My Marvel Girl

Tom Hiddleston in his Loki costume doing it right...as usual...

Tom Hiddleston in his Loki costume with a young fan, doing it just right…as usual…

Well, I’ve written about Miss Malaprop, and now it’s time to introduce my other beautiful creature: Marvel Girl.

There are quite a few reasons why my firstborn is referred to on this blog as Marvel Girl, not least because she is currently obsessed by everything to do with the Marvel Universe and the Avengers, and by Captain America and Iron Man in particular.  Unlike Miss Malaprop, who — no doubt because of her age — is more likely to discuss these weighty topics in simplistic terms (typically, “Hulk, Smash!”), Marvel Girl is fascinated by the dichotomy between good and evil, by the characters’ back stories, by their particular powers and the price they pay to wield them.  She’s too young to watch the movies yet (any of them), but since The Bloke grew up on a steady diet of comics (reading and drawing them) he tells her what he can remember about her heroes and their various escapades, while I teach her about Norse mythology and read her stories of everything from Yggdrasil to Ragnarok — with a natural bias towards anything involving Loki.  And while it might be possible that she might have seen a certain video (yeah, you know…that one) from the 2013 San Diego Comic Con a few dozen times, I do have to admit that knowing my Marvel Girl can spot the God of Mischief (or Tom Hiddleston, for that matter) at twenty paces does make me one proud mamma.

But her love of anything to do with Avengers (or my completely unabashed love of all things Loki) is not the main reason why she is my Marvel Girl.  She is my Marvel Girl because she is also my miracle — the child who was born six weeks ahead of schedule, needed oxygen to get her lungs going, and spent more than three weeks in hospital before we could bring her safely home.  She’s always known the story of her birth in general terms but, strangely enough, it’s something I have only started discussing with her in any detail just today, when she came home from school with a questionnaire to complete for show and tell entitled “When I was Born”.  There were only three questions on the worksheet, along with a request that they bring in a photograph of them as a baby.  So, after chatting to her about it for a bit and filling in answers that she was comfortable with, we had a look at some of the photos from that time.  I picked out only a few to show her, briefly explaining what a humidicrib was, and why she had tubes and wires all over her, and doing my best to normalise the experience as best I could.  And my Marvel Girl, bless her, took it in her stride.

Avengers Christmas Decoration...you can get it from Etsy here.

Avengers Christmas Decoration…you can get it from Etsy here.

It’s such a privilege, for me, seeing her grow up.  Witnessing her personality unfolding, along with her quirky sense of humour (it’s definitely black around the edges…I can’t think where that came from), watching her graceful dancing and swimming, observing her crazy, compassionate and occasionally catastrophic interactions with her little sister.  It has been one of my life’s greatest gifts — knowing full well that her own life came perilously close to being over before it had even begun.  I’ve learned so much from her and from the experience of being a mother to her, and to Miss Malaprop too.

I can’t wait to watch all the Avengers movies with my girls — every single film and spin off!  And in the meantime, I’ll keep showing them snippets of what they have to look forward to, and encouraging them to keep believing in the people and characters who inspire them, fictional or otherwise.

Because I still believe in heroes.  And my Marvel Girl is one of mine.

Melbourne Cup 2014: Triumph, Tragedy and a Touch of the Tawdry

Ryan Moore rides Protectionist to win the 2014 Melbourne Cup (Photo by Robert Cianflone/Getty Images)

Ryan Moore rides Protectionist to win the 2014 Melbourne Cup (Photo by Robert Cianflone/Getty Images)

The Race that Stops a Nation.  I mentioned it in my last post as marking the final stop of the crazy train before it makes its reckless descent into the Silly Season, with its whirl of office parties and pre-Christmas drinks.

This year’s win, by Protectionist — the first German horse to win the great Australian race — was undeniably convincing.  British jockey Ryan Moore rode brilliantly, timing his run towards the post perfectly to finish the 3200m race a full four lengths ahead of Red Cadeaux, who placed second in the big event for a record breaking third time.

At our house, the win was celebrated with enthusiasm by Miss Malaprop, who had drawn Protectionist in the two dollar sweep at The Bloke’s office, and by Marvel Girl, who had picked Red Cadeaux in her classroom sweep and won points for her school colour house for placing second.  Yep — you read that right — her classroom sweep.  That’s how big this race is in Australia: at 3pm on the first Tuesday in November, just about everything stops as the vast majority of the population crowds around television screens, radios, or any other handheld device you care to mention, just to find out who will win the Melbourne Cup: schools, shops, businesses — everything but the betting agencies.  It’s so big a deal in Victoria that the metropolitan region of Melbourne has a public holiday.

Now, the Melbourne Cup wouldn’t be the race it is were it not for a spot of controversy, but this year it was for all the wrong reasons.  It wasn’t just about the use of horse whips, or about the fact that Australia lost over a billion dollars in a single non-productive afternoon, or even about the sordid Instagram feeds depicting inebriated young women passed out face down on the grass or vomiting into garbage bins track side.  It wasn’t even about the (very) public marriage proposal made by a canary yellow clad Geoffrey Edelsten to his (very) much younger partner Gabi Grecko in the presence of his estranged (but not quite divorced) wife and a bunch of bemused reporters.

No, this year it wasn’t until after the race was run that controversy — closely followed by its near relative, tragedy — came calling.

Here at home things went slightly awry when Miss Malaprop finally understood that she had won Daddy’s office sweep, not a horse, and that she wasn’t going to get to ride Protectionist at all. (Fortunately she’s a bit too young to realise that she is not likely to see her winnings from the sweep either — I’m still waiting for The Bloke to bring mine home from last year.)

But down in Melbourne, a much bigger drama was unfolding in the yards and stalls of Flemington Racecourse: Admire Rakti, the Japanese horse who had started the race as favourite and placed last, died of a massive heart attack, and Araldo, injured after being spooked in a post-race incident by a couple waving an Australian flag, had to be put down.  Two horses — two incredibly beautiful, gloriously honed, impressively muscled and impeccably trained creatures — were dead.

No, this year’s race didn’t just stop the nation.

This year, it made us pause.  And reflect.  And wonder whether our armies of once a year punters and frocked-up flutterers might have got this whole horse racing thing slightly out of perspective.

This year, I suspect many Australians realised — painfully, perhaps — that the big race, with all its pomp and pagentry and talk of track conditions and trifectas, simply cannot happen without the horses.  And that it might be time we took a long hard look at what life is really like for these superb equine athletes all year round, and not just on their day in the November sun.

Because if the Melbourne Cup is going to remain relevant as a national obsession, I think many Australians would not want Admire Rakti or Araldo to have died in vain.  Hopefully, in future years, we will look back at 2014 as a turning point in Australian horse racing, and we will honour both of these magnificent animals with a lot more than a minute’s silence.

The Flags are Up!

The Flags are UpSummer.  Glorious, sultry, turbulent summer — the subject of this Great Southern Land’s greatest love affair.

The season we yearn for, along every seaside centimetre of this vast island’s perimeter, in this sand and saltwater obsessed nation of coast-clingers.  Our time of glorious wonder, complete with severe clear skies and the solace of a seabreeze on a sweltering day.

It’s on its way.

Anyone born within cooee of the coast can tell you the signs.  It’s not just the rising temperature, the lengthening days, the lingering golden light of evening.

It’s the flags going up at the start of the Surf Lifesaving Season, and the banners advertising registration days for Nippers.  It’s in the sharp briny scent of the sea, the smell of sunscreen and surfboard wax.

It’s in the first incessant, maddening calls of the koel.  The thwock of cricket balls in the nets at the local park, as footballs are ditched in favour of willowtree bats and dreams of one day wearing the baggy green.  The crash of the screen door after the kids have been reminded for the zillionth time not to let the mozzies in.  The satisfying crunch of a Stelvin cap unscrewing from the top of a crisp Sav Blanc on a Saturday afternoon.

It’s the slide into Daylight Saving Time on the October long weekend, when altering the clock also requires adjusting your headspace, signalling the start of the great unwinding of the end of the year. The deep exhalation as we shuck off out shoes and slip into thongs — we’re talking footwear, here, people — secure in the knowledge that once the race that stops the nation is run on the first Tuesday in November it’s just a few short weeks until the rounds of office parties and Christmas drinks begin.

It’s in the grin that tugs at the corners of your mouth on the first really hot day, knowing that soon enough there will be six weeks of school holidays, of tracking towel-slung to and from the beach, of backyard barbecues and endless lawn mowing, of a whole season of sand being trailed through the house and ever-present in the shower recess, and nights so warm that the sheets are kicked off every bed in the house as cicadas shrill and the Southern Cross wheels overhead in the deep Antipodean darkness.

I felt that grin today.

Ah, Summer.  It’s really on its way.

Miss Malaprop

Miss Malaprop is my much-loved younger child.  Like most preschoolers she is relishing her first forays into the big wide world, working out what her personality feels like from the inside as we, in turn, discover what it looks like from the outside.  She is sensitive, extremely kind, quick-witted, hilariously funny, determined (sometimes to the point of stubbornness, at other times to the point of lunacy), has an alarming capacity to throw spectacular tantrums, and gets up to so much mischief you’d think she was the lovechild of Loki Laufeysen.  She enjoys reading books, dressing up, creating things (especially involving paint, tape, glitter glue, regular glue, well…anything sticky, really), and playing with — or more likely tormenting — Marvel Girl, her older sister.

Miss Malaprop also loves to sing.  Loudly.  Sometimes even in tune.  She particularly likes to sing along with the music she likes.  And, as you might have guessed from her pseudonym on this blog, she doesn’t always get the words quite right.

“WE ARE DONE WITH BEING BESIDE THE JELLY!” she belted out from the back seat of the car the other day (as I attempted to protect her tiny developing ego by stifling my mirth and narrowly averted driving off the road).  Lord only knows what the silent many — let alone the Madden Brothers — would have made of that one.

It seems, however, that Miss Malaprop is not particularly fussed what the lyrics really are.  We did try explaining to her, in the kindest way possible, that Sheppard are actually singing “Say Geronimo!” and not referring to a long extinct dinosaur in their recent hit.  I suspect she simply prefers to sing, “Hey Pteranadon” instead — she is a big fan of Tiny, Shiny and Don from Dinosaur Train, after all.

Wikipedia defines malapropism as “the use of an incorrect word in place of a word with a similar sound, resulting in a nonsensical, often humorous utterance”, and I must admit that in addition to finding it one of the funnier entries I’ve encountered spouting from that omniscient fount of all online knowledge, I particularly enjoyed that it included links to other linguistic wonders such as Bushisms and mondegreens.  Strictly speaking, my dear daughter’s pseudonym would be more accurate were it Miss Mondegreen, given that she is notorious for substituting words she knows (or thinks she hears) for the lyrics of the songs she likes to sing.  But since malapropism is derived from the French mal à propos, meaning “inappropriate”, and she is equally renowned for making statements or asking questions that are as untimely as they are unsuitable (such as proclaiming — loudly, and with great solemnity — that “Ruth’s father died!” when he is actually standing right behind her) , I have retained my original choice.

And despite her occasional indiscretions and musical blunders, Miss Malaprop is never, ever intentionally malicious. Rather, she is one of the most empathetic and considerate little beings I have had the privilege to meet, and the vast majority of the time I am more than proud to be her mum.  She is the sort of child who, if yoiPhone photos 158u appear to be at all down in the dumps, will attempt to rally your spirits with a rendition of her own inimitable version of that old favourite from The Jungle Book movie:

Look for the bare necessities
The simple bare necessities
Forget about your worries and your STRIPES!

Take that, Shere Khan.

 

Scavengers

iPhone photos 003

An unusual sight greeted me when I opened the bedroom curtains early one morning this week: a small boy was being pushed down the street, perched Raja-like on top of a monstrous cane lounge – we’re talking at least a two and a half seater, here people – which was, in turn, balanced precariously on a wheelbarrow.  Now, we’re a pretty open-minded bunch in our neighbourhood.  We don’t usually bat an eyelid at some of the crazier stunts people pull, particularly if they’re done outdoors; in fact, we generally go out of our way to celebrate them.  In my pre-breakfast, non-caffeinated state, however, the sheer spectacle of this young child grinning triumphantly atop his ramshackle rickshaw made me look twice.

At first I thought I wasn’t the only one being slowed down by this strange sight, as a cyclist rode up the road far more sedately than is usual for these parts, looking slowly from side to side like a spectator at a tennis match.  A super slow-motion tennis match, though.  You must remember, I had not yet had that first, sacred, life-restoring cup of tea that morning (I am one of those people who probably needs a mug like this).  But after staring blankly out the window a while longer and eventually noticing the piles of rubbish scattered up and down the nature strip, the reason for all the odd behaviour I had witnessed finally dawned on me: it was Council clean up day.

I have, at best, an ambivalent relationship with Council clean up.  There is a part of me — the organised, fastidious, list-ticking part of me — that adores Council clean up.  Relishes it.  Cannot wait to declutter the house and yard of anything broken down, outgrown, or simply incongruous.  This part of me actually gets excited when, once every six months or so, the leaflet arrives in the letterbox advising when bulky goods may be left out for collection by the local Council.  Or by the wheelbarrow-owning fathers of small boys who spy a decent-sized lounge in a neighbouring street and think, “That’s it!  The perfect couch for the back deck/man cave/mother-in-law’s new nursing home…”

And that’s right about the point when the other part of me begins to emerge.  The part that worries about where all this stuff is going to be put.  The part that threatens to have an anxiety attack when combinations of words like “mindless accumulation” and “conspicuous consumption” and “built-in obsolescence” are mentioned.  The part that gets more than a little concerned when even the kids’ eyes begin to glaze over as we drive along, eyeing the endless piles of busted vacuum cleaners, rusty laundry airers, plastic tricycles, high chairs, mattresses, snow skis, lamp shades and broken bookshelves, aiming to spot a prize in the midst of all that trash.

You know it’s true.  Council clean up turns us all into Scavengers.

I don’t mean the professional Scavenger types, who creak in from parts unknown driving their cage-backed utes and trucks piled high with scrap metal salvaged from the suburban hordes to be sold off in places equally obscure.  No, I’m talking about ordinary folks, supposedly normal people, who suddenly feel compelled to drive slowly down streets they would normally pass through without so much as a sideways glance, trawling for more stuff.  I know that I’m guilty of it — especially if The Bloke is at the wheel.  I can almost feel his blood pressure rise as I ask him to “just slow down a bit, for a minute,” as we pass a particularly spectacular pile of…whatever it is.  I have definitely seen his fingers tighten on the steering wheel at hearing such a request, and I’m pretty sure that one time I even heard him grinding his teeth.

And why not?

Because this is where we come to the core of the problem, the beating heart of my bipolar response to the biannual dumping/scavenging spree. I am grateful that my local Council makes the effort to provide a Resource Recovery Centre (formerly known and used as a tip), and that nearby government buildings such as a recently renovated Community Art Space were transformed using reclaimed materials.  I am also thankful, for the sake of my sanity and a (hopefully) cleaner, tidier and safer home, that the same Council provides bulky goods clean ups twice a year, and encourages residents to have garage sales ahead of those collections to reduce waste.  I even feel indebted to the Scavengers who pick through whatever we put out on the nature strip, and was more than a little relieved when this time they took away more than half of what we had discarded there.

But my mind truly boggles at the thought of how quickly our remaining pile of stuff, when combined with everyone else’s pile of stuff, adds up.  And it really bothers me that everything that is collected goes straight into landfill faster than you can say “Ikea flat-packed furniture”.  It’s what makes me teach my kids how to separate rubbish from recycling, and to donate toys to charity every year before their birthdays and Christmas.  It’s also part of what gets climate scientists like these, who really know what’s going on, even more worried than I am — and, in my view, justifiably so.

I know I’m far from perfect, that I could do much better in the environmental stakes than I am doing right now.

But I am learning to tame my inner Scavenger.

And I am also becoming increasingly aware that we don’t just have to stop destroying our planet because it’s where we keep all our stuff — it’s because it’s where we all live.

 

 

 

Just Getting it Out There…

Last weekend, having a rare evening to myself, I sank into the sofa with a glass of red wine and watched Only Lovers Left Alive, Jim Jarmusch’s take on urban decay and modern life (more decay) through the eyes of a disillusioned and depressed vampire.  I had been wanting to watch the film for a while, and its languid pace and dark palette suited my mood perfectly.  Not to mention the fact that the inimitable Tom Hiddleston plays the part of the disenchanted vampire, Adam, opposite Tilda Swinton as his blood-sucking though weirdly ethereal wife of many hundred years, Eve.

“I’m sick of it—these zombies, what they’ve done to the world, their fear of their own imaginations,” Adam complains to Eve, compelling her to travel from Tangiers — all night flights, of course — to where he is living as a reclusive and very reluctant rock star in Detroit.  The suggestion that it was possible to live in fear one’s own imagination was one of three things that stayed with me long after the film was over.

The second thing that lingered for me was the film’s soundtrack, comprised mostly of moody guitar riffs in minor keys, lit up towards the movie’s climax by a mesmerising performance by Lebanese singer Yasmine Hamdan.  I had not thought the music would remain with me for so many days afterwards, but strangely enough there it was, the memory of it filling my ears at unexpected moments.

And then, finally, there was the idea of “getting the work out there” which posed such a problem for these long-lived vampire types.  How is it possible for a vampire to create, publish, record or (gasp!) perform, without revealing something of their identity or, shall we say, the “peculiarities” that constrain their nocturnal lives?  And what of the “delicious chaos”, as Eve puts it, that would result from owning up to authorship?  As Andrew Tracy says in his review of the film, “[t]hrough equal parts design and conceptual confusion, Jarmusch sets up his vampiric protagonists as both the secret source of some of our culture’s greatest accomplishments and admiring, discerning critics of the best that we have attained, both participants and observers.”

So why did this third idea, in particular, haunt me?

Because I am neither a vampire, not any other sort of immortal.  The problem of “getting it out there” is not one that I face.

Nor am I afraid of my own imagination.

And so, here it is: my first blog post.  It won’t be Shakespeare (or Marlowe), it won’t be Mozart (or Salieri) either.  What I write here may never be great, or even particularly good, but it will be mine.