Finding the Space Between

I love words.

They’re part of the holy trinity of things that make me whole: words, music, food.

These three things anchor my life, colour my world and fuel my existence. They allow me to express myself more meaningfully, feel more deeply, and to live more completely.

But, as The Bloke will tell you (and as he has even more frequently told me), sometimes I use words too much.

Especially with our children.

And, truth be told, I don’t always use my words in a pleasant way…but in more of a drawn out, repetitive nag.

Sometimes they even come out as a rant.

Or a tirade.

Or a garbled stream of complaints and admonishments.

My children are reaching the age when they either don’t need me so much any more, or when they firmly believe they don’t need me at all (and could I please leave them alone and perhaps also shut the door on my way out while I’m at it).

As you can well imagine, once you’ve thrown a bunch of elevated hormone levels into the mix, a politely phrased and modulated request to perform the most perfunctory of household tasks (the musical eqivalent of which would be Ralph Vaughan Williams’ The Lark Ascending) can produce such unexpectedly snarling, snarky response (think Yeah Yeah Yeah’s Heads Will Roll turned up to at least 11) that I frequently and ever-so-immaturely find myself retaliating in kind.

Sigh.

Things came to a head for me last week (though, fortunately, heads did not actually roll) after an especially super-charged exchange with my elder child, and I did what any self-respecting woman in her mid-forties does, if she still can: I called my mother for advice.

And a bit of a cry.

OK — it was a lot of a cry.

Who says we ever finish growing up?

Except we generally do grow up, and sometimes our mums aren’t always there to listen or helps us find the answers, or to guide us gently to the truth at the heart of the matter — which probably has something to do with the fact that you’ve managed to nurture your child to this point, and now they have reached the stage of their existence where they have to complete that same process you guided them through all over again, for themselves. And that you’ve given them a safe place in which to express themselves and to try out all the wildly different versions of their new, expanding sense of self.

The real question, I suspect, is not about growing up or finishing anything at all.

Because — naturally, serendipitously — once I’d processed the truth bombs dropped by my teenager and the truth pearls bestowed by my mother, I happened to open a book and there was a quote from Rumi which stopped my breath:

And you, when will you begin that long journey into yourself?

When indeed?

And so, that’s what I’m doing.

I’ve chosen to be quiet, and to witness my reactions from within. I’m not asking my children to do things any more — they’ve heard my requests thousands upon thousands of times, and they know what my expectations are.

And when my expectations are not met, I am applying what I call Silent Theory. Not a frosty, passive agressive silence, but a moment of taking a breath and stilling the response which would have so quickly come to my lips and spilled out as sound the split second after my children didn’t do exactly what I wanted them to.

Who, I now wonder, was the child?

It’s extraordinary what you discover in the space between, if you choose to begin that long journey into yourself.

Mind yourselves,

BJx

Sunrise

As you may have heard, Sydney was lashed by storms over the weekend. An East Coast Low brought torrential rain and fierce winds to our part of the world, along with king tides the likes of which we haven’t seen for many long years. Our little house survived unscathed, but only a few minutes’ drive away other dwellings weren’t nearly so fortunate: many near the lakes and lagoons were flooded; others along the beachfront were partially destroyed.

Today, however, the blue sky is striving to make a comeback, the sun is struggling through, and I’ve got some jazz happening on the stereo to blast away the remnants of what has been a very wet weekend. More specifically, I’m listening to one of the greatest jazz vocalists alive today: Kurt Elling.

Last Friday night, just before the downpour began, The Bloke and I were lucky enough to catch Kurt Elling in concert at City Recital Hall in Angel Place. I’ll be honest — I’m an unabashed Elling fan, and it was a bit of a dream come true to see him sing live.

Kurt

Kurt Elling…letting it fly.

And man, can he sing.

I don’t think I wiped the grin off my face from the moment he appeared on stage, singing his take on Joe Jackson’s “Steppin’ Out”, right through to his “Embraceable You” encore. And there were many moments along the way that made me nearly hold me breath, not wanting them to end — as a vocalist, the guy has some serious skills.

But one of the most interesting things about the night was the way Elling engages with his repertoire, reinventing pieces by imposing his own stamp on them — not only via the vocalese for which he is justly famous, but also by inserting his own lyrics into wellknown songs and turning them into something truly unique. Take Elling’s version of Duke Ellington’s “I Like the Sunrise”, for example, where he juxtaposes the original lyrics with ones of his own creation, inspired by the great Persian poet Jalal ad-Din Rumi. It’s creative. It’s clever. And it’s truly captivating.

And so, as storm-damaged Sydney cleans up after a wild weekend, here it is: sunrise, delivered by velvet-voiced virtuoso who really, really knows how to perform.

 

Rise

Iman B&W

Iman…supermodel, entrepreneur, wife, mother, photographed here in 1977 by Francesco Scavullo.

About eighteen months ago I started following someone on Facebook — a celebrity, no less. I am not usually one to click the Follow button simply because someone is famous, but there was something about what this person was posting — consistently — that often made me stop and consider. Or smile. Or laugh out loud.

That person was Iman Abdulmajid.

Of course, in the light of her (monumentally) famous husband’s death a month ago, the quotes and thoughts that Iman posted over the past year or so no longer surprise me: she knew, even though the world did not, that her husband of more than two decades was dying of cancer.

Looking back, the posts now have an added poignancy that I don’t think the passage of time will take away. In the week before her husband’s death, for example, she shared quotes like, “Life isn’t about avoiding the bruises. It’s about collecting the scars to prove we showed up for it”, and a thought from the poet Rumi: “Do not worry that your life is turning upside down. How do you know that the side you are used to is better than the one to come?”

But during the past year, in between sharing incredibly beautiful fashion photographs and promotional material for her husband’s Blackstar album, there were also thoughts that made me chuckle, such as “Sometimes you have to burn a few bridges to keep the crazies from following you”.

Overwhelmingly, however, there were messages of hope, of faith, of gratitude, and of determination to overcome. And the majority of the thoughts she shared she tagged with a single word: Rise.

Iman & DB

Iman and the inimitable Mr Jones in 2003, from a Tommy Hilfiger campaign styled by Edward Enninful.

It’s a powerful concept.

Rise, every day. Rise, above adversity. Rise, to the challenge — whatever it is.

Rise.

And, just as her husband appears to have made very conscious decisions about his approach to death, Iman seems to be approaching the transition to life after his passing with the same hope, faith, gratitude and determination to overcome that she has displayed over the past year.  Today, she posted a quote from Rune Lazuli: “Each tear is a poet, a healer, a teacher.”

Despite her grief, which must be as raw as it is real, there is true graciousness in the way Iman has responded to her husband’s passing. There is also humility, intelligence, and — like her husband — a considerable amount of style.

There is, I suspect, a lot I could still learn from Iman Abdulmajid — not least of which is to rise.