play.

Now, in my defence, Harry Potter is Miss Malaprop’s current obsession. It is not unusual for me to hear her yell, “Expelliarmus!” in an attempt to disarm her sister during one of their inevitable fights, and when given an alphabet book to complete for homework over the holidays she decided that drawing a picture of Voldemort was an excellent choice to illustrate the letter V.

Moreover, we are currently half-way through reading Harry Potter and the Goblet of Fire, which details Hermione’s crusade to improve the lot of house elves at Hogwarts by founding the Society for the Promotion of Elfish Welfare (S.P.E.W.), so the concept of slavery — albeit it in a fictionalised, relatively child-friendly context — is not entirely unknown to her.

But should I have said more? Had I just completely trivialised a serious topic? Should I have checked that Miss Malaprop understood that I meant that slaves are individuals who have been denied that most basic and fundamental of all human rights — freedom — and that they are not tiny creatures with large ears and bulging eyes who toil away in the Hogwarts kitchens?

A Cleanup

This wouldn’t work in my house…I’d have to resort to a whole other fandom to get my laundry hampter sorted properly.

If it was a trivial matter we were discussing, I wouldn’t think twice about making an example of Dobby and his kin, or of shamelessly appropriating whatever other popular culture references I need to make my children understand things. Believe me, I’ve even considered putting pictures of Darth Vader and Luke Skywalker above the laundry hamper so that my kids learn to correctly differentiate between the Dark Side and the Light Side. (Honestly, the two of them can rhapsodise for hours over the different types of light sabers or various random skirmishes during the Clone Wars, but heaven help them if they can figure out how to separate whites from colours when it comes to doing the washing.)

But that’s just the small stuff.

Anyone who follows this blog with any regularity knows that when I believe it is called for, I am not afraid to put fingers to keys and speak up for what I believe in, regardless of whether it’s to do with Asylum Seekers, Marriage Equality, the Death Penalty or whatever other injustice I perceive in the world. And I think it practially goes without saying that I want my children to be raised with a strong sense of social justice and an awareness of the things that impact other people — not just themselves.

A Jason

The very lovely Jason Isaacs, resplendent in what he called his “Paris Hilton wig”, letting them be little.

I know that in the years ahead there will be many questions, hard questions, that Miss Malaprop and her sister will ask me to answer. And I hope that I have the courage to face those questions with an open heart and an open mind, and to answer them as best I can without diminishing the facts or distorting the truth.

But I don’t think that my girls — my mostly sweet, still innocent girls — are yet ready to open the book on the grisly lessons of the history of humankind, with all its madness, mayhem, murder and misogyny.

So in the meantime, I’m going to keep answering the difficult questions my kids ask by referring them to things that they already know and understand, even if that knowledge and comprehension is partially drawn from reading Harry Potter.

I would imagine that by the time they’re up to reading the Hunger Games, the conversations will be very, very different.

But for now? I’m with Jason Isaacs on this one.

Dobby is in his trailer.

 

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Breathe…

T spoon

Just one spoonful…every now and then. You can get a spoon just like this on Esty, here.

I just put a spoonful of sugar into my tea (Earl Grey, black, piping hot).

That might seem like a very ordinary thing to do, but some time ago I banished sugar to the top shelf of my pantry. Nowadays, the sugar jar only really makes an appearance when my Dad comes over (English Breakfast, white with one).

But there are some days — and quite often, for me, they are grey-skied, quiet days — when I prefer to take my tea with a spoonful of sugar. These are the days when I feel the need for that gentle buzz only sugar brings. (And yes, you really do notice it once you’ve gone without it for some time).

If I’m honest, however, it’s not the weather that made me pick up the sugar jar, even though autumn is descending rapidly upon Sydneytown at this time of year. And it’s not the solace of stirring, either, which I’ve written about before.

No, it’s my kids.

Lord knows I love them — dearly, oh so dearly — but by the end of the school term, my kids are driving me crazy. Bonkers. Mad as a box of frogs.

After ten long weeks of school, my children’s behaviour…ummm…deteriorates.

That’s the nicest word I can find to describe the out of control crazytrain ride that confronts me before drop off and after pick up every day at the end of term. I don’t think it’s deliberate or in any way malicious: I suspect my girls are really, truly worn out and that self-regulation is, quite simply, beyond them when they have to front up for six hours each day of being ever-so-good for their teachers.

And, having picked up all the signals that the crazytrain was careening towards me this week (the least of which were tears and tantrums), I have taken steps to look after my own sanity and have managed to keep it — mostly — together. It just so happens that today, one of those steps involved stirring sugar into my tea. But yesterday, for example, I made sure I got to yoga.

T so ham

So…ham…in…out…just…breathe…

My yoga teacher is like a lovely little gypsy fairy (seriously, you can almost see her wings sparkling silvery bluey-green) with a beaming smile that is as warm and open as her beautiful heart. And yesterday, bless her, she introduced our class to a very simple mantra that has helped remind me to take a couple of deep, life-saving and sanity-preserving breaths whenever the kid-filled crazytrain has looked like it was about to derail.

The mantra: SO HAM.

It’s pronounced more like so hum, which resembles the sound of inhaling and exhaling, and allows you to connect the mantra to your breathing.

But what has really helped me this week is what so ham means: the mantra translates, very simply, as I am that. So when you connect the mantra to your breath, and repeat it over and over again, you connect also to the core of your being:

I am that I am that I am that I am that I am that I am that I am that I am…

 And I came to realise, in those moments of stillness, when I connected to myself and my breath, that even though I am a mother and a wife and a daughter and a sister and an aunt and a friend and a freelance writer and a carer and homemaker who cleans and washes and irons and makes lunches and all manner of other meals and snacks and everything else —

T peace— that really, at the centre of it all, I just am.

And no one can take that away.

So hamso ham…so ham…

 

 

 

The Thrifty Fictionista Strikes Again!

 

WP Cover

Tolstoy’s great tale, beautifully translated by Richard Pevear and Larissa Volkhonsky.

I was heading out the door to collect Marvel Girl and Miss Malaprop from school this afternoon when I casually slung my handbag over my shoulder and nearly put my back out. Now, I will admit that this particular accessory is known in our household as “The Bottomless Bag”, not only because it holds a great deal of stuff, but also because it seems to possess an uncanny propensity to cause said stuff (most commonly keys) to evade my grasp whenever I am scrabbling around the bottom of said bag.

Today, however, I already had those elusive keys in my hand — my handbag was just heavy, and perplexingly so. What on earth could I possibly have stowed in my tote?

It was at this point that I remembered that I, quite literally, had a copy of War and Peace in The Bottomless Bag.

Having a book in my handbag is not an uncommon state of affairs for me — in fact, I suspect that not having a book in my handbag, not to mention a notepad and several pens, would be much more unusual. But today, I had completely forgotten that sometime this morning I had waltzed happily (though perhaps a little lopsidedly) out of the local bookstore with a copy of Tolstoy’s classic tale in my bag. Yes, the Thrifty Fictionista had struck again…

For those of you as yet unacquainted with my alter-ego, the Thrifty Fictionista is prone to prowling through bookstores, aiming to get as much book for her buck as possible. At one point last year, the Thrifty Fictionista staked out Haruki Murakami’s 1Q84 trilogy.  Earlier this year, she successfully ensnared Hilary Mantel’s A Place of Greater Safety. And today, obviously, she tracked down War and Peace, which being out of copyright and running to well over 1,200 pages definitely meets the Thrifty Fictionista’s usual criteria for her prey: lots of book for not so many bucks.

WP Cover 2

War and Peace: the Laughing Squid edit.

To be completely honest, I — having given up referring to myself in the third person a lá Jaqen H’ghar in the last paragraph — did not actually track the book down all by myself this morning. I engaged the assistance of an obliging young bookshop employee who was all too happy to point me in the direction of the hallowed shelves where the classics reside and then, to my delight, knew exactly which translation I was referring to — the Richard Pevear and Larissa Volkhonsky one, of course — when I asked specifically for War and Peace. Could it be that the Thrifty Fictionista had found a kindred spirit, a fellow hunter of bargain-priced quality books? A simple flip of the volume to check the price tag (watch your wrist, there, it’s a hefty tome) and I was rewarded with a knowing smile. Yes. A kindred spirit, indeed.

As it turned out, my new best friend was also in the process of reading War and Peace. I didn’t ask him where he was up to — the book took Tolstoy six years to write (and, some would say, takes just about as long to read), but his slightly bleary eyes revealed that he had been at it for some time, while the determined jut of his jaw indicated his intention to finish. It was my turn, it seemed, for a knowing smile.

The first time I read War and Peace I borrowed my father’s copy, which was conveniently housed in three battered blue volumes he had bought as a boy. I’ve always enjoyed Tolstoy’s work, particularly after studying Russian history at university, and still count Anna Karenina among my favourite novels of all time. But having just watched the sparkling new BBC adaptation of War and Peace, which was written by Andrew Davies (who was also responsible for that TV version of Pride and Prejudice, not to mention House of Cards and Vanity Fair, among many others), I wanted to read the book again — particularly now that the screen production has provided me with faces to associate with the many (hard to remember and harder to pronounce) names in the book.

WP Dolokhov

Tom Burke stealing every scene he’s in as Fedya Dolokhov, the soldier who takes exactly what he wants…

Davies’ adaptation shrinks Tolstoy’s story down to just over six hours of television, but I don’t believe that the end result to be at all reductive. The screen is filled with the broad sweep of the novel and of Russia itself, and is populated by an impeccably costumed cast. Paul Dano is admirable as Count Pierre Bezukov, James Norton suitably haughty as Prince Andrei Bolkonsky, and Lily James utterly exquisite as the young Countess, Natalya Rostova.

For my money, however, it is in the supporting cast that the stars really begin to shine. Brian Cox is superb as gruff old General Kutuzov, who has seen it all before (with his one remaining eye) and knows his best ally against Napoleon is Russia’s winter rather than her troops. But the stand out, in my view, is Tom Burke’s brilliant take on the career soldier, Fedya Dolokhov, a man who makes his own luck and takes exactly what he wants — this man’s wife, that man’s money, even the food off his friend’s plate. He’s a troublemaker (to put it mildly), a dangerous and destructive force played with impulsive energy, passion and panache by Burke.

I’ve already started re-reading Tolstoy’s epic tale of love and loss, of War and Peace — I couldn’t stop myself — and I am thoroughly enjoying placing the characters in the sets and contexts so beautifully supplied by the BBC adaptation. I love that the book itself is as big as a house brick, and that I might well have put my back out had I not taken it out of The Bottomless Bag before school pick up, but that within its pages and in between the battles and bombardments there are subtleties and nuances and snippets of conversation conveying the overriding delicacy of thought that is so characteristic of Tolstoy. There is an insistence that we look at ourselves, and at our choices throughout life, and that we recognise within ourselves the power to forgive, to love, and to be happy.

WP Tolstoy quote

Well, that’s the one thing we are interested in here — until the Thrifty Fictionista strikes again…

Muggling Along

HP Harry Potter

Harry Potter: the Boy Who Lived

Nearly twenty years ago, something magical happened that changed the world — and I do mean, quite literally, magical. Back in 1997, we encountered an eleven year old boy with green eyes, untidy black hair, and a lightning bolt shaped scar on his forehead for the very first time.

We met Harry Potter, the Boy Who Lived.

I’ve always loved reading the Harry Potter books, despite the fact that I had just graduated from university when the first volume was published. And whenever the movies are on TV I find it ridiculously difficult to change the channel and watch something else, let alone turn them off.

The scene in Harry Potter and the Philosopher’s Stone when Harry, Ron and Hermione and their friends (and occasional foes, if you count Malfoy, Crabbe and Goyle and the rest of Slytherin house in that number) arrive at Hogwarts remains one of my all-time favourite sequences in any film — ever.

Perhaps it’s the recollection of the awe and excitement I felt when I first saw the lamplit boats, bobbing on the black waters of the lake with the castle looming above. Or maybe it was the welcoming golden light shining from the windows of the school, promising goodness and safety, knowledge and wisdom within those ancient walls and towers.

HP Hogwarts

Hogwarts School of Witchcraft and Wizardry

Regardless of what so captured my imagination, the world of Hogwarts and Harry Potter has been one that I have been happy — no, make that overjoyed — to return to with my children. Marvel Girl and Miss Malaprop have fallen in love with the characters and the wizarding realm just as quickly as I did, and while Marvel Girl knows that the books are works of fiction, Miss Malaprop (being two years younger) is having a hard time understanding that it isn’t real. Not surprisingly, Miss Malaprop is a firm fan of Harry himself — “because he’s brave” — while Marvel Girl favours Hermione Granger — “because she’s clever and she likes to read a lot”. But they both absolutely adore Dumbledore, the Headmaster of Hogwarts, and his fabulous phoenix, Fawkes.

So much could be written about the wonders of these books and the wisdom they impart to their readers, particularly via Albus Dumbledore himself, who conveys many simple — yet powerful — truths.  “It matters not what someone is born, but what they grow to be,” he reminds us, along with other pearls like these:

HP Dumbledore quotes

The quotable Dumbledore — you can get these on Etsy here.

Surviving life in the Muggle world (the non-wizarding realm, for the small handful of uninitiated still among you) is ever so much easier when you have the guidance of the greatest sorcerer of the age to fall back on — Order of Merlin, First Class no less. And the fact that J K Rowling created such an incredibly detailed world, complete with its own rich history, myths and legends, customs and values remains a great and daily inspiration to me whenever I don my fiction-writing hat (not to be confused with the Hogwarts Sorting Hat, of course), and sometimes even when I don’t. (That, in itself, could be the subject of a whole series of blog posts in which it would become even clearer that J K Rowling is one of my literary heroes, not to mention that I believe her to be the undisputed Queen of the Twittersphere.)

HP Muggles“I do believe,” as J K Rowling herself said, “that something very magical can happen when you read a good book.” I’m ever so grateful that there are seven volumes of Harry Potter for me to share with Marvel Girl and Miss Malaprop. And when we’ve read each one, and watched the movie afterwards (our latest ritual), I’ll be thanking the Old Gods and the New that there are so many more fantastic lands we have yet to explore. I am looking forward to climbing with my girls through the wardrobe into Narnia, to wandering through The Shire towards Rivendell in Middle Earth, to sailing among the farflung reaches of the Earthsea Archipelago, and — perhaps when they’re a bit (a lot?!) older — to visiting Winterfell, and Kings Landing, and the rest of Westeros.

Even more importantly, I am grateful that I can give my children the gift of knowing that there is always another adventure to be had between the pages of a book.

Wherever I am, if I’ve got a book with me, I have a place I can go and be happy.

J K Rowling

Swashbuckling Swag

Athos & Aramis

Tom Burke & Santiago Cabrera as Athos and Aramis in The Muskeeters.

For some peculiar reason, I had a recollection this morning of the day, some years ago now, when Marvel Girl (repeatedly) singing a Wiggles song about Captain Feathersword prompted Miss Malaprop to stomp into the kitchen and announce: “Pirates aren’t human — that’s why they can’t swim.”

I remember suggesting at the time that this proclamation was, perhaps, not entirely accurate, only to be fixed with a mutinous greeny-blue eyed gaze and told even more emphatically, “Well, pirates do swashbuckle, you know — that means they don’t wash.”*

That was the point, I suspect, when I changed the topic of conversation, swiftly applying Blue Jai’s First Rule of Parenting (Distraction), and no doubt reminding myself of the corollary to said Rule (which is, of course, Pick Your Battles).

But the memory of that encounter made me realise that my girls, like many other children the world over, have always been fascinated by that wonderful figure of daring and romance: The Swashbuckler.  And — let’s face it — there are plenty of adults out there who still enjoy a tale or two of heroic derring do too.

Athos & Honour

No glory, no money, no love, none of the things that make life bearable — except honour.

What’s not to like about a hero who has plenty of good, old-fashioned adventures, tackling all manner of dangers with bravado and — more often than not — with a sword? And I’m not just referring to The Princess Bride here folks, or Johnny Depp’s hilarious take on Captain Jack Sparrow in the Pirates of the Caribbean movies. Seriously — does anyone really think that Game of Thrones would be half as successful as it is were it not for its dashing ensemble cast of heroes and idealists, all brandishing weapons of warfare from centuries past?

Nothing beats the flamboyance of a decent sword fight, full of flashing steel and sophisticated steps, not to mention swirling capes (and don’t think for a minute that the capes are not important: every proper superhero has one). And, in this day and age, I suspect our fascination with the Swashbuckler isn’t simply an escape or a diversion, it’s something more important.

Take the recent BBC production of The Musketeers, for example. Admittedly, the Musketeers are by definition the original Swashbucklers, and have been ever since Alexandre Dumas brought Athos, Porthos, Aramis, D’Artagnan and Captain Treville to life on the pages of his novels in the 1840s. But I don’t think it is any accident that The Musketeers has proved to be so popular, or that the show’s loyal fans around the globe are eagerly awaiting the premiere of Season Three.

Athos & D'Artagnan

Taking the easy way out? Or taking responsibility…

My suspicion is that in this self-obsessed day and age of the quick fix we want to remember the ideals of a bygone era, and not necessarily for rose-coloured or romantic reasons. We want to be reminded of the concepts of chivalry, of honour, of duty. We want to believe that the famous rallying cry of “All for one!” can drown out the far more commonly heard call of “every man for himself”.

And the Musketeers — consistently — deliver. In every episode, we see them strive to set aside their own aspirations and take responsibility for doing things because they right and just — not because they will bring them personal gain. Time and again they are required to rise above their individual flaws, their respective personal circumstances, and the ever-present temptation to take the easy way out against a parade of brilliantly cast villains — not least of whom is Milady de Winter (Maimie McCoy), Athos’ evil estranged wife.

To date, the Musketeers have confronted the scheming Cardinal Richlieu in Season One (played with class and sass and a whole lot of cape swirling by the inimitable Peter Capaldi), followed by the increasingly unhinged Spanish agent Rochefort (Marc Warren) in Season Two, and are set to tackle King Louis XIII’s illegitimate half-brother (Rupert Everett) in Season Three.

It doesn’t hurt — obviously — that the Musketeers are a bunch of good-looking leather-clad blokes who ride around on horseback saving the day in brilliantly choreographed fight scenes, and that the women they love are often as as brave as they are beautiful. But the Musketeers do help to remind us that chivalry does not have to be a forgotten ideal of days gone by, and that doing what is honourable or dutiful can be something worth aspiring to.

So let’s celebrate the Swashbucklers and their stories, too.  Let’s live like daring adventurers, and revisit the romance of a bygone age. And if, along the way, we are reminded of the (somehow higher?) standard of those times — of the ideals of chivalry, honour, duty, loyalty and sacrifice — is that such a bad thing?

My thought is that the Musketeers generally, and Aramis especially, would suggest that applying yourself to such ideals tends to produce positive results — particularly if you do so with a robust sense of humour and a serious amount of swag.

Musketeers

Celebrate the Swashbucklers! Aramis, Porthos, Captain Treville, Athos and D’Artagnan…the Musketeers.

* For the record, I should probably acknowledge that Miss Malaprop’s assertion that “swashbuckling” means “not bathing” is probably historically accurate, even if it is, as a definition, far from complete.

Swings and Roundabouts

It always surprises me that there are certain things in my life that I return to, over and over again.  I suppose I really shouldn’t find it so astonishing — given that I do come back to them, repeatedly, and without fail.  But when I do revisit something from the past, usually from my childhood, I feel like I have stumbled into some kind of magical world.

There is a subtle sense of homecoming in such moments, something that always calls to mind T S Eliot’s lines from Little Gidding:

 

Exploration

Eliot’s poetry is one thing that I periodically return to. Ursula Le Guin’s Earthsea books are another. And lately, I have come back, once again, to classical music.

ViolinI have mentioned before that I grew up in a household where classical music reigned supreme, with a small smattering of jazz thrown in every now and then (most often on the weekends). My parents always supported me musically, and as a child I learned to play the violin, piano, and flute reasonably well. I even got pretty good at the recorder — a bit beyond your average dribble-stick Hot Cross Buns playing primary school student repertoire — and played either descant or treble in a recorder quartet.

FluteLater, with the encouragement of a wonderful teacher who let me take home various school instruments over the holidays, I taught myself clarinet. That teacher was always challenging me, inviting me to audition for an all city concert band I never thought I would get into, then pushing me further by naming me Principal Flute player of that ensemble — never doubting that I was capable of leading my section — and handing me a piccolo, which I’d never played before, with an offhand remark along the lines of, “Don’t worry, you’ll pick it up in no time; just get yourself a book of Irish folk tunes and you’ll be fine.”

Perhaps this is why classical music feels like home to me, and that I come back to it time and again: for me, it is associated with people who have supported me, had my back, and treated me with the assumption that I would succeed.

As I write this, I am listening to Nigel Kennedy’s recording of Ralph Vaughan Williams’ The Lark Ascending. It is familiar, it is comforting.  And, to me, it is not merely beautiful — it is sublime.

It is also solace, and an entry into an ethereal world: a place of soaring, sprialling birdsong, of tangled hedgerows and verdant meadows, of arching blue skies and gentle summer breezes.

If you’d like to hear it yourself, you can listen to it here, and fly away.

meadow

 

Rise

Iman B&W

Iman…supermodel, entrepreneur, wife, mother, photographed here in 1977 by Francesco Scavullo.

About eighteen months ago I started following someone on Facebook — a celebrity, no less. I am not usually one to click the Follow button simply because someone is famous, but there was something about what this person was posting — consistently — that often made me stop and consider. Or smile. Or laugh out loud.

That person was Iman Abdulmajid.

Of course, in the light of her (monumentally) famous husband’s death a month ago, the quotes and thoughts that Iman posted over the past year or so no longer surprise me: she knew, even though the world did not, that her husband of more than two decades was dying of cancer.

Looking back, the posts now have an added poignancy that I don’t think the passage of time will take away. In the week before her husband’s death, for example, she shared quotes like, “Life isn’t about avoiding the bruises. It’s about collecting the scars to prove we showed up for it”, and a thought from the poet Rumi: “Do not worry that your life is turning upside down. How do you know that the side you are used to is better than the one to come?”

But during the past year, in between sharing incredibly beautiful fashion photographs and promotional material for her husband’s Blackstar album, there were also thoughts that made me chuckle, such as “Sometimes you have to burn a few bridges to keep the crazies from following you”.

Overwhelmingly, however, there were messages of hope, of faith, of gratitude, and of determination to overcome. And the majority of the thoughts she shared she tagged with a single word: Rise.

Iman & DB

Iman and the inimitable Mr Jones in 2003, from a Tommy Hilfiger campaign styled by Edward Enninful.

It’s a powerful concept.

Rise, every day. Rise, above adversity. Rise, to the challenge — whatever it is.

Rise.

And, just as her husband appears to have made very conscious decisions about his approach to death, Iman seems to be approaching the transition to life after his passing with the same hope, faith, gratitude and determination to overcome that she has displayed over the past year.  Today, she posted a quote from Rune Lazuli: “Each tear is a poet, a healer, a teacher.”

Despite her grief, which must be as raw as it is real, there is true graciousness in the way Iman has responded to her husband’s passing. There is also humility, intelligence, and — like her husband — a considerable amount of style.

There is, I suspect, a lot I could still learn from Iman Abdulmajid — not least of which is to rise.

 

 

My Little Friend

First World Problems.

It’s a catchy phrase, one that is probably as annoying as it is overused. But it doesn’t change the fact that, positioned as we are in our lives of relative privilege, we all have them.

Anyone who has dipped into the small, sometimes straggling stream of consciousness that is this blog with any regularity will know that I am prone to referring to inanimate objects as my friends, particularly if those objects are books. It’s even more likely if the books in question are about food or music (or more even more books).

Yesterday, however, I came to realise that there is one inanimate object in my life that falls into a category far beyond casual acquaintance. And while I will try to stop myself (in my moments of pseudo-grief and virtual mourning) from waxing lyrical like Anne of Green Gables about kindred spirits, it is with deep sadness that I have to report that my humble laptop — my cherished companion of several years, with whom I have shared many quiet and productive hours — is seriously ill.

I know, right? First World Problem — and yes, with Capitals for Extra Emphasis to acknowledge just how ridiculous this is.

But really, there’s a lot to like about my laptop. Until yesterday, and unlike my children, it did exactly what I asked it to, it didn’t answer back or throw tantrums, and it always stayed exactly where I left it. It didn’t mind when I used it to make up stories, or pour my heart out, or spend hours staring at its screen (sometimes blankly, other times distractedly if I happened to be looking at pictures of Tom Hiddleston or Tom Wlaschiha). As a freelancer, I can safely say it was my most reliable work colleague (with whom I may or may not have had various one-sided conversations), that it made an excellent travel buddy, and that it never, ever complained. Not even when I asked it to work stupid hours or make an impossible deadline.

It was with a heavy heart that I made the trek to The Bloke’s office yesterday, with my little friend tucked up in its favourite travelling case, to visit The IT Guy. Honestly, it felt a lot like the time I took my cat to the vet the week before the vet was kind enough to return the visit with a fateful (fatal) house call. I did, I’ll admit, phone The Bloke for several updates during the course of the day, but eventually The IT Guy admitted he was stumped, and began muttering darkly (or not — I wasn’t actually there, after all) about diagnostics and various other things.

And so, my little friend has been taken away.

I remain hopeful that we will be reunited, preferably in this world (I’m not certain they have blogs in the next one).

But please know that you are cordially invited to my First World Problems Pity Party, when we can all raise a glass wherever we might be in this world, whatever our particular petty predicaments may be.

Who knows, by then I might even have figured out how to add pictures to my blog posts while using the iPad…

 

Two Score

I turned 40 today.

Not surprisingly, the world didn’t end or spin off its axis, and the four horsemen of the apocalypse didn’t turn up either.

Instead, I spent yesterday and today surrounded by people I love, doing things I enjoy — and for that I am ever so grateful.

And now, feeling reflective and perhaps a little nostalgic at the end of a weekend well spent, I thought I might share something with you that means something to me. The footage is not mine, and like me it’s not perfect. But sharing it is my way of thanking you for being part of this crazy ride: a clip of U2 playing their beautiful song Bad in Berlin late last year, followed by the usual song they finish their concerts with.

Appropriately, that song is called 40.

 

Beyond the Bends

 

Pittwater

Pittwater and the Peninsula

This afternoon I took a lazy drive with my girls, wending our way up the Northern Beaches, heading beyond the Bends.

The sun is finally shining in Sydneytown after a week of relentless rain, and the temperature is on the rise too. Today we had no plans — just a vague idea about hopping in the car and driving north. And with The Bloke back at work and several more weeks of glorious summer ahead of us, that’s just what we did.

We cruised up the road, reveling in the beauty of the blue of the skies and the sea, taking it easy. One of the best things about summer holidays is not having to rush…

We stopped for lunch — burgers, because another great thing about the long summer break is getting to eat your main meal in the middle of the day if you feel like it — and then poked our heads into various shops before getting back into the car.

This time we headed briefly west, making the short trip across the peninsula from the beaches to Pittwater.  For me, it’s like taking a trip down Memory Lane…particularly when we drove past the holiday house that had once belonged to family friends when I was growing up. I found myself telling the kids that the first place I ever saw a koala in the wild was in their front yard, and then lost myself in a reverie of recollections as the road meandered down towards Clareville.

Christmas 2015 & Jan 2016 062

Summer skies…

The water was welcoming when we arrived, and the shade beneath the huge eucalpyts at the sand’s edge was deep.  We sat for a while, listening to the lapping water, watching the clustering cumulonimbus clouds on the horizon, searching for giant seed pods beneath the ancient trees. Time slows down during those moments…those lazy summer afternoons that new memories are made of…

Miss Malaprop fell asleep as we made our steady southbound journey home, while Marvel Girl stared dreamily out the window. And even now, as the first raindrops of that summer storm begin to fall, I still have a smile on my face.

Today, we had no plans…and it was wonderful…